"Good."

Albeni actually paid attention to Wang Tian silently for a while.

Seeing that Wang Tian had already carved again, and it seemed that he had completed a work. Albeni came over and wanted to have more artistic exchanges with Wang Tian.

When Wang Tian saw the teacher, he hurriedly greeted him respectfully.

"Wang Tian, that's good. Your understanding of Western sculpture is far beyond my imagination, and I am proud to have such an apprentice as you. I believe that in time, you will definitely become an excellent international sculptor. ”

Wang Tian was not carried away by Teacher Albeni's words, but was more humble.

"Teacher, although I learned the process of sculpture from Senior Sister Qi Lusa. However, I still lack a systematic understanding of Western sculpture, after all, there are differences in culture, and I think if I want to learn Western sculpture well, I still have a lot of shortcomings. ”

Wang Tian's statement does exist zài, due to the difference in cultural environment and different living customs.

Western sculpture has more humanistic feelings and is more crisp in expression.

Albeni was indeed negligent, and now he should talk to Wang Tian about the knowledge of sculpture.

Because for sculpture, it is necessary to have systematic knowledge, only knowing one and not knowing the other, which is the most taboo for a successful sculptor.

Albeni said at this moment, "Okay, Wang Tian, your question is very good. Then I'll tell you a little bit about Western sculpture right now. ”

"There are three basic forms of sculpture. I'm going to tell you about these three types of sculpture now. ”

"The first form of sculpture we call the round carving. The so-called round sculpture refers to a three-dimensional sculpture that is non-compressed and can be appreciated in multiple directions and angles. It has a variety of techniques and forms. There are realistic and decorative, concrete and abstract, as for indoor and outdoor. Shelf and large city carvings, colored and non-colored, etc., this is also the most used in our Western sculptures. ”

The content and subject matter of the sculpture are even more colorful, which can be figures, animals, and even still lifes, which is more daring in content than Oriental sculpture. Wanton. The vision we choose is usually exaggerated, or direct, reflecting the essence of human beings. Reflect social progress, reflect the regression of the times, and the content of big themes. Or the content of a small subject matter that reflects a big problem. ”

"The materials are basically stone, wood, metal, clay sculptures, textiles, paper, plants, rubber, and so on. As one of the modeling techniques of sculpture, round carving has a wide range of applications. It is also one of the most common forms of sculpture. We are in contact with the most. About more than 60% of them are also applied round carvings. ”

"Next, I will take the process of making the statue of the goddess of victory to tell you about the round carving, you have to listen carefully, if you don't understand something, you must ask."

Albeni wanted to train Wang Tian to become an excellent master carver, and it is true that Albeni knew that Wang Tian was very good at carving, but there were still differences between Western sculpture techniques and those in the East.

Only by teaching it in person can Wang Tian discover the difference. Take-it-or-leave-it.

Albeni said that he was using the goddess of victory to make zuò, but the clay sculpture that would be presented in front of him was not the goddess of victory at all. Rather, it is a large three-dimensional square clay sculpture raw material, which has not undergone any processing at all.

Albeni Road. "Wang Tian, this is a large piece of clay sculpture material, you see that he has no beauty at all, but through the hands of the sculptor, it can turn decay into magic, this is the value of our existence."

"Bring me a hammer and a chisel."

As soon as Albeni ordered, Wang Tian hurriedly prepared tools, and when Albeni arrived home, he did not use the clay plaster to locate the plaster with a point shaper.

He roughly measured it with his hand and said to Wang Tiandao. "For every work we want to complete, you must be aware of it, have a ruler in your eyes, and have a degree in your hands. This is probably when you know enough about the work you are going to create, memorize it, and rely on the imagination space to extend it and restore it to the material. ”

As he spoke, Albeni's hammer and chisel were constantly flying on the plaster, and the debris was constantly jumping.

In a few minutes, he knocked down some large clay blocks on the clay sculpture.

If you think that Mr. Albeni is knocking randomly, then you are wrong, in fact, when percussion, Wang Tian can see that every time Master Albeni swings the hammer, every time he strikes, there is a rhythm point.

