In the 60s, 70s, 80s and early 90s, Hong Kong led the development of the Asian entertainment industry. As many as 100 films are released every year, not only in Hong Kong, but also in theaters in Taiwan, Japan, South Korea and Southeast Asia. Hong Kong's film and television, with the advancement of technology, have led the fashion trend of several generations, making Hong Kong another paradise for dreamers after Hollywood in the United States. Hong Kong films, which are well-known in the Asian film and television industry and are known as the "Hollywood of the East", are very popular. Following Bruce Lee's international fame, Jackie Chan, Jet Li, Chow Yun-fat and director John Woo and others once again took on the heavy responsibility of Hong Kong films and entered Hollywood.

Perhaps in response to the saying that "prosperity must decline", with the rapid development of the Asian entertainment industry, Japan and South Korea have replaced Hong Kong. In the late 90s and the beginning of the 21st century, Dongying style became a trend pursued by many people. AP, Noriko Sakai, Honami Suzuki, Yosuke Eguchi, Takashi Antimachi, Hideaki Takizawa, Nanako Matsushima, Kyoko Fukada and Rie Tomosaka have become the primary targets of young people chasing stars after the four kings of Hong Kong, Alan Tam, Leslie Cheung, Anita Mui and Wang Jingwen (Faye Wong).

Japanese songs, Japanese dramas and variety shows on Japanese television have not only been introduced and broadcast in Taiwan and Hong Kong, but have also become the object of imitation. Even in Chinese mainland, which has always had strict censorship of TV programs, many Japanese dramas can be broadcast in the evening prime time of many local TV stations, and the ratings have repeatedly broken the traditional anti-Japanese and spy war films, which makes the political propaganda departments of many local governments very embarrassed.

Cultural aggression has been brought to the table by the government for discussion and research, and the young people of Hari have even been called the heirs of Wang Jingwei and Taiwan during the Republic of China. Japanese artists are called beasts by many brick families on the mainland, and they are called the vanguard of cultural aggression, and they are regarded as beasts of a flood, as if they are even more powerful than Unit 731 back then. However, these so-called brick beasts are the biggest advocates of Sino-Japanese friendship and Sino-Japanese friendship, and they are the first to sign up for research and investigation in Japan at public expense. I don't know if when his mother gave birth to them, it was because it was too tight, and he clamped his brain, causing these people to have dual personalities and standards in the future.

After advocacy, the government did not hesitate to introduce various policies and red-headed documents to restrict the broadcast of Japanese dramas and songs on television and radio stations, and even Japanese artists who wanted to perform on stage on the mainland could not even get visas. In this way, Dongyingfeng quickly disappeared from the mainland, and he could only rely on the immature network to see some clips that had been deleted or reviewed countless times.

As the winds cooled down, the Hallyu began to catch up. Not only did it quickly occupy the market that Japan had lost in the mainland, but it also surpassed its share in Hong Kong and Southeast Asia, occupying the attention of many young people nowadays. What's more, Thailand, for example, knows more about Korean artists than its own government officials. Whenever Hallyu stars come to perform on stage, everywhere they go, there must be thousands of empty alleys, which is better than Teresa Teng, the Asian singer of the year.

Korean stars such as Crystal Boy, TURBO, Ko Yo-tae, Fin.k.l, Shinhye, Lee Jung-hyun, Kim Hee-sun, Jang Dong-kun, Lee Young-ae, Song Hye Kyo, etc., have slowly entered people's attention since entering the 21st century. Even young men and women who don't know Korean can hum a few words of the songs they sing. The tear gas-like Korean dramas they starred in are a model of love in the dreams of many men and women who pursue love. There are also many aunt-style Korean dramas, which have become must-see.

But I don't know when it began, a company called "Tianchen Entertainment" under the FS Group, with sufficient funds and unique vision, quickly developed in the Asian entertainment industry. With diversified development ideas, it has led its counterparts in Asian countries in local and foreign record production and distribution, music publishing, artist management, concert planning, stage production, film and television production, multimedia business, merchandising and retailing, and has become the leading big brother representative in the Asian entertainment industry. …,

Headquartered in Taipei, Tianchen Entertainment has branches in Tokyo, Seoul, Shanghai, Beijing, Hong Kong, Singapore, Malaysia and other places to develop the local entertainment industry. The company has the most complete distribution and sales channels in Asia, the cinema chain with the largest number of theaters, and the top behind-the-scenes production team. It is the first choice for many handsome men and women who want to enter the entertainment industry.

At the company's headquarters in Taiwan, its record, film and television production departments have signed singers and stars such as Teresa Teng, Fei Xiang, Su Rui, Ruby Lin, Lin Xilei, Zhou Huajian, Zhang Shaohan, Big S, Yan Chengxu, Zhou Yumin, Lin Chiling and so on.

