Thanks to the scarecrow's monthly pass, continue to ask for monthly pass support.

Master Yang Tingyi still didn't speak, but got up quietly and walked outside alone.

Wang Tian didn't know what Master Yang Tingyi's move meant, but now he would never dare to speculate.

Five masters, two gave positive comments, two did not raise objections, Yu Hui's flower and bird painted porcelain jar seems to be about to cover the coffin, it is the true handiwork of Bada Shanren Zhu Qi.

Just now, Wang Tian had already tried to search for information about the Bada Shanren in his mind. What's more, whether there was someone in the Qing Dynasty who specifically imitated the paintings of the Bada Shanren also made some achievements, which is the key to Wang Tian's verification.

Wang Tian affirmed that there was no problem with his dynasty, and that the porcelain jar was not produced in the early Qing Dynasty, but by at least one or two hundred years.

Speaking of painting skills, it is indeed flawless, almost is the style of the Bada Shanren, the Bada Shanren is good at painting landscapes and flowers and birds, his brushes are indulgent, not constituting the law, vigorous and round, Yi Qi Hengsheng, a flower and a bird is not to calculate how much, size, but to focus on the momentum and status of the layout, Bada Shanren painting, is to have a three-way to win, lies in whether to use the timely, with the strange, with the ingenuity.

Sometimes, Bada Shanren will borrow his calligraphy on freehand, although there is not much pen and ink in the painting, but with his exquisite calligraphy, it can immediately make up for the situation.

The current pictures of flowers and birds are fresh and beautiful, and the style is very close to the style of the Bada Shanren. A few calligraphy flowers and birds played with the pen, and also understood human nature. This is the same as Zhu Qi was a monk at the beginning, and then he was a Taoist. And then the experience of returning to the world is also inevitably related.

It's just that Wang Tian knows a little bit about his contradictions through the ages. But if you can't find the difference in painting style, this porcelain jar painted with flowers and birds is enough to become the work of Bada Shanren.

Wang Tian sighed at the moment, since it is the work of the Bada Shanren, he did not expect that in the next one or two hundred years, there would be people who would show his paintings so vividly.

If this imitator is not a master, it will inevitably be a loss of history.

But Wang Tian firmly believed in his heart. This person who can express the paintings of the Bada Shanren so god-like must also be a master.

Moreover, the style of this master's works must also have the style of Zhu Qi. It's just that in that era, this painting giant should not be enough to cover Zhu Qi, to be precise, this master should not be famous. Just like Tang Bohu made a living by copying the paintings of other famous artists in the earliest days. And he was not a foreigner at that time.

As a result of the long-term habit of imitation, edification, and brushstrokes, including the style of the paintings, there must have been a change, and they will inevitably be influenced by the paintings of the Bada Shanren.

What Wang Tian is searching for at the moment is a master with this style of painting.

The painting of the Bada Shanren did not have much influence at that time, and the person who passed on his method was only Niu Shihui and 10,000, and 10,000 were the disciples of the Bada Shanren, who could make a stone. And the concave and convex of the stone are shallow, deep, straight, fat and thin, all of them. The flowers and birds and inscriptions written are all similar to the eight majors.

But. Ten thousand and Bada Shanren as a dynastic figure, the difference is only a few decades. It seems to be a little short of time.

Niu Shihui is the younger brother of Bada Shanren, and he is a painter of the same period, although his painting style is similar to that of Bada Shanren, the shape is similar, and the brushwork fully expresses his unfairness and injustice. However, his calligraphy art and that of the Bada Shanren are more rough and pungent in pen and ink. And the timing is even more incompatible.

Although it can't be two people, it can't be ruled out that everyone who is also enthusiastic in the later stage.

The painting of the Bada Shanren created a new atmosphere of Jiangxi, Jiangnan painting style, and had a far-reaching influence on the painting of later generations.

Pushing down further, that is the "Yangzhou Eight Monsters" in the early Qing Dynasty, they are more familiar with Zhu Qi's works, and their style is influenced by them, of course, the late "Shanghai School" and the modern Qi Baishi, Zhang Daqian, Pan Tianshou, Li Kuchan and other giants are all influenced and influenced by the Bada Shanren, but this is impossible to have a chronological relationship with the current works.

Eight Monsters of Young.

The first to bear the brunt is Zheng Xie, that is, Mr. Huazhu, who is admired by later generations, Zheng Banqiao. He was a young man who should be promoted as Kangxi Xiucai, Yongzheng was promoted in the tenth year, and Qianlong was a scholar in the first year.

Before and after becoming an official, he lived in Yangzhou and made a living from calligraphy and painting. Zheng Banqiao is good at painting orchid, bamboo, stone, pine, chrysanthemum, etc., and has painted orchid and bamboo for more than 50 years, and his achievements are the most prominent. Taken from Xu Wei, Shi Tao, and Bada Shanren, before he became famous, he worked on imitating the paintings of his predecessors.

Judging from this, Zheng Banqiao is very likely to have made such a painting, and the other Yangzhou Seven Monsters of his same period also have such a possibility.

