In fact, at the Venice International Film Festival, the award-winning energy of "Three-Body Problem: Dark Forest" is unprecedented.

The film received unanimous praise from basically everyone on the Venice jury......

The last four awards even felt that this was a bit inconsistent with the value of the film...... I think there should be more awards for this movie.

Moreover, this film is not only able to win awards at the Venice International Film Festival, in fact, there are many places where this film can win awards.

Later, at China's own Golden Rooster and Hundred Flowers Film Festival, "Three-Body Problem: Dark Forest" won 7 of the 11 nominated awards, Luo Mo became the best director, best screenwriter, and best actor at the Golden Rooster and Hundred Flowers Awards with this film.

Moreover, Li Chencan's footsteps did not stop there, in fact, his award has continued.

Soon, the year has come to an end......

This year, the total annual box office of Chinese films once again broke through the peak, reaching 60.7 billion yuan, so the Chinese film market is now not much closer to catching up with the American film market and even surpassing it.

Various summaries of the year have also begun......

The first summary is naturally the comparison of the box office of Chinese and foreign films this year......

Of the total box office of 60.7 billion yuan this year, Chinese films got 29.8 billion yuan at the box office, accounting for 49% of the total box office, which is indeed a great improvement for the previous Chinese film box office market.

Chinese films have basically regained half of their status, and at the current rate of progress, the next Chinese films may slowly regain lost ground step by step.

The Chinese film market also changed during the year, with American films accounting for 43 percent of the 51 percent of foreign box office calls. 7%, such a movie box office is indeed quite attractive, but compared with previous years, it has declined to occupy more than 45% of the Chinese film box office market, and films from other countries now have room for existence in the Chinese film market, which is actually more of a proof that the current Chinese film market, Chinese movie fans have become more and more appreciative. Gone are the days when the box office was furious.

As a result, in this way, China will be more of a world of good movies in the future, and the living space of that kind of big bad movies will become smaller and smaller, which is also the inevitable result of the market beginning to gradually mature.

The kind of situation where the movie is particularly bad, but the box office is particularly high, will gradually disappear in the future.

This year's Chinese film box office market has indeed given everyone more confidence, and it has also given more confidence to the Chinese film market.

Moreover, this year, due to the influence of "Three-Body Problem: Dark Forest", the total box office of Chinese films abroad actually reached a historic 48. $500 million...... Of course, the box office of 4 billion US dollars and 30 billion yuan was not obtained by "Three-Body Problem: Dark Forest", and other movies also got a lot, but all the other movies added up to almost a little higher than the overseas box office of "Three-Body Problem: Dark Forest...... Indeed, Luo Mo is a pioneer in the outward movement of the Chinese film market, and the impetus he can inject into this box office market is difficult for others to imagine.

The overseas box office of nearly 5 billion US dollars has brought the total box office of Chinese films this year to 63 billion yuan...... The next situation is that a good film eats meat and drinks soup, and there is no possibility for a bad movie to eat some leftovers.

Of course, there is no clear standard for judging between good movies and bad movies, but there is one standard that is still very clear, that is, what the audience likes to watch is a good movie......

However, in the eyes of some people, this is just a nonsense - the audience really likes to watch good movies, then of course they watched it, and used the movie tickets in their hands to vote, but these are already afterthoughts, and they can only appear after the movie is actually released, and it cannot achieve a real guiding role before the start of filming.

However, although some standards for bad movies and good movies have not been established very strictly, and there are indeed no regulations on how a good movie should be made, everyone basically understands more and more conceptually what a good movie looks like and what a bad movie looks like......

In this way, the guiding role of filmmakers has always been there.

The current Chinese film box office market is extremely inflated, and Chinese films have finally kept half of the country in their hard work, in this case, as long as Chinese films can make good movies, they can basically get a good box office in such an inclusive Chinese film market, as for the overseas box office market has now been developed by Luo Mo, with a wedge laid by Castle Stone Film Company abroad, the foreign box office of Chinese films has a way to achieve. There was the carrier which I acquired, too.

