PS: After uploading it yesterday, I forgot to post it. I'm sorry, but I was really sick yesterday. After the code is finished today, I found out when the upload was ready to be released.

Sorry again, but this break was a bit of a surprise.

Busy with work and in poor health, he has now become a frequent visitor to the hospital. There is no guarantee that the book will be updated, but I can still guarantee that the book will be completed continuously, even if the book has a poor grade. Yesterday's interruption was really unexpected. I'll pay attention to it in the future, I hope you understand!

When my body is better, I will try to do more. During this time, there will be fewer updates, but there will be no breaks, forced code words, the body can't support it, and I don't dare to guarantee the quality, forgive me!

Chapter 288: The Five-Part Flood Famine?

Only those who write a script know that if you want to write a script overnight, it is simply impossible. Just like Wen Yi, even if there is the original version of the previous life as a reference, it is impossible. After all, it is impossible to completely replicate his memory. Even if it's a complete replication, there are still a lot of factors to consider to get into.

Wen Yi wants to adapt ancient myths and bring them to the big screen. Although there are the settings of many novels in previous lives as references, there are also many plots of novels that can be used as references. But there are so many things that need to be consulted.

is like the twelve ancestral witches that appear in the novel, there is no such name in history. Its name is just "The Classic of Mountains and Seas", which appears in "Huainanzi".

Just like the corpse of one of the twelve ancestors, if you don't check the information, how will you know that it comes from the "Great Wilderness East Classic". His words: There is a god, a human face, dog ears, a beast body, and two green snakes. The name is more luxurious than the corpse!

If you quote the ancient myth of the flood set in the novels of the previous life. If the appearance characteristics of the Twelve Ancestors are not clear. How to make zuò special effects, is it just to show people with the appearance of people, there is no change. So how do you represent witches and demons, rather than people?

If so, it is undoubtedly a failure. Lich, lich, witch and demon, and human race can not be clearly distinguished, how to shoot the film is He Muyang. You can imagine it.

Wen Yi actually planned to quote this setting from the novel in his previous life. At least in Wen Yi's view, those settings, which connect many ancient myths, at least on the basis of logic, are still more reasonable.

Yi browsed a lot of mythological novels on the Internet today, and they were very similar to when a certain novel appeared in a previous life. As far as fantasy novels are concerned, the fairy heroes of the East are overwhelmed by the magic of the West!

And this is still in the Huaxia I web novel!

The system of Western fantasy is large and rigorous, dwarfs, elves, orcs. Dragons, but also angels and demons. There is more to write about; Compared with Xianxia, the characters who come and go from "Journey to the West" and "Fengshen List", and even make a god realm that is neither east nor west, does make people have an urge to spray rice.

At least, for Wen Yi who has seen countless novel settings in his previous life, he does want to spray rice.

The boss of cultivating immortals is to die, that is, Yuan Shi Tianzun, Lao Tzu. The boss of cultivating Buddha is Rulai, and the boss of cultivating demons really has no choice, so he will make a Chiyou, or directly demonize the master of Tongtian, over and over again, just a few people who come and go, all of them are written badly, and there is nothing new to say, as for why they are the most powerful? What's a great way? But I don't understand!

And above the momentum, there are some congenital deficiencies! There is no atmosphere at all!

In the previous life, the "Buddha is the Way" of the divine machine, the setting in it is undoubtedly amazing, which is why after this book, there are countless works that follow the trend, but none of them are surpassed, not even Cheng dù who has reached the "Buddha book".

Hongjun is the boss, the following branches, people's teaching, expounding teaching, Buddhism, Shura The boss is clear, the books we read when we were children, the stories we heard, the characters in it have all found the organization, and even the demons and monsters mentioned in some ancient books such as the "Classic of Mountains and Seas" have been classified and summarized into the witch clan and the demon clan one by one, and the whole world of gods and demons is magnificent and magnificent, with clear hierarchies, which makes people scream.

"A Chinese Ghost Story", a ghost film adapted from Pu Songling's "Strange Tales from Liaozhai", and "Shushan Swordsman", which was adapted to the owner of Huanzhu Mansion, seem a little stingy in Wen Yi's opinion.

It may not be impossible to make a series of movies to shoot the ancient myths of the "Flood Famine" period, and even to run through the mythological stories of the entire China.

However, the first part of the series is crucial. If the first one is a bad one, then the sequel is a joke.

A movie, at most, is more than two minutes, and it is impossible to cover everything, so it must be a main line. And this main line, Wen Yi considers whether it is based on chronological order. For example, from the opening of Pangu to the end of Journey to the West

As for the story, Pangu opened the sky, just him and an axe, naturally there is nothing to shoot, at most it is just a shot. Moreover, Wen Yi has already thought about this scene and placed it at the beginning of the movie.

The story naturally starts from the so-called immeasurable tribulation. For example, the first part filmed the Lich War, the three religions stood side by side, the second part filmed the battle between the human emperor, that is, the battle between Xuanyuan Yellow Emperor and Chiyou, and the third part naturally filmed the battle of the gods and established the heavenly court. The fourth part can shoot Journey to the West and the spread of Buddhism to the East. You can even shoot the fifth part, God returns to the world.

