151, Treasure Fighting Contest (5)
Fourth, ask for recommendation tickets, ask for rewards, ask for monthly passes, ask for subscriptions, you always have to give one, right? ——
The second treasure is the two holy decrees given by the Tang Dynasty to the Tianzhu Kingdom, but Wang Tian is not very interested in the holy decrees, and he can climb the treasure platform, and the more ingredient is that this is a Chinese treasure. In order to attract their own attention, their purpose is to make an exchange with their treasures.
This time is actually really a test of Wang Tian's appreciation!
It is worth mentioning that this man's third treasure, a golden bowl with mandarin duck lotus petal pattern in the Tang Dynasty, this bowl is 5.5 high, 13.7 in diameter, and 6.7 cm in diameter.
Open, bulging belly, flared hoop foot.
Hammered into shape, decorated with flat chisels, caviar pattern throughout.
The outer abdomen is carved out with two layers of lotus petals, each layer of ten petals, which is very organized. In the upper layer of lotus petals, foxes, rabbits, roe deer, deer, parrots, mandarin ducks and other rare birds and exotic animals and flowers are chiseled out respectively. The mandarin duck is in the center of the outsole and is particularly striking. The lower lotus petals are all honeysuckle lines.
There is also a rose-like flower carved on the inner bottom. The inner ink book "nine and a half" three words. The nine halves are the weight of this golden bowl.
This style of ornamentation is a typical Tang Dynasty art style, speaking of which, in the Tang Dynasty, there are many bowls, mainly gold and silverware, however, most of the bowls are still silver structure, gold bowls are very few, Wang Tian so pay more attention to this bowl, because Wang Tian has the impression that this mandarin duck lotus petal gold bowl does not seem to be only one. It should be a pair.
The weight of one is nine taels and halves, and the other is nine taels and three, as if the other bowl is in Shaanxi. West of West. Ann unearthed. You don't know. The value of a unique product is never as high as that of a pair, and the value of the bowl is probably more than three times that of this bowl.
Wang Tian had the heart to accept this treasure, because this pair of golden bowls was originally a pair, one in China and the other in India, which is a sad thing.
Thinking about accepting two of the three treasures, Wang Tianxia's next question is undoubtedly to identify these two treasures. Naturally, Wang Tian would not believe the words of the two connoisseurs, at this juncture. Wang Tian believed that they wanted to promote this cooperation more, so it was possible that they would deliberately inflate the value of these treasures.
One by one, after the arrival of Tibetan friends, a few of them also climbed on the treasure platform.
When Gandhi Chauvin had appreciated all the treasures, as expected, none of the fakes appeared. And the first round of identification is over. There were also ten treasures on the bucket platform.
In addition to Wang Tian's two pieces and the three pieces of the Indian boy, I don't know when, the relics of Gantel Khan also appeared on the treasure platform.
The other four pieces are a three-color figurine and three pieces of porcelain.
China is worthy of being a country of porcelain, and wherever you go, you will see a large collection of porcelain by foreign friends. Wang Tian, who is accustomed to seeing porcelain in China, does not plan to trade with porcelain products today. Not to mention that these three pieces of porcelain are not national treasures, and they are worth more than a million.
You can miss the three-color figurines and porcelain, but this relic pagoda treasure of Gantel Khan has to be valued by Wang Tian.
Not only Wang Tian valued it, but this relics pagoda was placed at the top of the bucket treasure platform, which can be concluded that this relics stupa inlaid with at least 40,000 jewels is still more pleasing to the connoisseurs.
And before this was just to hear Gantel Khan talk about, now, I did see the legendary treasure, after the treasure of the relic, Wang Tian also sighed at the magic of the ancient people, this is simply a ingenious creation made Wang Tian sigh to himself.
It is a container for storing relics made of pearls and other seven treasures.
The height of the treasure building is 122.6 cm, and the main part is made of nanmu, which is divided into three parts from bottom to top - Sumeru, Buddha Palace, and Tasha.
The seat of Sumeru is octagonal in shape, symbolizing the eight heavens in Buddhism, and the seat of Sumeru is divided into three layers, including the base, the Sea of Meru, and Mount Meru. The Sumeru Sea and Mountains are painted with gold, and eight gold-painted wood carving auspicious clouds rise around the sea, the "Four Heavenly Kings" stand on the clouds, holding various weapons, and the momentum is extraordinary, and the "Four Heavenly Maidens" standing next to them are gentle and beautiful, and Ana is colorful. In the midst of the rough waves, a pillar of sea surges is held up, and Mount Meru is on top. On Mount Meru, there are the "Eight Protector Gods" of Buddhist legends, which are carved from sandalwood, with exaggerated forms and realistic expressions, and a feeling that they are about to come out.
The guardian gods are guarded by the main part of the treasure building, the Buddha Palace. In the center of the Buddha Palace, there is an octagonal prayer building with a golden book on the blue ground, which is hollow, with two carved plates printed with the Great Sutra Sutra Mantra and a light cyan gourd-shaped vial, which enshrines nine relics.
Above the canopy is the tower brake part, with eight hollow dragons woven of silver wire as the ridge, making a swooping shape, representing the eight dragon kings.
There is a large crystal ball on the top of the Tasha, which is decorated with a silver flame halo around it, which means "the light of the Buddha shines".
What attracts Wang Tian about this stupa is that it is a treasure that combines all the strengths of art and all the high-quality materials.
First of all, the selection of materials for its "Seven Treasures" are relatively expensive materials.
Crystal, agate, amber, pearl, sandalwood, gold, silver, and then the process it uses jade carving, gold and silver filigree weaving, gold and silver skin carving, sandalwood carving, crystal carving, lacquer carving, gold painting, beading, ancient painting and other more than 10 kinds of special craft techniques carefully made.
Wang Tian could only master five or six of these techniques, and the maker of this stupa must have been a master.
Ten national treasures were listed on the Doubao platform, and the second round of the Doubao competition also kicked off, because the treasures that were eliminated in the Doubao were given up to participate in the comprehensive price comparison of the treasures after the most reluctance, so this round is also more critical for Wang Tian.
Because if his treasure is compared, it is likely to be at a disadvantage in the most comprehensive value, Wang Tian does not mean that he must want to have intimate contact with the saint, but that the champion of this treasure fighting competition will be hyped and concerned by the Indian media, which will inevitably benefit himself, more is the rising tide of his own treasures, and Wang Tian feels that there are two people who are very threatening to his champion, one is the Indian boy who has three treasures on the fighting treasure platform, and the other is a small strength in India. Gantel Khan, who came to the treasure fighting tournament with him.
Mohammeade's apprentice Hellivan came down, he was holding a non-transparent box in his hand, like a lottery box, but everyone knew that this was the opponent's utensils box, which contained a pair of numbers, and the Tibetan friends on the scene were all numbered, and the two people who drew a set of numbers would fight for treasures, and those who lost the treasure would be eliminated from the game and would not participate in the accumulation of the comprehensive value of the treasure. (To be continued......)