When the Oasis Band arrived on the scene, it was a sight to behold. The whole red carpet was boiling, and the dazzling red seemed to be injected with vitality, like an oriental dragon tossing and turning in the sea of clouds, setting off pieces of clouds dyed gold, and the colors of the sky and the earth were so bright, so colorful, so bright.

Noel Gallagher opened his mouth to say something, but found that his mind was blank and he couldn't even curse a foul word, and for the first time he realized that his vocabulary was so poor.

Until tonight, Knoll told himself that Glory to Death was just a sales advantage, nothing at all, their music was garbage, the rock represented by the Oasis Band was the future development direction, and the Oasis Band was the existence that could shine in the long river of history, and Glory to Death was not worth mentioning at all, just a clown jumping off the beam. So, tonight Knoll has strong faith that the Oasis can crush Glory to death at the Grammys, and then let them take a breath of evil.

But at this time, Knoll suddenly understood that in fact, the Oasis Band and Glory to Death were no longer on the same level. It has nothing to do with sales, it has nothing to do with the Grammy Awards, the spirit of rock and roll condensed in Glory to Death, the power that flows in the blood, it makes people look sideways, they have the ability to shake people's hearts, they have the ability to bring rock back to life, this is the best thing about Glory to Death - even the greatest.

Even in an imaginary world, "Tempest" lost sales to Mariah Carey, Oasis; Even in the dream tomorrow, the band Oasis will go to the Grammys tonight and go home empty-handed...... But in the fantasy of the distant future, glory to death is the one who can leave a mark on the annals of history, not the Oasis band.

At this moment, this minute and second, Glory to Death is far ahead of the Oasis Band, and the "bang" sound of support shook the heavens and the earth, so that the soul couldn't help but follow the response.

Realizing this, Knoll not only did not have the anger he imagined, on the contrary, he was also somewhat relieved. Because glory to death and they are not at all on the same level, there is no need to feel ashamed of losing to them.

It's like the Beatles, the Rolling Stones, Queen, Nirvana, these great beings. Of course, the strong sales, the numerous awards, and the outstanding reputation are all evidence that they will go down in history, but in fact, their real "greatness" is the impact on culture, which is deep into the bone marrow of every person and the soul of the entire society, which cannot be reflected by any substantive data. They will only choose to pay tribute to these bands, not to fight them.

Much of Oasis' musical inspiration comes from the Beatles, and Knoll never denies it. Now the glory to death reminds Knoll of the Beatles.

"Him. Mother. of. Raised by a child, shameless cheap, ...... goods" A foul curse came faintly and intermittently, and Noel turned his head to see that it was his younger brother Liam. At this point, Liam's face was full of rage, and he spat a mouthful of phlegm to the side rudely, and then cursed repeatedly, and the foul words became more and more unpleasant.

Knorr wanted to tell Liam what he thought, but when he saw Liam's anger of "not afraid of heaven and earth", he seemed to want to roll up his sleeves and go forward to fight the glorious team members. Knoll suddenly realized that he couldn't know Liam better, and Liam couldn't have understood his thoughts, and even sneered at him, as if the two of them had different ideas about the album "Stay Here".

Knoll thinks that the album "Stay Now" is five sucks. Card. Because, what a man who doesn't care about anything does when he's bored in the studio, there's no thought, there's no emotion, all the songs don't matter, and Liam isn't even singing. This album is so different from their first two albums that it can't be discussed on the same level at all.

But Liam thinks it's a good idea to "stay here", and he thinks that the idea that Oasis' first two albums were better can be thrown to the gutter, and to hell with the first two albums, those are all in the past. "Stay Here" represents where they are, which is their highest level, and this album is not only good, but also excellent, far surpassing the previous two albums.

Noll and Liam have been at odds for a long time, not for a day or two, and that disagreement will continue to be divided.

So, Noll swallowed the words that came to his lips and looked at the angry Liam in front of him, feeling extremely ridiculous. Then, Knoll took the initiative to take the lead on the red carpet, leaving Liam, who was still scolding, behind.

Glory to Death stayed in the photo area for a full ten minutes, Knoll went straight to Staples Field first, while Liam and the other members of the Oasis Band stubbornly stopped next to the side and waited, waiting for the photo and interview of Glory to Death to end, and then walked to the photo area and was interviewed.