As long as the quality of Chinese films is good, there is no need to worry about overseas sales now...... With the rise of Chinese films realized by Luo Mo, the recognition that can be obtained overseas is also very high, and as Chinese film groups gradually enter the market, the acceptance of Chinese films by foreign film markets is getting higher and higher......

For Chinese films, it has now entered the best era.

As for Hollywood movies, to be honest, Hollywood movies did get a good box office, including the box office in the Chinese film market...... However, in the Hollywood film market, Chinese-language films have gradually appeared, mainly Chinese-language films from Qianmo Entertainment Company...... There are more and more Chinese-language movies in this anyway, and in the past year, the total box office of the North American film box office market was 13.7 billion US dollars, of which Chinese films got a total of 9 in the North American market after counting "The Three-Body Problem: Dark Forest". The total box office is 500 million US dollars, so Chinese films have also begun to occupy close to 7% of the North American film box office market, which is a pretty good box office figure.

Under such circumstances, the current Chinese-language film has gradually moved towards the title and reality of the second in the world...... If Chinese films continue to develop according to the current development trend, the second place in the world can basically be maintained, and it is even likely to become a major film giant that can compete with Hollywood. Of course, this is still a little far away, and the most important thing for Chinese films now is to try to develop their box office while maintaining it, and while maintaining the current level, they can continue to forge ahead, which is the task of Chinese films now.

After all, moving forward is the real way for Chinese films.

Fortunately, now China's young generation of filmmakers have indeed gradually grown up, and are moving towards a more and more powerful height, and now Chinese filmmakers have indeed ushered in a really good era, Chinese film newcomers, especially the new director of Qianmo Entertainment Company Ji Luxuan and some other filmmakers, have cultivated a lot of really high film literacy, and there is also the concept of great changes in the new era of film, and there is also a considerable degree of understanding of the next Chinese film box office market. Although the films they made were not designed to cater to the market, their films did perform quite well at the box office in many parts of the Chinese film market and foreign film markets......

As a result, in the current situation, a large number of filmmakers have gradually grown up in the Chinese film market, and these filmmakers have begun to have various transformations of Chinese films with some new film concepts, making Chinese films stronger and stronger.

Anyway, today, everyone is more and more aware of the far-sightedness of Luo Mo at the beginning, and it is Luo Mo's practices that have finally made Chinese films reach this level today, and finally allowed Chinese films to reserve such a large number of materials that can be made. After Chinese films have such a group of talents, the future is also promising.

The next Chinese-language films will inevitably have a broad future, and this is also the case from the current situation.

It's already a new year again, and it's time for the New Year......

After New Year's Day, before the Chinese New Year, Luo Mo's family was invited to participate in the Spring Festival Gala this year, this year's Spring Festival Gala Luo Mo's family of five all participated, Luo Mo's mother Zhong Min and Tang Yan are of course adults, and it is more interesting to participate in the Spring Festival Gala, as for the two children, Luo Shuyao is already five years old, and Luo Zhen is now more than two years old, and he is already able to speak......

So, under this circumstance, this year's Spring Festival Gala participation is still quite good.

At the real beginning of the Spring Festival Gala, Luo Mo and his family quickly appeared in front of the camera, compared to the last time they went to the Spring Festival Gala, when Luo Mo and they went to the Spring Festival Gala this year, there was less Luo Ying, who was coveted by many people, but there were more Luo Mo and two pink-carved children, today the two little guys were dressed up extraordinarily festively, both wearing red festive little padded jackets, and now they appear in the camera.

Then, the camera quickly turned to Luo Mo and them, and then the hosts also walked down towards Luo Mo and them, Luo Mo looked at the host and sighed a little, the current host is no longer the one at the beginning, after all, time flies too fast.