With a hint of hesitation and melancholy, Ye Su walked into the palace.

The huge space was presented in front of his eyes, and the entire palace was obviously Gothic architectural style, and the magnificent decoration made Ye Su involuntarily think of the world-famous Palace of Versailles.

If you evaluate it purely in terms of luxury, the talent of Westerners in this area is indeed far greater than that of Easterners.

Due to the long history, the Oriental people have a special love for precipitation and simplicity, and the so-called luxury decoration is also dominated by heaviness.

But this is not the case in the West, and that kind of luxury and undisguised extravagance, in the eyes of Orientals, tends to have a sense of shallowness like a nouveau riche.

But for the visual stunning, it is unparalleled.

At this time, Ye Su was in such a hall.

Looking around, I found that on the walls on both sides of the hall, every three or four meters away, there would be a knight in armor, these knights were exactly the same height and size, but their postures were different.

In addition, at the end of Ye Su's left-hand side, there is a huge hourglass sculpture.

The sculpture is a standard stone carving, but with the exception of the base, the hourglass on top seems to be carved out of crystal, and the sand inside is slowly draining from the top half to the bottom half, about a fifth of which has passed.

The speed of the sand is not slow, but compared to the total amount of sand stored in the huge hourglass, it seems to be just a drop in the ocean.

And at the end of Ye Su's right-hand side, there was a huge multi-dimensional cube.

The reason why it is said to be a multi-dimensional cube is because it was supposed to be just a square cube, but from Ye Su's point of view, he could see many different phantoms.

These phantoms seem to be real and exist, but they do not exist in the current three-dimensional world, but should exist in a higher dimension.

Originally, Ye Su couldn't understand this higher-level dimension, but as Ye Su reached the primordial infant stage, he began to have some vague perceptions of the higher-dimensional world.

From the beginning of the Jindan period, cultivators have officially broken through the mortal womb, and every subsequent ascension of the realm will bring earth-shaking changes.

At the same time, Ye Su can roughly guess that the so-called fairy world should be the world at a higher latitude!

It wasn't another world that was completely parallel to the current world as he had thought before.

The process of monasticism itself is a process of continuous self-evolution, through the continuous strengthening and improvement of the body and spirit, so that human beings, who should have been three-dimensional creatures, gradually evolve to a higher level, becoming four-dimensional, five-dimensional, and even higher-dimensional beings!

It is precisely because of this that the strong person who breaks the void realm can tear apart the current three-dimensional space, the limitation of space, and the cultivators who break the void realm have begun to have cracks, that is, because they have reached the realm of breaking the void, they can see the dimension more thoroughly, and in a certain way, although the body itself is still in the world of the three dimensions, it can already truly perceive and understand the world of the higher dimensions.

Therefore, only the strong who break through the void realm can use the concept of higher dimensions to influence the space of the current three-dimensional world, and do such an unbelievable thing as tearing the space and teleporting.

If we put it in layman's terms, it is that for the two-dimensional world, the one-dimensional world is an integral part of it.

The two-dimensional world is made up of countless one-dimensional worlds, that is, lines make up the surfaces.

In the same way, the three-dimensional world is also composed of countless two-dimensional worlds, and the faces make up the space.

Further up, the infinite three-dimensional worlds of nature can form a unified four-dimensional world, that is, the concept of time.

If we continue to extrapolate, there will naturally be an infinite number of four-dimensional worlds forming a five-dimensional world!

No one knows how much the limit of the dimension is, and we cannot use our limited knowledge to understand this infinite world, and the result of speculation can only be outrageously wrong.

Tearing space is the result of using different dimensions, if one point of a line wants to reach another point, in the one-dimensional world, you can only move forward in a straight line.

But if it's in a two-dimensional world, you can twist the line so that the two points are directly connected together!

The so-called tearing space is the distortion of this space for a short time, temporarily placing oneself in the world of a higher dimension, and then coming to the dimension in which it is located.

Only after a cultivator has reached the realm of breaking the void can he truly perform this terrifying technique.

And once the cultivator reaches the realm of ascending to the immortal realm, it means that the cultivator, whether physical or spiritual, or even in all aspects, has evolved enough to withstand the higher dimensional world, just like a two-dimensional life after coming to the three-dimensional world, it needs to extend its face-only material body into a three-dimensional concept, the cultivator wants to shatter the void, leave the current world, and enter the so-called immortal world. Nature also needs to extend its physical body and the soul it carries into the new dimension.

Only after these prerequisites have been achieved can the cultivator be able to shatter the void and enter the higher worlds.

Because the cultivators who ascend to the Immortal Realm cannot, in essence, be regarded as three-dimensional beings.

The reason why in the eyes of others, the cultivators of the Immortal Realm are no different from ordinary people in appearance.

Just because the life of the three-dimensional world can only see the picture in the three-dimensional world, beyond the picture above the three-dimensional world, the three-dimensional life is not capable of capturing.

Therefore, in the eyes of ordinary people or other cultivators, ascending to the fairy land will be so incredible, moving mountains and reclaiming the sea with a wave of his hand, and he is a person with great magical powers.

Just as we can tear and knead a piece of paper lightly when we are faced with it, the power of higher latitudes is not something that can be imagined at lower latitudes.

Looking at an hourglass and a multi-dimensional cube on both sides, Ye Su suddenly had this kind of realization.

It is no wonder that it is said that the path of cultivation is against the sky, once it evolves into a life at a higher latitude, then even this world, I am afraid, can be destroyed with a wave of the hand, this is naturally going against the sky.

It is also impossible for the laws of heaven to allow high-latitude life to appear in low-latitude worlds, otherwise low-latitude worlds will inevitably be blown up by high-latitude life, thus being destroyed.

That's why cultivators have the idea of ascending to the immortals, when their own existence becomes a high-latitude life, the low-latitude world can no longer carry its life characteristics, and can only shatter the void and go to a higher-dimensional world.

For example, it is impossible for a plane to carry a three-dimensional life.

Either this plane collapses, or three-dimensional life loses its three-dimensional character and dies silently.

There will be no third outcome.

"So...... Is monasticism destined to be lonely...... Because we end up ...... will become a completely different life. ”

These thoughts flowed through his mind, and Ye Su thought of Tang Chen, Su Yunxuan, and many people at the same time, and couldn't help muttering.