Bixia provided such an excellent game engine for the company, and naturally the requirements for the game were much higher, and the quality of the production must be excellent.

Daewoo's "The Legend of Sword and Fairy" was released in 1995, both technology and viewpoint are much behind now, Bi Xia can't start the plot of "Sword and Fairy", because it is a sacred work in his heart, but from the picture, he has more requirements in terms of operation, with the support of such an excellent game engine, this "Sword and Fairy" must meet the quality requirements of the world.

……

Bi Xia only stayed in the capital for one day, and went home to accompany his mother when he came back from the company, he cherished the time with his family, his mother is now retired, and she has no friends in the capital, if Bi Xia goes out to work, she will be very lonely at home alone, if it weren't for Zhang Jing, Zhu Jianye and Huang Xuyi to accompany her from time to time, Bi Xia is not willing to go out to film at all.

But no matter how good they are, they are not as good as Bi Xia by their side, so as long as Bi Xia has time, he will stay at home with his mother. Fortunately, Zang's mother herself has a quiet temperament, and she usually doesn't participate in some social activities in Hangzhou except for classes.

The next day, Bi Xia returned to the crew, and now it has been a month since the filming of "Fairy Sword" started, and the crew has become much more tacit in this month's run-in, whether it is the cooperation between the photography team, the lighting group, the props team, or the cooperation between the actors.

"Stop, stop." Shao Dengyi was behind the camera, staring at the replay, silent, and after a while, he turned his head to Bi Xia and said: "Bi Xia, you come to see Zheng Luotie's performance just now, I feel that this paragraph is a little not strong enough, but I can't say the specifics." After that, he beckoned to Zheng Luotie, who was still standing in place, and shouted, "Zheng Luotie, come over for a moment." ”

Zheng Luotie ran in three steps and two steps, pricking up his ears and preparing to listen to Shao Dengyi's face-to-face teaching.

Bi Xia looked at the replay in the camera, and while reviewing Zheng Luotie's performance during this time, he gradually had an idea in his heart. The role of Tang Yu can be said to be the most careful modification of Bi Xia when writing the screenplay, except for the protagonist Li Xiaoyao. The original version of this character is very much like the second male lead in Korean idol dramas in the design, handsome, strong, filial, single-minded, and a perfect character.

The role of Tang Yu was not available in the first generation of "Fairy Sword", and he was only a supporting role in the later development of another first-generation "Fairy Sword" version. Tang Company's setting of this role Bi Xia believes that the adaptation of the whole play is the most successful, and Tang Yu is still fresh in people's minds.

It's just that although the character setting was successful, the actors at that time did not fully play the essence of Tang Yu's role, and they always gave a feeling of unfinished. And Bi Xia inadvertently brought in his own cognition of this character when writing the script, which invisibly amplified the characteristics of Tang Yu's character.

It's just that this re-given definition is very vague, and if you don't carefully scrutinize the script and study the characters carefully, you may not be able to fully grasp what Bi Xia wants to express. For "Fairy Sword", Bi Xia is the author, Shao Dengyi is the reader, his understanding of the role cannot 100% reach Bi Xia's original intention, and Zheng Luotie is more superficial than Shao Dengyi in terms of character understanding.

This caused Shao Dengyi to subconsciously feel that the emotions of Tang Yu's role could be hot, but although Zheng Luotie's performance was bland, he couldn't find fault with it, but his experience as a director told him that there was something incongruous here.

"Director Shao, Tie Bao, when I wrote the role of Tang Yu, I positioned him as 'the perfect knight, the hero of heroes'! Tang Yu has both a righteous chivalrous spirit, and an unswerving belief in love, he is very shy, very filial, very strong, and very righteous, this is a chivalrous man with affection and righteousness, and extraordinary bearing, it is not an exaggeration to describe him with perfection! Bi Xia did not correct Zheng Luotie's performance, but talked about his own setting for the role of Tang Yu.

"That's right, no wonder I always feel that Tang Yu's role is missing something." Shao Dengyi clapped his hands vigorously and shouted excitedly, he turned his head excitedly and said to Zheng Luotie: "Luo Tie, your interpretation of the role of Tang Yu is a bit too bland, and it is ordinary, you must show his 'perfect' character characteristics, and when interpreting this character, you must express his extreme emotions in the face of love, friendship, family affection and great rights and wrongs." ”

"Yes, director, I'll try." Zheng Luotie nodded and accepted it humbly. After that, he winked mischievously at Bi Xia.

In addition to learning a lot of things in the crew, Bi Xia has also made a lot of good friends, and these leading actors are now very familiar with Bi Xia.

The crew was like a school, in a completely closed shooting environment, staying together all day long, so that they could quickly build friendships.

It is not easy to shoot film and television dramas, often NG, repeated performances again and again, it is definitely not a pleasure for the actors, and the filming conditions are also very difficult, the actors can only keep entertaining themselves between filming and relax in a limited time. In this mood, people's psychological defense line is very low, and the feelings between people are relatively easy to heat up.

And Bi Xia has a gentle temper, is humble, and is very polite to women, so he is naturally easy to get close to, and he often speaks for several main actors, and he is very loved by these leading actors.

Lin Nana is eccentric, Bao Yu is polite and polite, Chen Qiuzi is simple and cute, Zheng Luotie is straightforward, Wu Meizi is full of charm, Jin Shuai is quiet and cold, these stars with different temperaments are a kind of fate when they walk together, and everyone cherishes it.

The shooting continues.

The biggest difficulty in the filming of "Fairy Sword" has appeared, unlike costume dramas, Xianxia dramas have always been very few in TV or movies, and the evaluation has never been high, the reason is that the picture description of Xianxia is too abstract, and the stunts cannot fully express the fantasy in people's hearts.

The greater the expectation, the greater the disappointment, and when the movie or television does not achieve the kind of effect that the audience imagined, the results can be imagined.

Fortunately, the setting of "Sword and Fairy" is actually between orthodox martial arts and mythology, and many of its battle scenes can still be replaced by human movements, and only a small number of pictures similar to Li Xiaoyao's swordsmanship must be used for stunts.

Whether it's in a fight scene or a stunt picture, it's a difficult point. The difficulty of playing is that the boys and these actors have no kung fu foundation, and it is difficult for the actors to persist all day long, and their movements cannot be kept stable.

The stunt graphics are even more abstract. For example, in the TV screen, there is a shot of a flying sword of the imperial envoy, the flying sword is added to the stunt later, but the action of controlling the flying sword is performed by the characters, these actions are very abstract, not only to give the audience a reasonable feeling, but also to make them feel very dazzling and legendary, which often makes the crew distressed.