Thank you for the sad reward of the mouse, thank you for the thanks——

Wang Tian drew the 18th, and there were fifty or sixty people who fought for treasure at the scene, and the number that Wang Tian drew was a relatively middle position.

"I'm the 13th, who am I fighting with?"

"I'm number 16."

Everyone reported their numbers one by one, and took the treasures in their hands to stand with the same number, at this time some people are happy, and some people are disappointed, Doubao still depends on luck, you meet a person who is worthless treasures in his hands, then you will win the lottery. And if its treasures are powerful, you'll have to cry.

"Who's Eighteen?" Wang Tianzheng was looking at who was the same number as himself, but he heard a big fat man shouting who was eighteen.

Wang Tian probably glanced at it, and in the hands of this big fat man were a few paintings, oil paintings of India. Since it was not taken to the Doubaotai by Gandhi Chauvin, then Wang Tian felt that these oil paintings would not be particularly valuable treasures, and the age would not be very long.

So the body and mind are also much easier.

"Is that you?"

The big fat man turned around, and the people on the field basically finished teaming up, so the big fat man found Wang Tian.

Wang Tian presented his number to the former, nodded and said, "Hello, the eighteenth is me, it seems that we are still very fateful?" ”

"Who is destined for you, do you have two treasures to send to the Doubaotai, but I'm not afraid of you. I didn't make it to the Doubao Terrace because I'm not a Chinese baby, you know? ”

Wang Tian naturally knows the words of the big fat man. What he meant was that because the masters wanted more Chinese treasures on the Doubaotai so that they could exchange them with themselves, they simply sent China's national treasure-level cultural relics to the Doubaotai. However, Wang Tian also thinks that the fat man's statement cannot be established, and there are still a few local national treasure-level cultural relics in India.

Wang Tian glanced at the fat man and said with a smile, "So that's the case, then I believe the treasure between us will look good." These paintings of yours must also be very famous paintings. Master's works, but I don't know which master these paintings of yours are from, and what era they are? Tell me about it. ”

The appreciation over there has already begun. Before Wang Tian came here, Wang Tian wanted to chat with the big fat man, but the big fat man clearly disdained Wang Tian.

"Hmph, I told you about this oil painting, and you don't know what to say. Do you know our Indian culture? India is an ancient civilization. ”

India is a country with an ancient civilization. Isn't China, Wang Tian felt that this fat man was ignorant. "Big brother, there is a poet in India that I particularly admire, Rabindranath Tagore, I loved his poems when I was a child, the farthest distance in the world is not life and death, but I stand in front of you, but you don't know the way - I love you. He wrote this, right? ”

"You know Rabindranath Tagore, yes. This sentence was said by him, and his full name was Robin Dranath. Tagore. And one of my paintings is of his brother Abanid Dronat. The painting by Tagore's apprentice Dalal, oh, is this "Dolan. Champha. ”

Wang Tian looked at this painting and saw that the whole painting of Dolan Cham adopted the technique of freehand, which is an ink painting technique.

The picture cleverly uses the gray background of the paper as a background to highlight the beautiful white flowers.

The Cham flowers in the painting are the most brilliant part of the whole painting, which is both unrestrained and subtle, without excess, full of life.

It's just a light blue leaf, the lines are a little excessive, and the color part is not painted, so there is room for the viewer to imagine and chase back a lot of beauty.

In terms of painting skills and techniques, this painter seems to be very skillful, and the quality of the painting is also very good, and it has to be the age of this painting.

Although Wang Tian didn't know what era this Dalal Bose was, Master Tagore was a figure in the early 20th century, and his younger brother's apprentice must also be in modern times.

Thinking about it this way, Wang Tian feels that the price of this work will not be too high as a whole.

"The work is good, I'm going to take out this small leaf red sandalwood cigarette bottle of mine and PK it with you."

"Okay."

As he spoke, Hellivan had already finished identifying the dozen groups in front of him, and when he arrived at Wang Tian and the fat man, Hellivan looked at the two treasures.

Heleven identified Wang Tian first. This piece is a small leaf red sandalwood smoke bottle, also known as sandalwood red sandalwood, red sandalwood is very precious, more than 800 years to become a material, hardness is the first of the wood, is called "the wood of the emperor", not ordinary wood can be compared. This piece of rosewood cigarette bottle should be in the dynasty more than 500 years ago, when the small-leaved rosewood was monopolized by the court, with recent years, the rosewood was included in the list of environmental protection, forbidden logging, into the same protection as ivory, rhinoceros horn, the value is more than ten times before, conservative estimate of the price of one million rupees, congratulations. ”

Hellivan's appraisal was similar to what Wang Tian expected, thinking that the price of one million rupees and 100,000 yuan almost kept this treasure, Wang Tian was much more relaxed.

