In the new week, ask for a few referral votes -

Liu Zongqing's office has more than 20 square meters.

A large desk two meters long, very generous. Two bookcases, the bookcases are a number of historical masterpieces, art and literary works.

Next to the door, there is a sofa for guests, which is also made of wood in order to match the temperament of the office.

On the walls, there are several porcelain panel paintings.

Master Liu Zongqing can see that he is a person who loves painting, and at this time, he is also admiring a painting.

This is a scroll painting, this scroll is one meter long, pale yellow shaft, rough and old, thirty centimeters vertical, it seems to be some years.

When Liu Zongqing saw that Wang Tian had arrived, he looked away from the painting and looked at Wang Tian. "It's coming. You are the promising young man Lu Zhu talked about, Wang Tian, right?? ”

"It's me, Liu Lao, but I really don't dare to say that I have a promise." Wang Tian said modestly.

Liu Zongqing shook his head, "Don't be too modest, excessive modesty is more shameful than pride, if you want to say that you are not promising, then the old decay is really useless, I have lived all my life, and I have not taken back a treasure for the motherland." ”

Liu Zongqing probably heard about Wang Tian's return from collecting treasures abroad, not because of Wang Tian's worth, Liu Zongqing appreciated this kind of patriotic feelings.

Wang Tian didn't have much to argue, Liu Lao admired himself and didn't call himself humble, so he could only bear it.

"Come, Wang Tian, I recently received a painting, you can help me take a look. My friend said there was a mystery in this painting..."

Liu Lao's eyes squinted inadvertently. Wang Tian naturally didn't find anything wrong, but he appreciated the paintings. Wang Tian wanted to try it a long time ago.

A thousand is all based on the feeling, which may be very difficult for the appreciation of paintings, but at the moment, with the improvement of Wang Tian's pupil ability, he wants to be able to appreciate calligraphy and painting.

When Liu Zongqing opened the scroll and spread it flat on the table, revealing the yellowed rice paper pages. Wang Tian walked into this painting, and at first, Wang Tian did not turn on the perspective.

He first swept the painting with his naked eye. On his scroll, he painted a landscape painting, with high mountains and low waters, and gurgling water. But on its picture scroll. But there is no signature, and there is no signature.

This is only one of them, in addition, the ink splashed on this scroll, the skill is not very strong and superb, the painting pays attention to charm, and the rhyme is in place when the painting is in place. However, the charm of this painting can only be copied for one or two points, and there is no sense of breadth and far-reaching that should be conveyed in the painting.

There are no inscriptions. There is no payment, and the painting is not outstanding. The paper is just old. I think that the age of this painting should be in the Qing Dynasty, but because this painting was not painted by a famous teacher, and the charm and artistic conception of the painting are insufficient, it may only be regarded as a simple collection, and there is not much collection value.

Wang Tian watched for a long time and did not speak, and Liu Zongqing asked Li Shao.

"Li Shao, you can also take a look and appreciate this painting."

Li Shao had already started first, and when he asked Wang Tian to appreciate the analysis, Li Shao had already completed the identification.

On an errand day in the museum, Li Shao definitely saw a lot of calligraphy and paintings presented in this way.

Li Shao said confidently. "If I'm not mistaken, this painting should be from the Qing Dynasty, and traditional Chinese landscape painting appeared later than figure painting as an independent painting discipline, but it has been prominently developed in the history of Chinese painting, and in the long-term development, a variety of painting methods and artistic styles have been formed. The main ones are: green landscapes, ink landscapes, shallow landscapes, small green landscapes, boneless landscapes, etc. At present, this landscape painting is based on rendering, and the intention of using the brush is to emphasize the performance of ink and wash in "concise and unrestrained", so it should be the expression of ink and wash landscape.

However, in the performance of this painting, it is a little too wanton, to put it mildly, it is unorganized. He is also not the work of a celebrity, and his value is very average. ”

As Li Shao said, landscape painting seeks a kind of artistic conception and charm, and in the treatment of space, the techniques of "viewing the small with the big" and "seeing the big from the small" are adopted, but this painting does not consider these at all in the layout, and it is obviously arbitrary. If it is painted at random, it should be done by everyone, but this landscape painting has no money, Wang Tian couldn't help but shake his head.

"In my opinion, this calligraphy and painting is the same as what Brother Li said, it is indeed a bit old, but it is not enough to support the flaws of its own poor painting level, and it has little collection value."

As he was talking, when he casually looked at the calligraphy and painting, for a moment, Wang Tian made a surprising discovery, which was undoubtedly discovered after opening the perspective. Because, just below this calligraphy painting, that is, under this landscape painting, there is a layer of rice paper, and a completely different painting does appear on this paper.

Wang Tian's surprise was that this painting had a signature, and Wang Tianzheng saw the name of a master in the Qing Dynasty: Yu Ji.

Wang Tian's words came to an abrupt end, because although the painting above is not of great value, it is not the key to this painting at all, and the most important and valuable painting on this painting is the one behind it.

Master Yu Ji's work, Wang Tian is extremely calm, and he has measured the value of this painting in his heart.

Yu Ji master's landscape painting is very rare, he is good at painting landscapes, flowers, birds, orchids and bamboos, especially the ladies and gentlemen, all exquisite, calligraphy and poetry and painting, when called the three unique. For example, I'm afraid there are 100,000 in the current picture.

Now Brother Li can't see the mystery in this painting, so naturally he is not worth much.

Wang Tian looked at Liu Lao again, but found that he was smiling proudly, Wang Tian understood, Liu Lao must have known the mystery of this, and deliberately asked questions to test himself again.

I can harvest treasures from Southeast Asia, if I just have money, high worth, and get treasures, it is nothing, Liu always wants to see if he has real skills!

"Why, are you done with what you just said? Wang Tian? ”

Liu Lao waited for Wang Tian to finish speaking, and after appreciating and telling the answer, he had already seen that this young man was not as powerful as Lu Zhu praised.

At least in terms of appreciation, he is not a master at all, at most he is the best among his peers, but this kind of leadership really can't be called his own.

Wang Tian didn't answer Liu Zongqing immediately, and asked lightly. "Elder Liu, I must ask first, you must be very happy that your friend gave you such a valuable treasure, right?"

Wang Tian's words made the former stunned, and Li Shao also looked at him in surprise. "Precious treasures?"

Liu Zongqing's expression didn't change much, although he was really shocked in his heart.

"Anyway, didn't you say that the painting didn't have much value?"

"I mean, the painting above doesn't have much value, does it, Elder Liu?"

"No, Wang Tian, I don't understand what you're talking about, the painting on it?" Li Shao also thought that Wang Tian had a problem with his head, so he reminded the former. (To be continued......)