Hong Kong has three of the four kings, Andy Lau, Liming, Aaron Kwok, as well as actors such as Tony Leung, Cheung Ka-fai, Huang Qiusheng, Maggie Cheung, Hui Zhian, Chen Huilin, Joey Yung, Koo Juji, Huang Yaoming, Twins and other actors.

On the Japanese side, Momoe Yamaguchi, Noriko Sakai, Shizuka Kudo, Takako Matsuda, Seiko Matsuda, Norika Fujiwara, Yutaka Takenouchi, Masaharu Fukuyama, Takashi Kashiwahara, Miyuki Nakajima, Ai Otsuka, Ayumi Hamasaki, Hikaru Utada, etc., are also the red stars of the Japanese branch of "Tianchen Entertainment".

In South Korea, it can be said that "Tianchen Entertainment" has invested the most, and the harvest is also the largest branch except for Japan. Not only does it indirectly hold a stake in a TV station, but it is also the company that owns the most Korean actors and singers. In order to cater to the Korean people, "Tianchen Entertainment" is a local custom. A trainee system unique to Korea has been established, and many smash stars in Korea have been cultivated. And with the improvement of various systems and the rich returns of contracts, many stars who have developed in South Korea are willing to jump to "Tianchen Entertainment" (South Korea) after their company's contract expires and start their own new star journey.

Fin.k.l, Kim Jong Kook, Lee Jung-hyun, Jang Dong-kun, Lee Dong-kun, Lee Young-ae, Chae Lin, Lee Mi-yeon, Jae-hee, Kim Min-joon, Han Chae-young, Kim Tae-hee, Kong Hyo-jin, Moon Geun-young, Song Yoon-a, Goo Hye-sun, Shinhyun and other famous Korean artists are all poached by training or paying liquidated damages, and they are recruited to its banner. And not only that, the generous trainee contract of "Tianchen Entertainment" (South Korea) and the superior share of the debut artist contract have attracted many trainees with excellent potential to join, so that other companies can only drink gruel behind them. This also made "Tianchen Entertainment" once a thorn in the side of many Korean brokerage companies, and it was necessary to get rid of it as soon as possible.

Under pressure from many local companies, South Korea's cultural sector had to intervene to stop it. After all, "Tianchen Entertainment" (South Korea) is just an outsider, although it has an American consortium background, but for local companies, it must be protected. With the dominance of "Tianchen Entertainment" (South Korea), relying on companies that have only been in operation for more than ten years, even if they are united, they will not be able to cope with the counterattack of "Tianchen Entertainment" (South Korea), and may suffer heavy losses.

In order to prevent "Tianchen Entertainment" (South Korea) from harming people with its roots, the Ministry of Culture of South Korea proposed to sell the theater chain and television station that it originally held shares through business spin-offs. At the request of "Tianchen Entertainment" (South Korea), the theater chain controlled by it was also spun off, and the shares of the TV station were wholly resold to the "Angel Fund". In fact, the bosses of these two companies are all managed by one person, but they are just handed over to the boss's woman to take care of, and they come and go from left to right hands, but it can be regarded as a compromise to make the Korean cultural department feel better.

After that, "Cheonshin Entertainment" (Korea) was re-planned and reorganized, and the original production of TV dramas and advertising departments were spun off and sold to SBS Television, and only the investment planning department was retained as a related department to invest in the production of films and television. The artist management department, which was originally mixed together, is divided into an actor department and a singer department, and the actors and singers are managed by the ministers and agents of each department. Trainees are also separated and trained by the head of the practice room. …,

Actors and singers, who have always developed locally, began to go to Asia, going to the mainland, Hong Kong, and Japan to shoot movies or TV series. After the rectification, the company was officially renamed "TCEngineering" (referred to as TCE).

As for the spin-off of the cinema business, an independent operating company was established to go to the theater business. It will not be incorporated into other regional cinema chains or Taiwan head offices, and will not accept the management and operation of FS Group's Hong Kong headquarters.

SBS Television (Seoul

BroadcastingSystem) Co., Ltd., also known as SBS Co., Ltd., is the second national TVB established by FS Group in Korea in 85 years after MBC. The share distribution of the TV station is 32% owned by Angel Fund, 22% owned by Taeyoung Real Estate Construction of South Korea, 9.5% owned by Korea Investment Trust Utilized, 6.5% owned by the Korean government, 11.5% owned by Cheonchen Entertainment (Korea), and the rest circulated on the stock market. But now the shares of Tianchen Entertainment (South Korea) have been sold to the angel fund, so that the fund company has a 43.5% stake, as long as the acquisition of 7% is successful, then the TV station can complete the holding.