But the big fat man smiled at Hellivan and said, "A million rupees of his little leaf red sandalwood?" I don't think it's worth it, you should take a look at my oil painting, he is Dalal Bose's oil painting, which represents an era and opened the era of Indian oil painting to the world. ”

Speaking of Dalal Bose, Heleven was indeed startled, and his hands began to tremble slightly, but this time Wang Tian's heart was mentioned.

Because in China, this kind of micro-movement shows that this painter should be a painter with great influence, like Master Xu Beihong and Master Qi Baishi, who is a big figure and a great painter who makes Chinese painting go to the international stage.

Sure enough, when Wang Tian was worried, Hellivan had been carefully appreciating this painting of Dolan Champa.

"Well, the works of Master Dalal not only retain the philosophical ideas and nationalism of the Indian oil painting tradition, but also express the Japanese . What is more valuable about Ben's light color thin coating technique is that he has oriental artistic expression, and his line expression and color decoration are very strong. ”

"What Master Heleven said is yes, because Dalal Bose was a painter who was deeply influenced by the classical Indian murals, and in the later period, his paintings rooted Japanese and Western paintings in India, and the paintings opened a crazy era. He and Japan's Yokodo Taikan. Haruka Hishida has an exchange of paintings, and many Western scholars have also discussed this aspect, and I think he should be one of the few outstanding painters in Asia, except for two Japanese who are qualified to fight with him, I really can't think of anyone else who can compare with him. ”

The big fat man boasted that Wang Tian could accept this painting, and he didn't feel wrong.

But he said that in all of Asia, there is only a small day. Ben's painting can be compared with this Dalal Bous, Wang Tian disagrees.

Wang Tian didn't have time to defend himself, but he couldn't stand the oranges that had been watching the excitement for a long time.

He had already found paper and pen out of nowhere, what did he say about this Dolan Cham, the painting art is quite good, but Wang Tian is very good at this style.

This time, Wang Tian should be trying to prove that in Asia, it is not only Indian painting and Japanese painting. In this painting, the country that can represent the East more should be China.

Putting the paper and pen on the table, Fang Chenggong said, "Son of heaven, this fat brother said that Mr. Dalal in their country is the most outstanding painter in Asia, I think it is better for you to copy the works of this great master, and see if your technique can prove that there is actually a strong country in the East that paints literature and art??? ”

"Fat brother, I don't know if it's okay?"

Fang Chenggong looked at the fat man more seriously, but the fat man was even more disdainful. "You don't think about painting here, do you? Well, if you don't measure yourself, then I can't stop it, but if it's really a painting, then let the media friends also witness it, what to witness, that is, you Chinese are too arrogant. ”

"Oh, really?" Wang Tian proudly raised his head and said, "This gentleman, originally I Wang Tian didn't want to prove it, but you said that we Chinese are arrogant, then I will paint another painting of this Dolan Cham for you." ”

Wang Tian said that he had already taken the paper that Orange had found, but seeing that the background of this paper did not look like that kind of gray background, Wang Tian pushed away and said, "Orange, go and find me a piece of paper with a similar background color, in addition, I don't know if we have a new ink here, I think the ink can be in place, this Dolan. Champs can be painted better, not necessarily. ”

They don't know that Wang Tian is in China, and he also has outstanding skills in painting, and he once copied the eight horses of Master Xu Beihong, and the small Indian painting Dolan Cham is Zhang Fei eating bean sprouts.

Speaking of which, after getting the paper that Fang Chenggong found and the ink research provided by the organizer, Wang Tian didn't want to just copy this work.

Dolan Cham is a fusion of too many expressions from the West and the East, and it is also said to convey the ideas of Indian tradition, but after so many expressions, it actually swallows up beauty, making the whole picture no longer so pure.

At this time, Wang Tian generally wanted to imitate "Dolan Cham", but Wang Tian's change was precisely the excessive rendering of colors, as well as the excessive sense of Indian traditional lines, he adopted the Japanese idea of understatement, and expressed the Cham flowers more lightly, more simply, and more freehand flavor, so that the whole would be more beautiful.

was originally a scene of appreciation, but at this time it became a performance of a painting scene, and Wang Tian undoubtedly became the focus. The focus of media attention had to return to this Chinese boy, and Wang Tianyueran's "Dolan Champa" on the paper was captured by the media's camera, and the whole creative process, Wang Tian's creative demeanor, and that kind of technique, made this Chinese young man talk about it for a while. (To be continued......)