Li Nezha has been dreaming.

Yes, a dream that is as dreamy as it is unreal.

In the dream, there is a butterfly that is as beautiful as it can glow, and behind the butterfly, an ugly moth follows closely.

The moth is attracted by the brilliance and beauty of the butterfly, so it follows the butterfly all the time, even if it is a little closer, or maybe it wants to catch up with the butterfly when it stops.

But.

The butterfly never stopped, even once, and its speed did not slow down because of this, and the moth gradually couldn't keep up.

Then, at the moment when the sight disappeared, the moth was planted, like an accident plane that crossed the arc, and like a peony flower that was about to die.

That posture, that fallen posture, that posture full of sorrow, makes it difficult to look at it directly.

But it can't help but make people think of the kind of romance that at least even if they didn't get together in the end, they also once accompanied the flight.

However, this is only speculation.

From the beginning, there were only moths that had to chase butterflies, so pathetic that they didn't even have the freedom to stop.

However, even so, when the moth turns its head to look back, it instantly creates a sense of confusion.

Obviously, it is the distance that I have flown in person, and the scenery I have flown over, there will be a sense of distance that is so strange that it is like being in it for the first time.

What's more, what's even more incredible is that the incredible sense of distance and vision strikes, making the moth feel more hesitant.

That's called the feeling of being far away.

If you look at it from a distance from a point that you have been staring at, or if you take it for granted that you are in a place, you will be confused by the gap between the world you live in and the vast world you observe.

No matter who it is, it will only feel at ease with the things that surround it, and for the moth, only the chasing butterfly is its qiē.

No matter how ornate the map is to show that the moth flies over such and such distances in order to chase the butterfly, for the moth it is only a rational cognition, which is fundamentally different from its understanding.

In other words, if we move from the horizon we know to a wider area that encompasses that horizon, we will feel a sense of distance and despair because of our distant cognition, and we will fall.

Chasing an illusory goal, and being impregnated by a sense of hopeless remoteness, that was the feeling of bewildering Li Nezha.

But after realizing what this feeling was, it was the time when Li Nezha cut the flesh and deboned it and resurrected it in the body of a lotus root, and this feeling that he had occasionally touched countless times in his childhood was also incredibly magnified during that time.

It is precisely because of this magnification that Li Nezha completely realized what it was.

Death, that thing, that feeling, that thing, is exactly the existence of death called death.

Li Nezha's process of inheriting his name is destined to go through countless times on the edge of life and death, like a moth chasing a butterfly in the process of self-destruction.

Sometimes, however, it is precisely because death is so far away that an unrealistic delusion arises, and it becomes hopeless. Kill.

Li Nezha should have felt this process countless times, but because he was confused by the things in front of him, he couldn't distinguish the essence of the things in front of him for the first time. Until the resurrection of the lotus root's body, the distance between him and death was so drastically narrowed that Li Nezha had a comprehensive understanding of death for the first time.

The so-called death has different understandings for different existences:

- For living beings, death is the cessation of biological functions;

- For matter, death means the disintegration of matter as a basic organ;

- For energy, death means the dissipation of energy;

-- For momentum, death means that the premise of infinite motion is subverted;

In short, death means the disappearance of the existence as the existence of the existence of the existence itself, in other words, even the concept of the existence itself will disappear.

From birth to death, this is an inevitable process, and there are no exceptions to the ultimate flow of object motion.

It is precisely because in the process of moving towards death, we are often confused by unrealistic illusions, and even more because of the sense of distance from observation, this sense of confusion increases, so the essence of death is rarely seen through.

Li Nezha is an exception, he has been dealing with death for a long time, and he has been resurrected by the body of a lotus root, although he is reluctant, but he has thoroughly understood the concept of death.

Moreover, he also understood the other nature of all things, which is that all things are longing for death, longing for the end!

Yes, a desire.

It is precisely because of this desire that all things will be born at the same time as the result of death.

There is no such thing as immortality, and even the most abstract concepts and ideas will decline and disappear with the changing times.

The power derived from this is Li Nezha's unique 'cause and effect of death' power.

There is no thing that does not exist at the beginning, let alone something that does not end with the beginning, and the causal power of Li Nezha's death is to make the idea of things longing for death become a reality!

In other words, the Cun Zài who was hit by Li Nezha's power does not mean that the activity has stopped, but that the Cun Zài itself has been eliminated as an activity, that is, it has died.