But the angel fund did not take action and seized absolute control of the TV station. When FS Group established SBS TV in South Korea, it had an agreement with the Ministry of Culture that it would never control the TV station, and the TV station would not be managed by a company outside South Korea. The president of the TV station will only be Korean, and the FS Group will only serve as the chairman or director. As for the current angel fund's acquisition of the shares of the TV station in the hands of FS Group and "Tianchen Entertainment" (South Korea), the previous agreement signed with the Ministry of Culture of South Korea is also continued and valid. So now the boss of the angel fund has naturally become the chairman of SBS TV.

Although the Korean company has changed its face, there are such and such obstacles. However, the original "Tianchen Entertainment" has not changed at all and continues to be inherited. Do not engage in cultural aggression and plunder, do not participate in politics, and aim to develop the local entertainment industry and make money. Attract, tap and develop potential artists and stars, mainly local.

Of course, some superstars who are so red and purple rely on the unique resources of "Tianchen Entertainment" to go to various places to attract gold, which is a common thing. After all, the company also wants to make money, these popular stars, it is rare to go to other countries, they will definitely be very popular, but the money can go into the pocket like flowing water, and the company can also make enough money from the pockets of fans when they see their favorite singers and artists.

PS: This book was written in the first part, and it can be said to be a sister to the first part. The protagonist has changed from Feng Yifeng in the first part to his son, and he has also changed from Hong Kong to South Korea, but he will definitely continue the style of the first part, absolutely relaxed, absolutely post. Palace, if you don't like it, be cautious. So I wanted to continue with the first book, but the story and pig's feet have changed, so I will open a new book.

And because it's a sequel, a lot of time and characters are very different from reality, so there's no need to worry about it when reading a book. It's like saying that he suddenly became Feng Yifeng's wife, and whoever suddenly appeared in some places was arranged according to this book. If you really want to be a factual party or a historian, I advise you not to read it after reading this, because after you become the most embarrassed, you vomit blood and die three liters of anger, I am not responsible at all, and I will die.

I originally wanted to write about mainland China and Hong Kong, and even dominate Hollywood. But after thinking about it, there are too many constraints on writing about the mainland entertainment industry, and there are too many river crab beasts in the way. As for Hollywood in the United States, because it is the first sequel, then the protagonist is Chinese, at most mixed-race, in the United States, the country with the most serious racial discrimination in the world and human rights only in words, Hollywood, which is the most xenophobic, will not allow the emergence of a top Chinese superstar.

Although the United States is the world of money, it also depends on race, and if you have the ability to make money in the United States, that is because you have the ability. But it is not so easy to invade American culture, and no country, group or company has ever been able to bring Hollywood to its knees. Even the once-brilliant Bruce Lee only let Americans know that Chinese will "kungfu", which does not mean that Americans will accept this unique culture. Japan once tried to buy anything they could buy with huge sums of money, but after being pressed to the ground by the Yankees, they spent only money on names and self-hypnosis. …,

While there is no limit to YY, there are so many things to consider. You can't play a role that should have been played by a blonde Westerner and suddenly become a yellow-skinned and black-eyed Chinese, right? Could it be that [Harry Potter] will be more popular if it is replaced by Chinese? Or which countries in [Mission Impossible] have suddenly changed their minds about people of color and used Chinese as agents? Or maybe [Pirates of the Caribbean] turned into Chinese to raid the Americas and make it a box office hit?

While writing about Hollywood can allow Pig's Feet to raise its worth with a few award-winning films, consider which Academy judges at the Oscars are outright diehards and racists. If the Chinese want to win Hollywood, I am afraid that they may not be able to succeed after ten years of sharpening their swords. Think about the international superstars Jackie Chan, Chow Yun-fat and Jet Li, of course, they are very popular in the mainland and Hong Kong, and their salaries are also the highest. But they really have a lot of gaps in Hollywood compared with Tom Tom, Johnny Depp, Tom Hanks and others, which are not allowed to be admitted. I'm the one who is most afraid of trouble, after all, I can't put all my mind on writing, I can only do what I want. Therefore, after careful consideration, it was decided to change it to Korean writing.

Because it is the first part, many plots are developed according to the first part, which will be very different from reality. So the corresponding time and event, or see some original companies or people missing, or from different places, don't worry too much, if you don't understand, you can watch the first part. The heroine in the book is indispensable, and she will definitely be a star in reality. There are things that everyone likes, there are things that everyone forgets, and there are some little-known but quite talented ones, these are all in the book one by one, please read and comment carefully.

This story is purely fictional, and if there are similarities, it must be an accident and there is no coincidence.