Hugo looked back at the swaggering Liam Gallagher, left and right, but did not see Noll, and finally his eyes fell on Liam. Hugo couldn't help but find life very interesting. Hugo has always loved Oasis' music, and it is undeniable that their first two albums were truly amazing, but the Gallagher brothers showed inexplicable hostility to him when they first met at the Junjie Festival, and since then, the two bands have continued to move in opposite directions, and finally stood in complete opposition positions.

"Stay Here" eventually created a brilliant record - a glory that does not match history, and became the most commercially successful album of Oasis to date, so does the development trajectory of Oasis still follow the pace of history?

Hugo retracted his gaze, directly ignored Liam's deliberately defiant eyes, turned around and walked towards the entrance of the award ceremony venue with his teammates.

After entering the venue, Glory to Death immediately became the center of attention, and many people took the initiative to come forward to say hello, not only Celine Dion, Babyface, Brian Adams, Sting and other long-established big names, but also Pumpkin Crush, Alanis Molisette, Sound Garden, Alice Prisoner and other rock peers, as well as many unnamed senior producers in the circle, music agents, etc.

This made both Neil and Foquin a little uncomfortable, with Pedro and Alfonso saying that "I felt it last year", but lamented soon afterwards that "this year is too exaggerated". Hugo knew that this was because Glory to Death had truly gained recognition in the circle, not only for rock and roll to regain its place in the mainstream market, but also for rock and roll to regain its place among the leading professionals.

In fact, before the awards ceremony, Hugo defeated four other veteran producers, including Babyface, to win the Non-Classical Producer of the Year award, which already says a lot. As a producer, Hugo is now among the top ranks, and the fact that all three albums of glory to death were produced by Hugo is enough to prove everything.

By the time the staff said that they could enter the venue one after another, the members of the glorious to death were already sweating profusely, and except for Hugo, who was able to cope with it, the other four people were almost overwhelmed. Strictly speaking, this is only their second appearance at the Grammys, and they are not flattered by the difference in treatment, but feel like lambs to the slaughter - the cruelty and directness of Vanity Fair are presented in front of them without any disguise.

After entering the scene, Glory to Death was arranged next to the crushed pumpkin band, in front of the Cohen band, who came out of nowhere last year, and in the back was the Stone Temple Guide band, which has always occupied a place in the mainstream market. Obviously, the Grammys have taken rock and roll more seriously than ever this year, not only giving corresponding recognition to the nominations, but also inviting a number of rock bands to the scene - and more importantly, most of these unruly bands have come in person.

The awards gala was held at Cher Crowe, Tracy Chapman. Chapman) and Brian Adams, the three rock singers, teamed up to kick off the stage. The choice of the Grammys is obviously not made randomly, although considering the problem of ratings, the opening performance is bound to be the handiwork of CBS TV, but this choice still shows the ambitions of the Grammys this year.

In this way, it is clear that Hardway Carr personally went to Berlin to invite glory to death.

The opening performance excited the whole audience, and the charm of rock and roll was enough to awaken every bit of enthusiasm in people's bodies. Immediately, the awards ceremony officially kicked off, and the first award was the award for best rhythm and blues song.

I have to say that the Grammys are indeed old foxes, and their careful arrangement can be seen from the opening performance to the opening awards. Rhythm and blues have been the mainstream trend of the entire market in recent years, and even surpassed the trend of pop music to lead the American music trend, and Maria's "Butterfly" album incorporated a large number of rhythm and blues styles, which was well received. The choice of rhythm and blues is undoubtedly a buffer against the choice of rock for the opening, which can ensure the ratings; And the selection of the Best Rhythm and Blues Song award is meaningful, because the list of nominees alone is already full of highlights.

Maria's "Sweetheart" and Whitney Houston's "Burnout" both won nominations, and the head-to-head matchup between the two was enough to grab everyone's attention; Donnie Breston, who has risen strongly in recent years, is known for her "You're making me happy. Makin’。 Me。 High)" finalist, Luther Van der Rews, the godfather of rhythm and blues. Vandross) with the single "Secret Love (Your. Secret。 Love)" also got a nomination spot.

Each of these four candidates is absolutely strong, and anyone who wins in the end is worthy of the name; Even more striking was the last nominee, which was won by the glorious "Waiting." On。 The。 World。 To。 Change）”！