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"Eight Horses" is a popular painting from the Six Dynasties. It was painted by Zhou Mu Wang You Kun. Eight good horses that he drove for when he was in Lunshan. As for the names of the Eight Horses, the records vary from book to book.

Jin Wangjia's "Collected Memories" recorded: "The name of the eight horses, one is called Jedi, the second is called Turning Feather, the third is called Running into the sky, the fourth is Yueying, the fifth is Yuehui, the sixth is Chaoguang, the seventh is Tengwu, and the eighth is Yongyi." And in the "Biography of Mu Tianzi", it is recorded as: Hua Liu, Lu Er, Chi Ji, Bai Xi, Qu Huang, Yu Lun, Thief Li, Shanzi.

By the time of Liu Zongyuan, many famous writers and poets suddenly wrote a lot of poems about the "Eight Horses". The famous ones are Bai Juyi's "Eight Horses" in "Xin Yuefu", Yuan Zhen's five-character ancient poem "Eight Horses", Li Guan's "Zhou Muwang's Eight Horses Preface" and so on.

These all show that the ancients admired the Eight Horses, and for Chinese painting, those who advocated the best of the ancient law kept it, followed by the dying, and changed the poor, and Xu Beihong's Eight Horses, which can be adopted and integrated into Western paintings, has become the best of many Eight Horses paintings.

Speaking of which, Wang Tian's choice to create Xu Beihong's picture of eight horses still has a lot of personal emotions.

Xu Beihong's original name was Xu Shoukang. Because of his family's poverty, he was good at crying when he was young. Often in the middle of the night sorrow comes from it, like a wild goose screaming. Therefore, the name was changed to Beihong.

Xu Beihong, who loves to paint, has painted thousands of sketches of horses in his life, he continues to seek breakthroughs in painting skills, in the early days of creating horse paintings, he often goes to the racetrack to observe, every move of the horse is all well understood, countless times of observation of the painting, but also let him grasp the horse's demeanor, the ability to express a qualitative breakthrough, and Xu Beihong also specially learned the anatomy of the horse. "Studying its structure", every bone of the horse, every muscle and its expansion and contraction changes have a deep understanding and accurate grasp, Xu Beihong's success is precisely because of his tireless efforts, Wang Tian was also born in a poor family, so he can understand Xu Beihong's sorrow.

And those who love the house and Wu, Wang Tian liked to paint Xu Beihong's paintings when he was young, not only horses, but also when Yugong moved mountains and maps, Wang Tian also liked to try, and. Wang Tian has his own drawing of Yugong moving mountains, which is quite a bit of the legacy of Master Xu Beihong.

However, Wang Tian's favorite thing is to draw horses, and to draw horses, you have to draw horse bones. However, as the saying goes, it is difficult to draw a dragon and a tiger, and it is undoubtedly necessary to have the clearest grasp of the bones of the horse to draw galloping horses, riding horses, walking horses, drinking horses, and group horses. In addition to the full performance of the horse bones, the muscles of the horse, dynamics. The mane side can emerge logically.

said that Wang Tian's mastery of horses was not three-dimensional and in-depth before. But the last time he tried to step on the horse, Wang Tianyou had a more detailed study of the horse, when he was in Shanmu Village, Wang Tian also observed the horse's demeanor and bones at close range, Wang Tian just didn't dare to try, but with the help of the information provided to Wang Tianma by the aura in his brain, he stored his memory and understanding of Master Xu Beihong's Eight Horses, and Wang Tianxia wrote.

Wang Tian not only uses a brush, he also has a hard pen on his desk, and the ink naturally does not use boxed ink, because the boxed ink is not deep enough when painting horses, not thick enough, sometimes it is difficult to express the bones and manes of horses.

Since he wanted to create an immortal work, Wang Tian didn't feel that it was a waste of time, and the Korean paper on the table for painting was also splashed with ink by Wang Tian in the next second.

Wang Tian didn't feel nervous, but he didn't know that there were really a lot of people in the audience who were nervous about him, and the fan group organized by Qiao Lina asked again and again what Wang Tian couldn't write, and Fang Chenggong, Su Lele was also worried that in the audience for thirty minutes, Wang Tian would not be able to complete this untitled work.

And when Wang Tian was preparing, Chen Ze had already jumped out of a plum blossom on its paper, a broken plum branch, and the branches were built vigorously, filled with thick ink, and looked majestic. The plum blossoms on the branches are spring, the spring is in full bloom, full of vitality and fresh and pure, and after the completion will be a beautiful color, the flowers and birds of the pen and ink are strictly prohibited.

Compared with Chen Zelai, Fang Yi's paintings are figures, and the prototype he asks for is the teacher Ouyang he is familiar with, and untitled is a challenge, and Fang Yi's selection of Professor Ouyang in the judges' seat again is even more of a challenge; If after completion, everyone feels like it, and there are breakthroughs and innovations, Fang Yi will definitely be able to get praise, or rely on this trick to win the top two.