Didn't the battle of the gods shatter the Flood Continent, and didn't the gods reach the Earth Immortal Realm? So what will happen if these immortals are directly returned to the earth? Of course, it is impossible to shoot any immortal battles. Mortals are ants, no matter how advanced technology is, it will not help. After all, who let the first few installments make those guys too bad.

However, Wen Yi was not in a hurry to think about this at all. At most, this foreshadowing was laid in the first part.

No matter how many films can be filmed, the starring role of each film is definitely different. However, Wen Yi plans to directly let the protagonists of the five parts appear in the first part.

For example, the protagonist is set as an astronaut who flies to the moon, inadvertently promotes the taboo of the Guanghan Palace, and then meets Chang'e, who begins to tell the story of the flood and famine.

The Lich War is the main story of the first film. The selection of the hero and heroine undoubtedly has to be considered in many ways. And love is undoubtedly an eternal topic.

Therefore, Wen Yi plans to make Hou Yi and Chang'e the heroes and heroines. And also with their love as the bright line. With Lich Craft as the dark line. Myths and legends such as Kuafu's chasing the sun, Houyi shooting the sun, and public anger touching Buzhou Mountain are connected together.

Wen Yi is not a professional screenwriter, but he was also exposed to it when he was studying directing. Most of the research is also about the formed script. Before, there was no bothering to have the original version as a reference. After writing the original script of "Kung Fu", Wen Yi wrote the script and had some of his own experience. There are some differences from those professional screenwriters.

Of course, the new film must have put more thought into it than "Kung Fu". After all, the story involved in the movie "Kung Fu" is simple. And it's a simple straight line storytelling. It can even be said that there is no plot to talk about.

But this film. Although Wen Yi has not yet been named, he knows that after all, many ancient myths and legends have been connected, and if there is no logic in the series, it will undoubtedly become a joke. A plot without logic, is that still a plot?

Therefore, when Wen Yi wrote this script, the first thing that came to mind was to use light and shade as the main line, and to pass on these myths and legends logically.

At the beginning of the film, it is naturally Pangu to open the sky. But it's just a simple picture that flashes away, and then the astronauts go to the moon. inadvertently prompted the ban of Guanghan Palace, strayed into it, saw Chang'e, and then listened to Chang'e's story about the flood and famine.

Time directly crosses from modern times to ancient times, which gives modern audiences a sense of substitution.

Then Zixiao Palace Hongjun's sermon flashed again, and then Nuwa pinched the soil to create people to become holy with merit, and the human race was drowning, and the flesh and blood contained the essence of heaven and earth, so it was mostly food in the mouth of the demon clan. Then people made bricks and wood to make fire, practiced the fire of heaven and earth, and rejected the demon clan, and was regarded as an ancestor. There is a Chao clan to build a house and gather people, and he is also one of the ancestors of the adult with great merit

Of course, these will not be shown in the plot, and in the end they will be revealed in the dialogue.

The film begins with the Demon Clan's attack on the Terran village. And the heroine Chang'e is naturally among them. She followed the fleeing crowd to the land of the Wu clan to seek rescue and protection, and Chang'e was rescued by the great witch Houyi here, and the two fell in love at first sight and became husband and wife.

However, when Hou Yi rescued Chang'e, the Peng demon who was shot to death with a scissor was the son of the demon master Kunpeng. In order to avenge the murder of his son, he provoked the contradictions between the lichs, and instigated the ten sons of the demon emperor Emperor Jun to find the bad luck of the witch clan. This also laid the groundwork for the Lich War.

Emperor Jun is the demon emperor, conceived by the temple, his ten sons thought that it was the body of the golden crow, they looked for the bad luck of the witch clan, and there was a ten-day empty, praising the father to chase the sun.

Then there was Hou Yi's move to shoot the sun, Chang'e went to the moon, and the Lich War broke out.

When the context of the event appears, then it is a setting of the characters. The people involved, their personalities, dialogues, and actors' appearance requirements all need to be carefully considered.

Of course, this has shifted from a screenwriter to a director.

The first protagonist is undoubtedly Hou Yi. The first heroine is naturally Chang'e.

Hou Yi is a witch clan, and he is a great witch, and his force value is naturally not ordinary, but compared with the ancestral witch and so on, it is naturally not enough. Appearance requirements, naturally have a certain height, and a strong figure. It can't be too rough, it must be a little handsome.

Of course, Wu Wenyi is set up as two images. The fake body is the human appearance, and the real body is the body of the Great Witch, depending on its clan, which requires a lot of information and then sets it yourself.

Just like the fake body of the ancestral witch's extravagant corpse is played by a human, and the real body of the ancestral witch is a human face, dog ears, a beast body, and two green snakes! And these, naturally, depend on the special.

The Twelve Ancestral Witches and Xiangliu are all described, so naturally there is no need to waste much thought, but if Hou Yi's own information appears in person, if he wants to get the body of a great witch, it needs to rely on imagination.

The main character? naturally has the aura of the protagonist, and naturally can't be ugly. And Hou Yi is the image of a hero, so naturally he can't get any cute, cute or something. He needs a "mighty and domineering" and very handsome big witch real body.

In addition to considering the cost of making the real and the fake, it naturally takes into account a sense of substitution for the audience, and it can also distinguish the human race and the witch race.

What's more, Wen Yi wants to use the transformation of the Wu clan to directly blow up the werewolf transformation in Western magic movies. Let Western foreigners know what transformation is, their werewolf transformation is too petty. (To be continued......)