And the dynamics of that rhythm point also have different frequencies.

In the parts that need to be deeply depicted, the strength of the hammer is significantly increased, and where shallow lines and shallow blocks are required, the strength and frequency of the hammer are deliberately suppressed.

There's so much to learn with a small swing of a hammer, not to mention other things that need to be mastered.

And in the process of Wang Tian's little by little study and study, the original square stones suddenly became angular and angular, and a basic image was conjured.

"Wang Tian, now that you look at this clay sculpture, do you think it has changed?"

Wang Tian said that it is true that this plaster has a layout now, but if it is said that it is the outline and limbs of the goddess of victory, there is obviously a big gap.

However, just now the whole clay sculpture is not partitioned, after the teacher knocked and chiseled, there were several large partitions, limbs, heads, and now Wang Tian saw the limbs and heads, they have obvious boundaries.

"I saw the head and limbs divided."

"Indeed." Albeni was relieved. "Taking the figure as an example, we generally have to chisel out the body of the limbs other than the volume of the head, and then chisel the head, chest, and pelvis out of the block. Then chisel out the surface of the shape block, such as vertical, oblique, etc. After the basic shape of the human body is completed, the concave and convex shapes of each part are chiseled out one by one according to the structure and proportion of the human body, such as between the cheeks and the facial features, between the chest and the neck, and between the breast and the chest. ”

Albeni pushed forward step by step, little by little, making it more difficult.

Wang Tiantian learns quickly, understands quickly, and absorbs it like entering a no-man's land.

As he spoke, Albeni continued to hammer with the chisel in his hand, hammering, and the lines of the geometric clay sculpture appeared in the next second, and the large relationship between forms and proportions began to appear.

Wang Tian was deeply attracted, although, relying on his ability, Wang Tian could achieve something in the sculpture.

But compared with Mr. Albeni's real talent and learning, Wang Tian is a little stretched without the help of special abilities.

At this moment, Wang Tian really understood the philosophy of carving, for the line, for the structure of the human body, the relationship between proportions, concave and convex, and the connection control of various parts, Wang Tian felt that he had understood.

However, Mr. Albeni did not think that was enough.

Personally, Albeni just wanted to give Wang Tian a unified understanding. If you want to really know the method and charm of sculpture, Wang Tian must experience it himself to understand.

Wang Tian also has this desire to give it a try.

Albeni certainly saw Wang Tian's expectation, but he didn't think about asking Wang Tian to do it at the moment.

For a beginner in Western sculpture, Albeni always felt that Wang Tian would be bound by his oriental sculpture techniques, and that he had to get a baptism before he had learned Western culture, Western sculpture culture.

Putting down the chisel and hammer in his hand, Albeni changed his tools, and in his hand was a smaller flat and round chisel.

"Wang Tian, after the construction of the large shape, what we need to apply is our own painting skills, but what we paint is not on paper, but on the sculpture, we use oil pens or other pens to draw the general outline on the material, and then remove the excess material other than the outline with the help of axes and carving tools, and then use the tools in my hand to carve out the shape structure of the character, the relationship between the facial characteristics and the virtual and real of the clothing pattern, especially in the treatment of the character's dress, pay attention to the virtual and real, moving, wet and dry, straight, gathering and scattering, Hanging and other table xiàn methods, you must have a certain talent and talent for painting, can be completed, about this, you do have an advantage. ”

Albeni was already shaking the chisel, and he wiped the clay splinters away, but the image of the goddess of victory seemed to appear in Wang Tian's eyes.

Yes, when Wang Tian saw the gods, it seemed that he had entered the state of qigong, and when he entered this state, Wang Tian was able to leave behind and extend the imaginary picture, and at this time, every inch of the goddess of victory was in Wang Tian's mind and eyes, and compared with the image of Albeni's engraved parts, Wang Tian could see the part of the painting that did not overlap with the current work.

"Teacher, you don't seem to have cut that part enough." (To be continued......)