As soon as I got off the train, I received a phone call, and the other party said that he was entrusted by Kang Lao to come to the train station to pick up the station. Fang Yong called Mr. Kang to express his gratitude, and Mr. Kang said that he had been very busy in the past two days, and if he had time, he would take the time to talk to Fang Yong.

When Fang Yong got out of the train station, he saw a very capable guy waving to him. It is estimated that Kang Lao let him see his photo, otherwise he would not have recognized himself at once.

This young man is the reception office of the organizing committee, and sent Fang Yong to the hotel designated by the organizing committee to live under Yong to express his gratitude to him and the organizing committee.

On the second day, the 13th Beijing Antique Art Appreciation Conference was held in Panjiayuan Antique Market as scheduled. First of all, the leader spoke, and then cut congratulations, and after the completion of a set of programmed work, the appreciation meeting opened.

After the opening, Fang Yong was invited by the organizer as a special guest to attend a lecture on investment and appreciation of antiques and artworks.

Walking into the venue, the staff of the organizer asked everyone to sign in one by one, and after signing in, they also gave some small gifts. After finding his place, Fang Yong opened the gift bag and saw that there was a book on antiques and art investment and appreciation.

There were five experts seated on the podium, and after some presentations by the staff, the lecture began.

First of all, Mr. Zhang Guoqiang, an expert from the National Appraisal Committee, specially invited by the organizer, explained the investment and appreciation of artworks.

The content of the lecture was very rich, and the guests were introduced to various art investment knowledge, art appreciation and screening skills, as well as the current art investment market situation.

During the 40-minute lecture, the guests listened attentively, and some of the guests took notes in the presented notebooks from time to time. Fang Yong also wrote down some practical appreciation and screening skills that were not introduced in the book in his notebook.

At the end, the organizers left a 20-minute interactive Q&A session, and the guests enthusiastically raised their hands to ask questions from experts for answers. Due to time constraints, the experts could not answer all the questions raised by the guests on the scene one by one, and could only leave contact information for private communication.

At about 11 o'clock in the morning, the lecture ended, and under the leadership of the staff, the guests came to the rest area, tasted the delicious snacks and juice drinks carefully prepared by the organizer, and waited for a while to eat in the restaurant.

In the rest area, Tong Guò talked with the guests who participated in the lecture, which allowed Fang Yong to understand the market situation of some artworks today.

After lunch, everyone went to the main venue of the appreciation party.

The main venue is divided into four small venues, which are divided into ceramics area, calligraphy and painting area, jade area, and miscellaneous area. In each area, a docent explains the items on display and answers questions from visitors.

First of all, Fang Yong came to the ceramics area, and several docents were pointing to the collection to explain to the audience. Fang Yong saw that these collections were placed in a display table made of bulletproof glass, and it seemed that the organizers had done a good job of protecting them.

Fang Yong was a little depressed, he originally wanted to absorb the aura on the antique, but he didn't expect to encounter such a thing again, which suddenly destroyed the original happy mood.

No matter how depressed you are, you have to take a look! Follow the docent to the front of the booth, where a plum bottle is placed.

"The plum bottle is a kind of bottle type with a small mouth, short neck, plump shoulders, thin bottom, and circled feet, and it is named after the small mouth that can only insert plum branches. Because the bottle body is slender, it is called "Jing Bottle" in the Song Dynasty, it is used as a container for holding wine, the shape is very beautiful, pretty, and it is called a plum bottle after the Ming Dynasty. The plum vase first appeared in the Tang Dynasty, and was more popular during the Song and Liao periods, and many new varieties appeared. During the Song and Yuan dynasties, porcelain kilns were fired in various places, and the blue and white plum vase in Jingdezhen in the Yuan Dynasty was the most exquisite. The narrator said.

This collection is called Jiaqing Seawater Cloud Dragon Plum Vase, blue and white color, lips, short neck, plump shoulders, abdomen, circle feet, and the blue and white book "Jiaqing Year System of the Great Qing Dynasty" in the foot. It is about 30 centimeters high, 6 centimeters in diameter, and 12 centimeters in foot diameter, which is a rare treasure.

Listen to the docent's introduction, and come to another piece of the collection. This is a monk's hat pot. Monk's hat pot is one of the porcelain shapes created in the Yuan Dynasty in China. It is named because the spout resembles a monk's hat, the shape is upturned on the edge of the mouth, low in front and high in the back, the duckbill shape flows, the lid lies in the edge of the mouth, the neck is tied, the belly is bulging, the foot is circled, and the crank is cranked. It has a strong minority style.

At this moment, the monk's hat pot displayed on the booth is about nine centimeters high and ten centimeters wide. In the upper part of the body of the pot, there is a five-petal lotus flower on the edge of the mouth, and the lid is in the shape of a regular pentagon, and the edge is hidden in the petals. The cover button is in the shape of a Buddha ball, like the top of a monk's hat. The neck of the pot is not long, and it is close to the petals, like the brim of a hat, so shaped, like a monk's hat. The bottom of the monk's hat pot is a regular pentagonal shape, and the shape of the mouth and handle of the pot is also very peculiar, and the whole gives people a sense of strength and uprightness, and the charm is free, so it is praised by the world.

Looking at this monk's hat pot, in the red mist, a little silver-purple aura is a little bit of silver-purple aura, and I think that the stars in the night sky are beautiful. Suddenly, Fang Yong found that the lotus flower on the upper part of the pot seemed to be alive, flowing gracefully, and the aura all converged towards the Buddha-shaped lid button with the rotation, and then spread out from the Buddha's ball.

Fang Yong turned on the consciousness detection, his eyes moved with the trajectory of the aura, when the aura ran to the center of the Buddha ball, Fang Yong's eyes were slightly sour, and the aura gathered in the Buddha ball shot directly towards Fang Yong's eyes like a beam of light. Frightened, Fang Yong quickly closed his eyes, but the speed at which he closed his eyes could not catch up with the speed of light. After feeling that the aura turned around from his eyes, he was directly absorbed by the aura mass in the sea of consciousness. It was like the feeling when Fang Yong used his hand to absorb the aura on the antique.

Looking at the monk's hat pot again, almost all of the aura in the red mist was absorbed by him, leaving only a little. Yes! You can absorb the aura on the antique artwork in the air.

Fang Yong was extremely excited, and he couldn't wait to use his eyes to absorb the aura in the monk's hat pot as it had just now. Then Fang Yong came to the plum bottle he saw just now, and after absorbing the aura on the plum bottle, he understood.

It turned out that when Fang Yong's eyes were staring at the aura on the antique artwork, the position where his gaze was focused would open a gap in the red mist on the surface of the antique, and Fang Yong's gaze was the connection channel between the antique aura and the aura mass in his sea of consciousness. The aura on the antique is gathered into his own sea of consciousness along this channel.

After understanding this, Fang Yong had a feeling that the sky was flying and the sea was wide and the fish was leaping, and his heart was very happy!

Following the pace of the docent, Fang Yong absorbed the aura on the displayed collection one by one. With the absorption of the aura of antiques, the aura in the sea of consciousness has increased dramatically, and the aura mass has become thicker and thicker, more and more condensed.