The current film industry is becoming more and more open, which is indeed the result of the final determination after many kinds of great power games.

Otherwise, in the face of the current flood of Hollywood, the country may not really hope that they can open up directly, even if the country also knows that if there is no real opening up of the Chinese film market, then there will be no real progress in Chinese films, but they don't want to help the seedlings, especially in this era of growing capacity of the Chinese film market, they don't want to ......

Chinese will also have a lot of thoughts, and one of these thoughts is that they only hope to have good things, and they don't want others to be able to get them......

Under such a thought, everyone doesn't want such a vast movie box office market to cheapen the wolves in the United States for nothing.

It makes sense to say that it is the wolves of the United States, after all, strictly speaking, even in the current Chinese film market, only American Hollywood blockbusters can still sell relatively stable here, and films from other countries ...... Hehe.

Even if it was a Korean film and an Indian film that were more famous before, no one paid for it when it came to China...... Unless it's really hot, people won't watch it, but Hollywood blockbusters generally have a relatively stable audience, and some people will watch the film.

That's why I say that there are only those wolves in the United States.

But the country is not so open directly, in fact, the country now also has some back-ups, and now the country is basically opening up some of the film schedules, but on the territory of domestic films, they will still give some preferential treatment to domestic films, and the system of co-productions has gradually begun to improve, although co-productions still enjoy the treatment of domestic films, but co-productions must also abide by some legal rules, and one of the stricter requirements of these rules is that since they come to China to shoot co-productions, Then you have to leave something behind, a technique or something......

In addition, although this schedule is gradually opening up, the share of Hollywood blockbusters, if it is not a co-production, will still not exceed 30%, under such regulations, a Hollywood blockbuster gets a high box office, but most of the box office actually remains in China.

In this way, the benefits are actually received by China, but it also attracts a bunch of competitors to Chinese films, making their previous set not very effective.

In addition, because the country has opened the movie schedule this time, it is natural to give filmmakers some sweetness...... This sweetness is the decline in censorship standards, and the Chinese film market is about to liberalize the film censorship system!

For a long time, although it has been difficult for Chinese filmmakers to make films that have a significant international influence due to many of their own things, this reason is not limited to themselves, but also because of the influence of some domestic factors, including the film censorship system.

China's film censorship system is firmly in the hands of the state, and if he says it is right, it is right, and if he says it is not right, it is not right......

They said that it could be released, even if it involved a lot of various shots, which were very unsuitable for children to watch, but it could still be released, and they said that it could not be released, even if it was very simple and there were not too many things in various picture concepts, but it still couldn't be released...... Such a film censorship system is naturally very unreasonable.

But China's film classification system has not been introduced for a long time, and now, China's film censorship system is about to be introduced.

Moreover, sometimes there is a problem of saying one thing and doing another, sometimes he says, you can say this matter casually, there is nothing to do, freedom of speech, but you really said it, wait for tea! So sometimes what happens to some things depends on what they think, but this time on the issue of movies, it can be directly determined that they really want to open up the Chinese film market, and let the censorship system really be introduced, and use these things to fight foreign films.

There is no doubt that there is no shortage of talented people in Chinese, in modern times, China was so tragic at that time, but there were just some capable people in that era, so that China slowly re-emerged. For China, it is often broken, and then broken and then standing, with some things of the Chinese nation, everyone can always rush back up, and desperately move forward in the trend of the world.

Chinese do have some bad roots, selfishness and the like, but once it is critical, there are always capable people who can burst out a lot of energy, and it is these capable people who are promoting the progress of the whole country, for example, at this time, there will be some big directors who will begin to stand up and save the Chinese film market.

In the face of foreign blockbusters, especially the dumping of Hollywood blockbusters, there will definitely be many such capable people in China, after all, in the face of foreign humiliation, even if there is a temporary backwardness, we can still recover as quickly as possible.

Anyway, one thing that can be predicted, that is, the current Chinese films should not be directly suppressed under the dumping of Hollywood blockbusters like the Taiwanese films and Hong Kong films in the past, and only some small fresh movies or films with local characteristics can survive. Even if there is no Luo Mo who gets a future movie, such a person should naturally appear, which can be predicted.

At the national level, in terms of the censorship system, they can also play some tricks, for example, some foreign things that are harmless to humans and animals may be raised in terms of censorship standards, and some Chinese films may be temporarily lowered in censorship standards...... These things are more flexible and will be done quickly. Anyway, it is definitely not a problem for Chinese to play these tricks.

However, even if there are such and such reasons, at least, Chinese films are now facing an existential crisis and the strongest impact from Hollywood, which is an urgent matter, and it is also something that requires Chinese filmmakers to work together and work together to overcome difficulties...... Therefore, today's academic seminar is still quite intense.

The name of the topic you are discussing today is-

How can Chinese films remain commercial in the midst of great changes?

This is a relatively big problem, but after all, so many people are talking freely, so everyone is also very enthusiastic about this topic, and all kinds of statements have been said.

Indeed, for Chinese films, now is really an era of great changes, many things are facing great changes, and everyone's living environment in the future and all kinds of things have changed from before.

This is also the same as the overall environment of China, China is now facing an era of great change, there is no doubt about this, now, China has been more and more moving towards the status of the world's largest economy, in this context, China's competitiveness is also increasing, of course, it also brings greater challenges to the United States...... The United States naturally wants the end of a superpower, but they have missed the only opportunity to stifle China's rise in the 90s of the last century......

Under such circumstances, although China and the United States are still unequal in strength, all kinds of confrontations have been unfolding, and in the second decade of the 21 st century, many Chinese are faced with such confrontations and confrontations of all kinds...... At the same time, of course, it is also facing major changes and changes in various things in China.

The era of big movies has really arrived......

At this time, Chinese films will either perish in ****, or even return to the ending where they could only make literary films, or they will be swept away in such a struggle to achieve the rise and great progress of Chinese films.

To live or to die, that's a question!

There are still a lot of things to discuss, and they are also relatively in-depth, and the Chinese film market must be slowly regulated, which is also an inevitable problem.

However, after discussing it for a while, many things were handed over to Luo Mo, and everyone's eyes were looking at Luo Mo, hoping that Luo Mo could say a few words.

Luo Mo looked at everyone, and then slowly stood up, in fact, he had already had the consciousness of standing up, after all, there are so many people here today, and in the promotion of the movie on a global scale, although there are many people who have achieved success, their success is nothing in front of Luo Mo, basically incomparable......

In today's situation, of course everyone needs Luo Mo to say a few words, and then again, even if it is just from Luo Mo's current status in the entertainment industry, if there is anything, he should indeed say it.

After all, this kind of academic seminar is no longer the kind of situation that used to be particularly strict according to seniority, and only those who are ordered can speak up.

After all, today's academic seminar still has many old people in the film industry, even including several fourth-generation directors, Luo Mo agrees with their spirit anyway, these people are already old, but they still come when they face major challenges in Chinese films.

China's century-old film history also relies on them slowly, from scratch, from small to large.

Although the first four generations of directors have a lot of limitations, their films also focus on literary films and the pursuit of humanistic care, and it is the fifth generation of directors who really began to pursue commercial changes, but the foundation of the film is laid by the first four generations of directors, and their contribution to Chinese films is definitely not something that can be measured by interests, the people of that era are still relatively simple, movies are not a tool to make money, although movies are in their hands and are relatively obscure for ordinary people, but their movies are still relatively simple.

is facing such people, so although Luo Mo's attitude is not respectful, it is also very serious.