Before they formed their own style in the early stage of painting, they were all influenced by the paintings of the Bada Shanren, and they were also able to make this work. But Zheng Banqiao was born in 1693 A.D., and the difference between him and Master Zhu Qi is less than 100 years.

If you look at the age, there are still some discrepancies in this work, and the other six Yangzhou Eight Monsters are close to Zheng Banqiao's birth and death, but one of them is younger among the Yangzhou Eight Monsters, he is Luo Ping, who was born in 1733 AD.

His ancestral home is An, Huishe, and he later lived in Yangzhou, and once lived in Mida Lane, Caiyi Street, and claimed to live in "Zhucao Shilin".

As a disciple of Jin Nong, he did not become an official and traveled well, but during this period, he made a living by copying the paintings of famous artists and selling paintings.

He painted figures, Buddha statues, landscapes, flowers and fruits, plums, orchids, bamboos, etc., and did everything he could. Especially the flowers and birds and landscapes, very close to the wind of the eight mountain people, the pen tone is strange, super easy and unique.

You must know that the literati paintings of the Bada Shanren have been cut down and redundant in the use of brush and ink, and they are simple and true. A little by little, aimed at getting his mind to his mind, is the dismal business income, and Luo Ping's long-term travel life, the experience of Huai Cai, can just show the feeling of clear pen and ink, simplicity and sparseness.

And Luo hired more than 100 years later than Bada Shanren, which is more consistent in time.

Wang Tian didn't think that this painting was the work of Master Luo Ping, and what Master Luo Ping Wang Tian knew was that he had a ghost picture that had been handed down from generation to generation.

"Ghost Scroll" is his surviving masterpiece, he exaggerated the depiction of strange and strange ghost worlds, in order to satirize the social reality, can be called the outstanding ancient comics. "Ghost Fun Picture Scroll" has a total of 8 pieces, with ghosts as the theme, and is considered one of the early Chinese comics by those who study the history of comics today.

This also made him one of the eight monsters of Yangzhou who was highly respected by later generations, only behind Zheng Banqiao.

There are not many paintings by Master Luo Ping, and works other than ghost pictures are even rarer, so although this work is not the work of Bada Shanren, he is still the work of Yangzhou Eight Monsters, and its value has not been reduced much.

However, it may be due to personal preferences, and the value does not decrease but increases.

Wang Tian's feeling is very wonderful, why is he so concerned about this work, on the one hand, Wang Tian, as a connoisseur, must give the appraised works a correct dating and appreciation, and secondly, more importantly, Wang Tian has a great relationship with the treasure of this cultural relics exchange conference.

The heavy treasure of this exchange conference will have to earn for itself at half the market price, and if it is an imitation that it receives, or the artistic achievement is not so high, of course it is considered a medicine.

It is said that the time is very short, but the appreciation does take a little time, and the connoisseurs behind have also observed this master's artwork one by one.

There are two masters in front of the assurance, praise, and the back of the connoisseurs naturally did not raise objections. Everyone invariably showed that this was an outstanding, wide-open Bada Shanren's flower and bird pastel porcelain jar, just waiting for the price of the last Duan Lao and An Lao.

I don't know when, Yang Tingyi came back, he sat down quietly again, but this time, his face was radiant, as if something happy had happened, and he also whispered to a few connoisseurs behind him.

Wang Tian inadvertently found that Yang Tingyi didn't have any complicated expressions when he spoke, but several people who heard the content of his speech were stunned for a while, and their faces looked suspicious.

Duan Lao and An Lao discussed, and seemed to attach great importance to the pricing of this heavy treasure, and after the agreement, An Lao spoke.

"This piece of flowers and birds landscape painted porcelain jar is the late Ming and early Qing Dynasty Bada Shanren posthumous works, the style of painting is confirmed to be Zhu Qi fine and intermittent, fresh and elegant, phase law and coexistence, vivid artistic style, Bada Shanren's works are very rare, so this piece is undoubtedly a big open treasure, our final collegiate price is..."

"Wait a minute."

Yu Hui and all the connoisseurs, the audience were ready to listen to the value of this treasure, but they were silent, and the old-fashioned Yang Tingyi and so on still made everyone a little confused.

Yu Hui said first. "Master Yang, you..."

"Master Yu, An Lao, sorry to interrupt, you said that this porcelain jar painted with flowers and birds is the posthumous work of the Bada Shanren, I don't dare to agree. I wasn't quite sure about my judgment, but I called my old friend Wei Peiji, a master of the Hui School, to consult, but it confirmed my judgment. ”

"This work is supposed to be from 1700 A.D., and it can be seen from the chronology. In 1705, Bada Shanren died, and his works could not have appeared after that. But this work is indeed the painting style of the Bada Shanren, this chic, symbolic way to express the allegory, personify the object, and entrust their own feelings, is indeed the concept of the Bada Shanren. I think this must be the work of a skilled painter who expresses the Bada Shanren. Just like my friend, he was able to copy such a lifelike and accurate work, I mean this is not the true work of the Bada Shanren. (To be continued......)