The production of animation is actually quite troublesome, and everyone in the division of labor needs to cooperate closely, and once one of them has a difference, it will affect the progress of the entire animation.

In short, it is a division of labor, but in fact everyone is a unit.

First of all, let's take a look at the roles played by each person in the animation system.

From the moment an animation is proposed and accepted and invested, it means that an animation company will be busy at the same time.

One of the most important is undoubtedly in charge of the entire animation production process, integrating everyone's supervision.

The director, that is, the animation director, is the leader of the entire animation production group and the key to the production of the whole work. The director does not have to draw every picture himself, but he must grasp the overall situation and make clear instructions and requirements for the work of character setting, painting supervision, voice actor, sound supervision, etc.

In addition to supervision, the remaining positions also occupy a certain importance.

For example, he will be responsible for integrating, organizing, and revising the script of the episodes, such as the series composition of "Unheard of Names" by Mari Okada.

The next step is to make the director, the director, the 3D supervision, the animation inspection, the general affairs, the general painting supervision, the character design, the concept painting, the photography supervision, the color design, the coloring, the inspection, the performance, etc., and of course, the president is indispensable.

Among them, there is also a more important painting supervisor, whose position is responsible for unifying the painting quality of different work groups in the process of animation production, and reshaping the original cut (card, lens) to maintain the unity of painting style and quality.

However, since some animation companies can't do all the work, they will outsource animation work, coloring work, compositing, etc. to other companies.

The above mentioned things are all about 30 people required for an animation production, and they don't include temporary concept artists, etc.

None of this information was found by Sayou going to the Internet to find it in a time-consuming and laborious way. Instead, he asked about the sine through guò.

In other words, it is impossible to complete the production of a film animation with just a few people, and it is impossible to make it go smoothly with too little investment.

I heard that in 2oo4, the budget of the anime "Gundam Color eddestiny" alone was as high as 330,000 yen, which is equivalent to at least more than 1.5 million yuan, which sounds like an astronomical amount.

But the peripheral income generated by this animation is incalculable.,After all, animation generally doesn't rely on selling copyrights to get paid.,But on genuine CDs、Peripheral products、Blu-ray discs、OP、ED Included songs These things are sold to make money.。

Of course, if the budget of an animation is too low, it will undoubtedly make the overall quality worse.

It's just that the budget is getting worse.,Just use one screen of the animation in multiple numbers.。 Maybe you can also use the Gintama method of using only one background image to save your budget......

And I've heard that if you make the picture smaller, you can save the budget.,But then the new eight can only see half of it.,Ah,This is not the focus here.。

The budget problem can barely be solved, and after the tax is raised, there has been a lot of money accumulated in the sales and copyrights of Sayu Guò novels, manga and games, and it should be no problem to use all the rest after leaving the basic living expenses.

But if it's really worse, you can only freeze the picture or repeat it - for example, let the second heroine of "Five Centimeters Second" surf the sea for a few minutes......

In short, the budget is likely to be the biggest obstacle for Sayu now.

Haicheng and Lin Xuan's side will also pay, but it is the expenses on Zuoyou's side that really make a difference.

Some people may think that Zuoyou paying to help Haicheng is an act that outweighs the loss, but there is nothing wrong with this approach.

Haicheng is his own sworn friend. At the same time, he is also a friend and member of his own company, and it is necessary to lend a helping hand when he is in a difficult situation.

And this time the expenditure is not just to make a movie animation, but also to lay a foundation for the future.

If you just rely on novels, animations, games, etc., to make money and make a name for yourself, you can. But Sayu wants to break into the 'anime zuò' aspect even more.

This is the case with the so-called all-round exhibition, and for this reason, this investment can be said to be a kind of real yàn, and it is also a real yàn for the future.

Lying on the bed, Sayou is thinking about how to start, while also waiting for the daylight to be announced.

She was the one in charge of contacting the animation production company. On the sine side, the person in charge of providing all kinds of information to Sayu.

This can be regarded as a kind of division of labor, once the company is found, and the plan of Haicheng is cleared. The production of zuò began in earnest.

In addition, Sayu also discussed with Haicheng on the night after the end of Iye's birthday celebration, and Sayu provided him with various opinions, more settings and plots, but most of them were Haicheng's ideas.

It should be said that it is a very coincidence, the plot content is still similar to "Five Centimeters per Second", and the difference in details is negligible.

This should be said to be a very abnormal situation, right?,Sure enough, 'Haicheng' changed from 'Old Haicheng' to 'New Haicheng' is a stalk?

Although Sayou didn't know that there was such a stalk.

To be honest, Sayu likes this movie animation very much, and the only thing he dislikes may be the final ending.

But when the train whizzed past with cherry blossoms, he turned around and couldn't see her anymore, and then it ended.

This ending gives people a lot of reverie -

Maybe Tono Takaki chased after him;

Maybe Shinohara, Akari is waiting for him somewhere:

Maybe both of them were just surprised;

Maybe they won't be able to accept the encounter again;

Maybe the cherry blossoms fall five centimeters in seconds, and the relationship between the two can't cross the distance and ravines between each other.

Sayu hates misfortune, but wants to see happiness born from misfortune, so in this way, he must be the first to accept misfortune.

It's like if you got something, if you didn't lose it in the first place, do you still need to get it?

There are always two sides to things, and the story of slowly 'falling' in the cherry blossoms brings people not only about youth and perception of life, but also a little fantasy.

No matter when or where, the bonds of man are always there...... Just as cherry blossoms bloom every year. (To be continued!)

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