Note here that Li Nezha's power to make things die in themselves does not mean to lead things to the death results they should have corresponded.

Rather, it is to make things 'remind' their original longing and longing, so that this longing can become the reality of death!

Well, let's talk about the classification of the 'cause and effect of death' power here.

In fact, the power of death cause and effect can be broadly divided into seven categories:

The first is the death that leads things to their corresponding consequences.

For example, when you try to kill a dog, but there are many ways for the dog to be killed, such as poisoning, strangulation, crashing, and so on. The first type of power is the one that leads things to some kind of death outcome, but either result means death.

The second category is to present the results of the death of things in some form.

There are many forms referred to here, such as presenting the death of things on the body of the object in interlaced dots and lines like graffiti, and then cutting the line to divide the thing and causing the local death, or piercing the point to make death instantaneous; Of course, there are also those who present death as a wish or request, and give the form of death to those who are unable to fulfill that request or wish.

The third category is to subvert the causal relationship between the life and death of things.

Everything is from birth to death, which is an inevitable result and an inevitable relationship. But Tong guò distorts this sequence and makes the death of things the beginning, which means that things that have died have no possibility of regeneration.

The fourth category is the deprivation of things as the period of existence.

The so-called term is the life span for living things, the shelf life for food, and the extinction time for substances. The fourth type of causal capacity for death is to deprive things of such a period of existence, so that things officially move towards death.

The fifth category is to give things the concept of death.

This kind of ability is the most powerful, and it has nothing to do with whether things exist or not, and whether things exist or not, and whether things exist or not, and the key is to give them. Such as giving finite sensations on the basis of infinity, stopping on the basis of acceleration, and so on.

The sixth category is the effect of inducing things about death.

These kinds of abilities are generally aimed at things that have lived for too long, such as our mother Earth, how can a planet with such an exaggerated lifespan perish? The answer is induction and segmentation.

Through guò induces, the earth is divided into different phases, and with the death of each stage, and finally the earth as a whole dies for it.

The seventh category is to give things the experience of infinite death, to remind them of their desire to die.

This kind of ability is actually the causal power of death that Li Nezha has mastered. Because of the distance and hopelessness, the thing itself ignores its own death deadline, and even the fact of this death longing itself is forgotten.

But it is precisely because it is Li Nezha, who has experienced countless experiences of life and death, that he can come into contact with this sense of remoteness, and use the desire of the thing itself to turn into countless experiences of death and act on the thing itself, so that he can finally recall his own desire for death, so as to officially move towards death.

Although zombies and vampires claim to be immortal, with super self-healing abilities and seemingly infinite lifespans, they are useless in the face of Li Nezha's causal power of death.

It is precisely because of the long lifespan that zombies and vampires completely forget the death wish that they should have longed for, but Li Nezha can infinitely give them the experience of death through guò ability, and finally let this kind of existence be deprived of their immortal body by recalling the desire for death, so that they can be killed.

Now Heishui fell into such a situation, he didn't know what Li Nezha had done to him, but he escaped from the enchantment of the Nuwa clan's territory at the right time.

But before he could breathe a sigh of relief, an oncoming car hit him directly.

When Heishui came back to his senses, he found himself lying on the side of the road, just when he thought that being hit by a car was just his hallucination, but suddenly there was a shout over his head, but it was the material under construction that fell from above! Blackwater was unfortunately stoned to death.

Once again, Blackwater found himself leaning against the wall, and the feeling of being killed twice was so real that the terrible feeling didn't look like a hallucination.

Blackwater was terrified, and he tried to escape from this cycle of infinite death, but before he could take a step, a passing truck had a rope fluttering around his neck, and he was hanged like that.

And then again, again, again, again, again......, again

This death cycle called Infinity has completely eliminated the survival of the black water**, and now he only hopes to have a real death, not to wake up again, not to reflect another death.

The glowing butterfly flew up, and Blackwater found himself turning into a moth, just chasing such a butterfly called death and the end, although chasing again and again did not make the distance closer, but Blackwater just refused to give up.

He was convinced that the distance was not a problem, and that he would eventually catch up with the butterfly, and that was ......

In the end, Blackwater didn't catch up with the butterflies.

Just like Li Nezha's long-term dream, he fell on the way to chase butterflies.

(To be continued...... ）

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