Chapter 84 Programming Introduces Elements of Love and Beauty

Wu Wei's conversation with Xue Ren triggered his further thinking about love and beauty.

Chinese literati and Chinese literature have a strong color of bitterness, destroying people and torturing people with suffering, and people's fate presents helplessness, ignorance, and pain in the face of suffering. Foreign literature is the color of pathos, the pain brought by the destruction of beautiful things, and the inspiration of love that awakens and sublimates people. Romeo and Juliet, the classics of foreign literature, are not only beautiful words, but also the beauty of the characters' hearts and loves, and the story as a whole brings a strong aesthetic impact and shock, especially the martyrdom of two people brought about the reconciliation of the two families. The resurrection is the fall of human nature, but there is also the resurrection of human nature inspired by love. Crime and punishment, the complex personality of the protagonist, is also the resurrection of Raskolnikov because of love, people are not evil, not passively suffering, but can shine the light of humanity under the inspiration of love.

The funeral flower chant can be called a beautiful swan song, but what is the feeling of Lin Daiyu and Jia Baoyu's love? The whole is a bitter feeling, there are tears at the beginning, indicating Lin Daiyu's suffering life experience, and the author Cao Xueqin is "the book passed away before the tears were completed" (Fat Yan Zhai), and Fat Yan Zhai as a commentator also responded bitterly "The remaining tears are also to be exhausted" (Fat Yan Zhai). Analysis of the characters in the book, Lin Daiyu has an acid temperament, chattering all day long, love makes a small character, Bao Dai's tragedy did not awaken people, Jia's mother learned of Daiyu's intentions and even thought that she was right and wrong, and she looked down on the deterioration of her condition. In particular, no one in the big Jia Mansion came out to save, Tanchun, with the weak power of a young girl and a concubine, tried to get rid of the old evils, first incurring the ridicule of the housekeepers, but I didn't expect that it was his biological mother who first stood up and openly opposed it. Baoyu faced the destruction of Jin Chuan, Qingwen, and Daiyu's beautiful images, and she was helpless and powerless to submit. The characters in the book look beautiful on the outside and have a poisonous heart on the inside, Sister Feng is the most typical, and Xia Jingui has the appearance of flowers and willows on the outside and the wind and thunder on the inside. Let's talk about "Golden Bottle Plum", although Li Bei'er in it was tortured to death by Pan Jinlian, she also had a vicious despair towards Jiang Zhushan. Liang Zhu. Although it is beautiful, he died of depression, and he did not fight against fate because of love, and even some contemporary people analyzed that if Liang Shanbo formally proposed to Zhu Yingtai, it was possible to accept it with Zhu Yingtai's open-mindedness. Du Shi Niang's story is a miserable struggle after being deceived and fooled, and a love that has not been reciprocated. Most of the women are also inferior in physical beauty, and few are beautiful in physical beauty.

When Wu Wei thought of this, he had a deeper entanglement in his heart, the entanglement between love and beauty. No matter how the beauty of the literati writes, it is this fate. The writer's thinking and writing style are a reflection of the times and have historical limitations, but they cannot be explained simply by the destruction and strangulation of feudal evil. Sun Yat-sen opposed the feudal monarchy and overthrew the feudal monarchy, and he distinguished the feudal monarchy from the people inside, specifically decomposing the feudal monarchy from the Manchus, and proposing that the Manchu and Han families were brothers and sisters, which dissolved and avoided the division and hostility of the clansmen, and the people and the system were separated. It is not possible to eliminate the people who are bound to the system because of the elimination of the system, which will naturally provoke the desperate resistance there. Is there love and beauty in human nature, and is there a problem of innate lack in human nature? Everyone has a love for beauty, and beauty is to attract people's love and pity. Cuteness goes beyond love through eroticism, and it is easy to become the possession and destruction of beauty. If beauty meets love, it is easy to show beauty and show beauty. If you encounter evil, beauty will also become extremely vicious. Love and beauty are things that are deeper than the system, something that transcends the system. Wu Wei's mind fell into a deeper entanglement. He couldn't sort out this tangle for a while.

Looking at Ah Q's suffering, it is simply miserable, but his suffering is combined with the character image of a ruffian, a scoundrel, and a bastard, which is an ugly and inferior aggregate, which makes people lament his misfortune and work hard, arousing the slightest sympathy from people, only pity and ridicule. The Spiritual Victory Law originally had a reasonable core, but it was wrapped in such a body, and it was also dwarfed and scandalized together.

Wu Wei thought about the entanglement between happiness and disgust with love and beauty, and felt that only by putting happiness and disgust with karma in love and beauty can we gain the power of transcendence and promotion, and raise it to a new height of love and beauty, so that happiness does not hurt others, and because of love and beauty, we can achieve a high degree of consistency for the Tao and dissolve the entanglement between happiness and disgust. In the workplace, I don't want to see the image of love and beauty being destroyed and tortured, so I consciously bear the ugliness, and blindly care for the image of love and beauty, although the beauty is flawed and unsatisfactory. In the emotions of hard karma, disgust and bad karma, if there is no element of love and beauty, there is a lack of love and beauty in human nature in the workplace, and only the overwhelming strong utilitarian heart will cause the flood of vicious emotions. Only by relying on love, beauty, and goodness can the four negative positioning effects of the workplace be successfully dissolved, sublimated, and harmless. It depends on the newcomers in the workplace who are full of love, beauty, and kindness to consciously care for and protect the beautiful things, so that the beautiful things can avoid being destroyed and harmed, so as to relieve the entanglement in the hearts of the people who are tired of karma and bad karma, and realize the great development of the spirit of happiness.

Christianity has developed a new conception of love, a self-sacrificing love that redeems others from suffering at the expense of one's own love. From loving one's neighbor as oneself, to loving one's neighbor, and even loving one's enemy, this kind of love is unprecedented. The Bible, as a great function of a work, takes love as a belief and shows mankind a new artistic conception of love. Buddhism has developed the artistic conception of goodness, goodness. Happiness is to develop the beauty of personality, build the artistic conception of beauty, because beauty gives birth to love, beauty is the inexhaustible source of love and kindness, female beauty is the mother of beauty, beauty type and quality beauty, give infinite beauty, image beauty, moral beauty, will power beauty personality beauty, from part of the beauty to the whole beauty, and sublimation into pure spiritual beauty out of the form. Wu Wei felt fortunate that the patronage of the god of beauty enabled him to establish a kind of faith about beauty in a unique way of personal recognition

Yang, cracking and resolving the evil effect of the workplace. (To be continued......)