Voice actor Bi Yumu's first full-length album "イシュメル" after his solo debut has just been released. The world that Yumu Bi brings to life on this album is unfathomable. From the very first song, the listener is drawn into the world of the story. She said that the album is fun to listen to, but the deeper you go, the more interesting it is. Next, let's take a look at the third issue of Yumubi's short interview about this album.

——The MV of the title song "アールデコラージュラミラージュ" is the world of the gaps, right?

Yuki: The hero of this song is probably not the hero of this song, but a singer, and in my personal mind, I think it is a one-man orchestra. In the music video, a girl dressed in black and white stripes moves like a conductor, but she probably plays all the music alone. There is only one person, but not only one voice can be heard, or only one voice can be heard. She is a special creature.

- In other words, she is a person from the Gap World, right?

Yuuki: Yes. To make it easier for everyone to distinguish at a glance, none of the people wearing striped clothes are humans. It is the human beings who wear white.

- Was the kid in white taken to the Crack World?

Yuki: Everyone's situation is different. Some people have gone to the crack world in their entirety, some people have only passed through their consciousness, and some people have only passed through their bodies.

- Such an incredible world of cracks is expressed in the booklet of the first limited plate.

Yuki: There is a vague connection to the song, but it is implied in terms of worldview. Some reflect a certain scene of the song, but others are a completely different world. It brings together a lot of pictures from the strange crevice world, whether big or small, cold or hot, in short, it is a booklet that is also visually appreciative.

- Why is the style of the 5th song "たゆたうかなた" different from other songs?

Yuki: This is the story of opening the door from the station and suddenly entering another world.

- The music has a very dreamy feeling, and when you listen to it, you will have dreamy scenes such as the sea and the moon in your mind.

Yuki: It's beautiful, isn't it? If you don't put on a song that people can listen to slowly, it always feels too rushed, so I asked the songwriter to write a soothing song. However, the whole process was very difficult to deliver, and I was eager to put a few songs about this worldview on the full album, but I felt an unprecedented exhaustion of inspiration. Can't think of anything! Just then, the fish I had at home died. Maybe I shouldn't have to think about death like this, but it makes me feel like "even death is so beautiful". So, I referred to this worldview. So it can be regarded as a memorial to the dead fish.

- You've been overusing your brain lately.

Yuki: Sometimes the input can't keep up with the output speed. I didn't feel that way when I came out with the mini album, and I always wanted to incorporate as much stuff as I could when I was on a single album, but this was the first time I hit a bottleneck. However, I've always wanted to sing a song about fish, so this is a long-cherished wish come true. Because it's a crack world, you can't tell whether it's water or fish, and it feels like a dream. Different people come to listen to this song and can imagine different worlds.

——About the song "ロッキングチェアー揺れて", it's actually a song by the grandmother in the "SWEETHOME" family, right?

Yuuki: Yes. In fact, the grandmother of the "SWEETHOME" family had contact with the gap world and went to the world over there, but the body stayed in the real world and was a little clumsy. So, she can't tell her family about it. I don't know how much I can say (laughs). This grandmother was very similar to her grandson when she was young, and she always told her grandson about monsters. But the grandson was very scared and didn't like grandma. However, because of this common secret, the grandson likes his grandmother. This song tells such a story. This family has conflicts because of the cracked world, but there are also beginnings, and this is their daily life.

- And "ダスティー! The worlds of "ダスティーストマック" and "AngeliqueSky" are also related, and they are really interesting. I was patronizing and discussing the plot, and I couldn't talk about the melodic topic, but I really used a lot of music and singing in this album.

Yuuki: Yes. I also put a lot of thought into the melody, and I also participated in the recording of mysterious effects. The strangest sound recorded was the "sound of tape being thrown at the board". It was a lot of fun. When singing songs about monsters, you will imagine the situation in your mind, imagining the monsters talking to each other, and the four monsters will talk to each other in the language of monsters. By the way, I used the same voice to record all four characters, but after editing, if you listen carefully, you can hear the feeling of the four-headed monster** talking.