0031 Tang Yin Memetu

was broken by Wang Ding, and Xu Fengshui at this time could no longer hold on to the sturdy expression on his face.

"Ha Lu Ha." With a hearty smile, Xu Fengshui gave Wang Ding a thumbs up. "You kid, I really don't know what to say about you. You can see that. ”

"So Old Xu, are you really lying to us?" Wang Ding instantly felt that Mrs. Xu's belly was dark.

"Ha Lu Ha. You, like the dragon, saw that there was something wrong with the painting at first, but what made you stand out more than the dragon was that you stuck to your judgment. What a blessing. ”

Xu Lao's laughter and words did not make Jin Long feel uncomfortable, on the contrary, Jin Long already had a cognition in his heart at this time, that is, the current Wang Ding is no longer the Wuxia Ameng. Compared with him, maybe he is already behind. So accepting this fact, Jin Long did not get angry.

"Let me tell you, this painting is a painting copied by a painter Tang Yin, this work is called "Picture of a Withered Robin", not only is this painting a fake, but this seal is also fake. But because of historical reasons, I don't know who forged the fake seal of Master Huang Tingjian on this copied Tang Yin's work, which can be described as a mistake and created such a work. ”

"I see."

Wang Ding understood, this painting was confirmed to be a fake painting, but Wang Ding still admired the person who copied Tang Yin's works in his heart. To know the Tao of Lu, Tang Yin's words are similar to three points, seven points are similar, the pen power is outstanding, and the paintings have become countless classics. And now, although the scene he depicts is less than three points, the charm conveyed in it can still be glimpsed. If it weren't for that seal, Wang Ding would never have seen the clue.

"Old Xu, I also want to ask here, in addition to the seal, we can identify the authenticity of calligraphy and painting, can we also judge according to other characteristics? Because if it weren't for the stamp, this painting would be too realistic! ”

Xu Fengshui was asked, and said with great interest, "The technique of imitation is not outstanding, and the counterfeiting of calligraphy and painting has always been very prosperous, which to a certain extent also reflects the love of ancient emperors and even the propertied class for calligraphy and painting." But we still have targeted appreciation skills. Just as seals are used by the creators of works as exclusive marks, they usually add inscriptions in front of poems, or make a detailed record of the contents of calligraphy and painting, such as size, style, seal, inscription, etc., and compile a bibliography. Through history, these can be effective proof that a painting is genuine. ”

Wang Ding knew that the inscription is inscribed in front of books, calligraphy and paintings, and inscriptions, and is mainly used for tasting, appreciation, research, and memorization. It was formed during the Song Dynasty. And the bibliography speaks for itself. These two can undoubtedly be the basis for appreciating calligraphy and painting.

"I know this. Is there anything else left? ”

"Of course." Xu Lao was still unsatisfied, and seeing that Xu Lao's lips were a little dry, Wang Ding was busy and went to the table to pour Xu Lao another cup of tea.

"Old Xu drinks tea!" Handing the tea to Xu Lao's hand, Xu Lao took the tea and tasted a few sips with satisfaction before continuing.

"There are also some details on the calligraphy and painting, through which the authenticity of the calligraphy and painting can be discovered. You two listen up, I basically don't pass this on. The first is the problem of writing other characters, which has always been regarded as very serious, and the authors of calligraphy and painting will not have such mistakes, such as calligraphy and painting or inscriptions, especially the inscriptions on calligraphy and painting, etc., which is considered to be the forger's feet. This painting is a fake. ”

Typology. Wang Ding recited it silently in his heart several times, and also wrote it down.

"The second is the year and month, and the date or month inscribed on the painting or inscription may not match the author's age, birth or death, or be different from the facts, and will also be considered as evidence of forgery. For example, a work by Tang Yin in the Ming Dynasty, but the date mentioned is the date of Huang Tingjian in the Song Dynasty, it must be a fake. This requires the connoisseur to be familiar with the historical background of the author. Got it? ”

"Yes." The two nodded one after another, and Xu Lao took a sip of tea in the interval, and continued, "There is another point that you may be negligent, and that is to avoid it." In the era of feudal emperors, what does it mean to avoid Linwen? That is to say, when the word is written with the same name as the emperor of this dynasty, one stroke must be written less, which is called avoidance, commonly known as lack of pen. On the calligraphy and painting, if you see the words lacking a pen, which emperor is to avoid, you can determine the creation period of calligraphy and painting. This is equivalent to saying that this painting is inferred to be created by the Qing Dynasty according to the evasion, but its genus is clear, which is a loophole in forgery. And this question has always been irrefutable evidence. But of course, this can only be discovered if you are familiar with the history and the knowledge of the past and the present, so appreciating calligraphy and painting is not an easy task. ”

Avoidance in the creation of poetry can not be said to be absent, the Qing Dynasty has implemented cruel text # prison, at that time there were many works because of restrictions will also encounter avoidance, including the Ming Dynasty has always been to avoid the pig word.

Listening to Xu Lao's words, Wang Ding realized that the appreciation of calligraphy and painting is also an esoteric knowledge, and it is impossible to become an apprentice in a day or two. I can only strengthen my learning ability in order to make achievements in the appreciation of calligraphy and painting.

However, Wang Ding also knows where his advantages over others are.

After Xu Fengshui finished speaking, he took out the second painting that he wanted Wang Ding and Jin Long to appreciate, and this second painting was the real Tang Yin's work.

This is a picture of a plum on paper, ink pen, 96 cm in height and 36 cm in width.

This painting depicts the plum blossom branches with dry brushes and scorched ink, rubbing the texture, and expressing the vigorous and curvy posture of the plum branches. Paint the flowers with shades of ink dots, draw the stamens with careful brushstrokes, the brushwork is strong and elegant, showing the beautiful and refined style of plum blossoms.

His creative style is exactly the style of Tang Yin's late painting. The plum blossom in the middle of the picture is graceful, and the inscription poem on the upper right is free and beautiful: the golden cloth is the family of the Van Wang, and the white jade becomes the flower after the forest. You might as well make ink on the wine, and write a clear shadow horizontally.

Wang Ding and Jin Long began to taste at this time.

According to what they have just learned, the two of them jointly discovered the place and person where the poem was created: Gongtang Kanmei and Wang Shaofu Yun. Wu tends to Tang Yin.

Then the seal in the lower left is stable and elegant, and it shows what are the seals in circulation. "Xuan" Tang Jushi "Zhu Wen", "Tang Yin Private Seal" Bai Wen, "Nanjing Xie Yuan" Zhu Wen, "Liuru Jushi" Zhu Wen, "Wu Trend" Zhu Wenyin.

Comparing the other items and Tang Yin's painting style, the two agreed that this was a beautiful work of Tang Yin's ink plum painting.

"Good paintings, the value of Tang Yin's works is quite high, Xu Lao, your Momei picture is one of Tang Yin's representative landscape paintings, and the price of more than one million must be there."

Jinlong's occupational disease was committed again, and after tasting, he directly set a price for Xu Lao.

Xu Lao glanced at Jin Long at this time, and his face turned red as if he had taken medicine, "You know that money is good, don't you know that art is priceless." Since I have this painting in my collection, I don't think about its value. However, since you have broken this layer, then I will make a decision. Wang Ding, if I want to give this painting to you, how will you thank me? ”

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