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A young man, a young man, Cha Tae-hyun and Sun Yanye didn't care that this was in public, so they discussed how to treat their lovers in such a whisper, and after Cui Xi-eun came back, he tacitly closed his mouth and honestly followed Cui Xi-eun home behind him with his things in front of the coolies. (Please search, the novel is better and faster!)

Because of the piano matter, Sun Yanye's return to the home became fast, and even with Choi See-eun and Cha Tae-hyun, he could only cooperate to speed up.

As soon as he returned to the apartment building, Cui Xien saw the staff of the piano store waiting, chatted briefly, and paid a handsome tip, but in twenty minutes, the staff of the piano store moved the upright piano to Sun Yanye's room.

In the room that is not empty, there are still a lot of empty seats because of the place specially reserved for beds, tables and chairs, but with an upright piano, at least there is something to see.

"Yanye, give it a try?" Cha Tae-hyun can be said to know nine out of ten tricks about the piano, and he doesn't know anything, but it doesn't prevent him from having a sense of novelty about the piano, and invites Sun Yanye, who bought the piano.

"Me? I'll forget it, I haven't officially started learning yet, how about Sister Sien play a tune? "The technique is not good, that's called offering ugliness, I haven't learned it at all, it's purely looking for scolding, Sun Yanye, who has never been in contact with the piano before, can't play a complete tune by asking himself, even if he can read the staves, he can also play the chromatic harmonica, it's better to look at the craftsmanship of Cui Xien, an experienced person, isn't it more pleasing to the eye.

"Hmm...... Okay, just play a "Dedicated to Alice", you pay attention to the leaves, you understand the staves, this has saved a lot of effort, so at present, your main task is to recognize the role of each key, learn the skills on the fingers, etc., and that's all I can teach, as for the soul in the performance or something, that is the category of a master pianist, and you can get in touch with nature in the future, if not, as long as you make sure that the song is enough. For the piano, Cui Xien thinks that he has only walked a few steps earlier than Sun Yanye, and proper guidance is okay, but if he has to be a guiding light all the time, it will be a little incompetent.

Instead of leading Sun Yanye astray on the road of piano or taking his own old path, it is better to only teach him the basics, and the rest, combined with the works of various famous piano masters in the world, is explored by himself, and he may bump and bump, but the talents obtained in this way are deeply memorable, and they can also be more suitable for their own use and add to themselves.

"Yes!" Hearing Cui Xien's words, Sun Yanye nodded, expressing his understanding, those advanced or something, it is too far for a piano novice like him, and it is not easy to learn the foundation well, lay a good foundation, and meet the general creative needs.

Seeing that Sun Yanye listened to his words, Cui Xien nodded with satisfaction, obedient children have always been very liked. In addition to being relieved, Cui Xien also quickly adjusted his feelings, and after a while, his fingers jumped happily on the black and white keys like flying elves.

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"Dedicated to Alice" is a piano piece composed by Beethoven. As a great composer who was the culmination of Western classicism and pioneered the Romantic school, people are familiar with Beethoven's symphonies, concertos, chamber music and operas and other large-scale works, but his few instrumental pieces are also impressive. The piano piece "To Alice" is one of the more famous, but the score for this piece is now in 1867 and therefore was not included during his lifetime.

The music is written in a rondo style, wrapping around the basic theme, with two contrasting interludes, and the theme that appears at the beginning is simple and intimate, portraying the image of a gentle, beautiful, simple and lively girl. This theme is repeated three times in succession, with two contrasting interludes in between. The first interlude is built on a new tonality, with bright tones and a joyful mood; The second interlude is set off by a fixed bass in the left hand, the color is dull, the rhythm is strong, and the music appears strict and firm. A series of ascending triplets followed by a smooth and lively descending chromatic tone naturally leads to the third reenactment of the theme. The music ends in a joyful and bright atmosphere.

However, there are many theories as to the background of the composition, but the widely accepted theory is that it may have been composed by the author when he was forty years old (1o) for his pupil, a soprano named Elizabeth Rocker. Elisabeth Rockerl is a German soprano and sister of tenor Josef August Rocker. In 18o7, at the age of 14, Elisabeth followed her brother to Vienna and was soon accepted by Beethoven as one of his few friends. Elizabeth later married a friend of Beethoven. Beethoven maintained a close friendship when he composed the piece, and it is clear that the piece was dedicated to her. During that time, there was never another woman named Alice or Elizabeth in Beethoven's life, and Alice was Elizabeth's nickname. It is certain that Beethoven was very fond of her.

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In fact, Cui Xi'en chose the song "Dedicated to Alice", not simply and spontaneously, but also because of the simple image and simple technique, which is suitable for beginners to play Cheng dù (now a piano grade 5 repertoire), which is almost one of the must-play repertoire for beginners.

For Sun Yanye, a novice, naturally he can't pick some difficult tunes for him to practice at the beginning, after all, in the process of learning the piano, he will encounter ups and downs, and if he accidentally hits his self-confidence, he doesn't even have the interest in learning, so it will be worth the loss.

After a long time, Cui Xien, who was oblivious to playing, finally stopped the movement of his fingers, turned his head to look at Cha Taehyun and Sun Yanye, and the two who knew how to read the atmosphere naturally did not disappoint Cui Xien, and happily clapped their palms to show their praise. Maybe there is a hint of compliment in this, but it is undeniable that Cui Xien's piano ability is indeed very good, at least it is absolutely enough for her to meet the usual songwriting, and it is naturally more than enough to guide Sun Yanye, a novice.

"Yezi, you come here, now it's for you!"

"Huh?"

"Ahh Taehyun, go get the metronome in my room! While pulling Sun Yanye, who was still a little surprised, to sit down beside him, Choi See-eun instructed Cha Tae-hyun, who was standing behind.

"Oh!!" The future wife called, Cha Taehyun naturally did her best to meet her requirements, not to mention such a small thing, Shi Shiran ran ran away.

Ignoring Cha Tae-hyun, who ran away, Choi Se-eun began to explain the basic piano practice to Cha Tae-hyun.

At the end of the day, the basic practice of the piano is to practice slowly, which is like a "magnifying glass", which expands every detail in the music, and its biggest advantage is that it has time to adjust and correct the shortcomings and faults according to the visual and auditory feedback information. Even after the practice of the work has matured, the appropriate slow practice should not be neglected. The metronome is one of the essential tools for slow practice.

Of course, freezing three feet is not a day's cold. What is more important to practice the piano is a persistent attitude. After all, the piano has a wide repertoire and a variety of performance techniques, so you can only achieve success by starting from the basics and learning step by step.

In addition to the basic exercises, Cui Xien began to correct some of Sun Yanye's habits, such as the basic requirements for sitting posture (the buttocks should be stable and sit firmly in the middle of the piano bench, in order to facilitate flexible force, do not sit full, just sit halfway. And in order to take care of the high and low tones, you should sit in the middle of the piano, do not move at will, and put the two legs on either side of the pedal, and the left leg can be withdrawn as a fulcrum of the whole body strength during the strong play. ), the left and right adjustment of the body (the left and right adjustment of the body mainly depends on the pitch of the sound. For example, in the low bass area, the weight of the body is placed on the left leg; When playing the midrange, the center of gravity of the body is leveled on both sides; When you hit the high note, the weight of your body is on the side of your right leg. As well as finger tricks and so on.