Chapter 285: Tang Bohu's True Writings and Inheritance (II)

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"Ladies and gentlemen, please help me take a look at this painting."

He Qing was staring at the ethereal "treasure light" in mid-air and fell into deep thought, when someone hurriedly approached.

It was an old man in his sixties, wearing a pair of glasses, and he had a sven appearance, and at first glance he knew that he was the kind of highly educated old pedant, like a professor.

When the old man came over to make a request, He Qing's "train of thought" was interrupted by him.

So, He Qing shook his head and looked intently at the visitor who was already standing in front of him.

"Sir, please take a seat." He Qing then nodded politely at the old man and said.

The intense "treasure light" that he had just looked at carefully was emanating from the antique in the hand of the person in front of him, and it could be seen that the thing that the other party had brought for identification was extraordinary.

And in fact, just now, He Qing had already seen the ins and outs of that thing unconsciously, but due to the tight time, he didn't have time to see it clearly, but he could watch it a second time, a third time, after all, he hadn't used the ability before this today, he had just used it once, and there were still two chances left.

"Thank you." The old man hurriedly nodded in thanks, and then sat down on the chair in front of He Qing.

It was obvious that he was a little nervous, even more nervous than Boss Long just now, and before he took out the thing, a thin layer of cold sweat oozed from his forehead, it seemed that the thing was very trivial to him, but he was very worried that something was wrong, or that there was something flawed.

"Excuse me, sir, what treasure did you bring?" He Qing then asked with a smile.

He was a bit of a knowing, because he already knew in his heart what the antiques that the other party had brought for appraisal were.

"Brother He, it's a painting, please help me palm my eyes." The old man replied.

After finishing speaking, he saw that he carefully placed the long black bag in his hand on the identification table, and then unzipped it and took out a pair of scrolls from it.

"It's this long scroll, a very long hand scroll, several meters long." The old man introduced some information about the painting he had brought, and handed the scroll to He Qing.

After the antique was put out, the old man's face became redder and redder, and his nervousness was beyond words.

He Qing said: "It's better for you to open it yourself, just put it on the table and show it to us." ”

"yes, okay." The old gentleman nodded hurriedly, and then placed the painting on the table, untied the rope, and slowly unfolded it.

When he unfolded the painting, He Qing and Zheng Lao and other experts looked at it intently, and at the same time attracted a lot of curious eyes.

However, at this moment, except for He Qing, no one knew the true origin of the long scroll.

As the painting gradually unfolded, everyone soon saw that it was a figure painting, which looked more colorful and the characters in the painting were lifelike.

Although the color of the painting is relatively bright, it also has an ancient charm, just like an ancient painting.

"This is Spring. Gong Tu! ”

When the long scroll was unfolded, some people in the crowd couldn't help but exclaim, presumably seeing what they had learned.

"The stamp at the place of payment is Tang Bohu's seal!" Immediately afterward, someone shouted in amazement.

In this regard, He Qing and the others naturally noticed that when they found out that the picture scroll displayed in front of them was related to the famous Tang Bohu of the Tang Dynasty, people in the industry, including many experts, couldn't help but be surprised.

Tang Bohu can be said to be one of the most famous painters in ancient China, and his works are certainly eye-catching.

It's just that the style of the painting in front of me seems to be a bit weird, and the painting is not landscapes, flowers and other objects, but is composed of many figures.

Although connoisseurs who understand calligraphy and painting know that in addition to landscape painting, Tang Bohu is also very good at painting people, but no one has ever seen any of his paintings depict so many characters.

This is definitely a very alternative work by Tang Bohu!

What's even more surprising is that the groups of figures in the painting are composed of a man and a woman, and the ambiguous behavior between men and women makes people reverie.

Therefore, someone just called it "Spring". Gongtu", which also has a certain amount of truth.

Although the men and women in this painting are not so violent and revealing, and appear more subtle, the theme is obviously similar to that of the "Spring" in the court. Gong Tu has some kind of intrinsic relationship.

After the old man's painting was all displayed, many people in the audience began to talk in a low voice, and it could be seen that they were not optimistic about that painting, thinking that Tang Bohu would not paint such a gaudy painting, and few paintings from the Ming Dynasty that have been handed down to this day have been preserved so new.

The painting is either an old imitation, or a new work that has just been painted for a short time, and it is absolutely impossible to be the real work of Tang Bohu!

"Brother He, please take a look." Seeing that the response did not seem to be good, the old man became more and more nervous, and cold sweat rolled down his forehead, as if he had suddenly encountered something that frightened him very much.

"Well, don't worry, we'll take a good look." He Qing nodded, then he turned his head to look at Elder Zheng and Elder Deng, and asked, "Master, Elder Deng, what do you think?" Judging from the withdrawal, this is Tang Bohu's "Eight Beauties Competing for Spring Picture Scroll". ”

Zheng Lao replied solemnly: "The painting is good, the paper and the quality of the picture have the style of the Ming and Qing dynasties, it should be an old thing, but I have never seen such a long painting of Tang Bohu." ”

As he spoke, he and Deng Laoshuang both stood up, and at the same time, other experts also got up, and everyone came over to take a closer look and discuss.

After a long time, I only heard Deng Lao explain one by one: "...... Like Qiu Ying, Tang Yin's beauties also have three major characteristics: first, a little white forehead; Second, the tip of the nose is a little white; Third, the lower jaw is a little white. This so-called "Tang Sanbai" is usually a criterion used to identify the authenticity of Yin paintings. From this point of view, the painting has that characteristic, and each figure has its own characteristics, which are outlined in great detail. ”

"Yes, yes......" Many of the rest of the experts nodded in agreement.

Still, they didn't dare to be sure, after all, that spring. There are still many doubts in the long scroll of "Palace Map", which is unpredictable for a while.

When the experts were carefully inspecting the painting, He Qing looked intently at the dazzling "golden light" rising above the ancient painting.

In the blink of an eye, he saw Tang Bohu's "Spring" through his eyes. The ins and outs of "Gong Tu".

The truth is that there is no doubt that something is genuine!

And not long after his thoughts were withdrawn from the "space-time tunnel" that spanned hundreds of years, his brain thumped.

Immediately, countless new memories poured into it like a spring.

It turned out to be the painting technique of a generation of merry and talented Tang Bohu......