In fact, Fang Yi also knows in his heart that when it comes to painting, there is still a little gap between himself and Chen Ze and Wang Tian, if he just takes his best landscape paintings and figure paintings to compare, the odds of winning are not big, but the way to be clever can be spelled, of course, opportunities and risks coexist, but if the painting is not like a little, it will eventually backfire, then, the top two will miss Fang Yi, he will stop in third place, and there will be no more competitions behind.

The time flies quickly, and when you concentrate on creating, time is like sand in an hourglass, and you don't feel like it's all leaking.

About twenty-three or four minutes, Chen Ze first completed his plum blossom picture, Chen Ze is not to imitate any of the plum blossoms of everyone, the plum blossoms he has become are luxuriant, complex but not chaotic, dense and thready, circle flowers and dots, don't come up with new ideas, if you really want to say that the plum blossoms are somewhat similar to which master, maybe it is similar to one of the ancestors of the plum painting, the crown.

"Chen Ze is done, and he really has the style of a champion."

Chen Ze was a little stupid and low-key in the first two rounds, but after he finished this time, he did not wait quietly, but presented the plum blossom picture he completed on Goryeo paper to everyone.

When this memetu appeared, the students gave warm applause, and those from headhunting companies, art units, and design companies also nodded frequently after reading it.

The finals game is no longer the same as before, it was completed in advance, establishing his own popularity, and being more shocking, making the opponent nervous, Chen Ze exposed the temperament of a king.

And this domineering spirit did not affect Fang Yi and Wang Tian, after so many waves, Wang Tian and Fang Yi's mental quality is no longer the little boy who was crawling and rolling at the beginning, especially after Fang Yi has experienced so many failures, it is even more of a waste of effort to sleep and eat, his catch-up, his unremitting efforts are not allowed to affect him in this crucial game.

There were less than five minutes, on this side, Wang Tian concentrated, and continuously transported the spiritual flow between his hands and brain, so that the posture of the eight horses tended to be consistent with the paintings on the Goryeo paper, and felt the immersive scene of the eight horses, Wang Tian started to put pen to paper in one go, and in an instant, looking at this painting, Wang Tian felt that the upper scroll of this painting was a little empty.

Why don't you write a poem?

You must know that Xu Beihong's Eight Horses has no poems on it, but the Goryeo paper chosen by Wang Tian is slightly larger than Xu Beihong's Eight Horses, which also leaves room for inscriptions, without much time to hesitate, and a poem describing a horse suddenly appeared in his mind in the next second.

Du Fu's works: Fang Bing Cao Huma's poems

Wang Tian wrote, Hu Ma is famous, sharp and skinny. The bamboo batch has both ears, and the wind is light into the four hooves. There is no space in the direction, and it is really worthy of life and death. Xiaoteng has this, thousands of miles can be rampant.

A poem that swallows mountains and rivers, especially its writing, Wang Tian is not confined to the form, but also similar to the creation of cursive, so that the horse and this poem have a mutual embellishment effect, and for a time it has become a rare stroke of genius.

The galloping horse, like the hoof of smoke, trampled in the clouds, that immediately, the straight line of the horse's legs is thin and powerful, like a steel knife, the force penetrates the back of the paper, and the arc of the abdomen, buttocks and mane tail is very elastic, full of dynamics, vivid.

On the whole, the picture is large in front and small in the back, with a strong sense of perspective, and the legs and horse's head stretched forward have a strong impact, which seems to break through the picture.

How to say it, the combination of Chinese and Western is wonderful.

Time passed bit by bit, the last one to finish was Fang Yi, and the termination time was one minute after the last minute before the game.

At this point, the paintings of the three are over.

Wang Tian didn't show his paintings to everyone like Chen Ze, and Fang Yi didn't have time to show them to everyone because he was the last to finish them.

But this made the students feel better, and the audience had more expectations for the works of the two.

"It's game time."

The half-hour competition, with the end of the host Yang Guang's voice, the paintings of the three were also submitted to the judges, and the fans who supported their favorite painters for a while, the students screamed again.

The entire electric classroom is also ringing, Wang Tian, Fang Yi, and Chen Ze's names, but among the three, Chen Ze's voice is relatively low, after all, he is only a freshman, and his popularity is not as good as Fang Yi and Wang Tian.

When I got the three paintings, there was a burst of exclamations from the judges' seats, which looked like the paintings of the three students, which were simply three artists in the calligraphy and painting world. And Professor Ouyang's work expressed by Fang Yi is even more incisive, and when Professor Ouyang sees it, it seems that he is looking in the mirror.

Not only a simple character painting, Fang Yi seems to have suddenly grasped the essence of creation, he also mentioned the poem on the side, the spring silkworm to the end of the dead silk, the wax torch into gray tears began to dry, the whole background of the painting is in the dim and dim light, so that the painting and the poem have a special artistic conception, is the way to tell the story, the loving image of Professor Ouyang in the painting, people can't help but feel awe, and look at the furrow quietly deep on his face, the white hair on his temples, and can't help but want to grieve, It's really the wax torch that turns to ashes and tears begin to dry.

"My favorite is Fang Yi's work, the whole work has a strong vitality, conveys a rich feeling to everyone, and it is easy to reach people's hearts." (To be continued......)