Chapter 180: The National Museum of Tokyo

When the plane landed at Tokyo International Airport, Yu Fei still didn't come back to his senses. After returning from the Forbidden City, he spent a long time trying to figure out the changes in his body. But what frustrated him was that except for a slight increase in the amount of Chaos Qi, there were basically no other changes! The Chixiao Sword, which had absorbed a large amount of chaotic qi, was like a lazy pig that slept when it was full, and it was dormant again. Even if Yu Fei came to the Forbidden City again, he didn't wake it up.

Because the trip to Japan is approaching, Yu Fei can only return to Ningdu first, and will fly to Tokyo with Ning Chengfeng and others.

Seeing Yu Fei again, Ning Chengfeng didn't dare to have the slightest support. I don't know if Lu Dao is at fault for psychological reasons, Ning Chengfeng feels that Yu Fei is a little different from when he first saw him, and he can't say what the specific differences are, but he feels that his temperament is becoming more and more heroic, different from the previous loose and loose, and now Yu Fei seems to be a sword about to be unsheathed, which makes people dare not force their eyes.

As Ningdu University did at the beginning, Saori Mitsui took representatives of Waseda University to the airport to greet Ning Chengfeng and his party.

Although the representative captain of Ningdu University is Ning Chengfeng, Saori Mitsui only symbolically chatted with Ning Chengfeng for a few words and then wrapped around Fei's side. Ning Chengfeng, who recognized the huge gap between himself and Saori Mitsui, was a little uncomfortable in his heart, but he could accept it.

"Yu Feijun is true to his words, Saori admires!" Saori Mitsui's words had no beginning or end, but Yu Fei understood a little. It seems that this chick knew that she didn't have a passport, and this so-called 10-day appointment was done by him on purpose! is to see if Yu Fei has the ability to handle all this. Of course, this kind of careful eye. Yu Fei didn't take it to heart.

"It's always coming, and it's better to come earlier than later, right?" Yu Fei smiled indifferently. This made Saori Mitsui feel good about Feida. The boy decided to be smart and could quickly read what he meant in a sentence; At the same time, he is tolerant and generous, and he is not unhappy because of this, on the contrary, he has been completely relieved in the one-on-one answer, which is very rare in his peers.

"I don't know what Yu Feijun wants to go to when he comes to Japan this time? Thanks to Jun's diligent care when he was in Ningdu. Saori is willing to do the friendship of the landlord, so that Yu Feijun can come and return happy. Saori Mitsui looked at Yu Fei with a smile.

This made Yu Fei's old face red. In Ningdu, he is indeed diligent enough, this is selfish, until now. The 20,000 yuan that Saori Mitsui spent in the Treasure Pavilion is still in his pocket.

"It's the same as Saori-san. I am also very interested in the classical civilization of your country! Of course, Yu Fei is a drunkard, not drinking, and the most fundamental purpose of his visit to Japan this time is to pick up the leaks. Before I came, Yu Fei inquired about it, and there are nearly 30 antique markets of different sizes in Tokyo, and there are some open-air low-end antique markets.

"I don't know if the classical civilization that Yu Feijun is interested in is your country's or my country's?" Saori Mitsui seems to like to dwell on such issues.

Yu Fei pursed his lips secretly, and said in his heart: "Aren't you talking nonsense?" You little Japan has a fart classical civilization, right? Apart from a small contribution to the spread of love, is there anything else you can get your hands on? ”

However, Yu Fei is still full of kindness. He smiled faintly and said: "China and Japan are separated by a strip of water, and your country's civilization still has many similarities compared with ours. ”

The implication naturally refers to the fact that Japan's so-called culture is copied from the Chinese ancestors.

"Civilizations are connected. But it's really unclear who is like whom. I remember that there is an old saying in your country that seems to say that learning is in no particular order, and whoever learns first is the master. Saori Mitsui said slyly.

The old saying in her mouth is: "There is no order to learn, and the master is the teacher." But she didn't say it directly, if she reflected it slowly, she would definitely say it herself, and she fell for her little trick. Using an old Chinese proverb to refute Yu Fei's remarks is extremely powerful.

Of course, Yu Fei would not be fooled, Ha Luha smiled and said: "Classmate Saori, that ancient Chinese saying is called: 'One day is a teacher, and one life is a father'!" It is said that Japan is a country of etiquette, but I didn't believe it before, but now when I hear Saori's remarks, I finally believe it! Saori-san, you're too polite, don't mention anything like a lifelong father, otherwise people will say that Japan is not filial. ”

Japan and China have carried out many times, the first time was in the Tang Dynasty, when Japan gathered thousands of warships to put on a decisive battle posture, but was beaten by more than 100 Chinese warships. During the Song and Ming dynasties, the Japanese invaders disturbed the coastal areas, burned, killed and looted, and Zhu Yuanzhang, the Taizu of the Ming Dynasty, even set up 16 obscene defense against the Japanese invaders; Then there was the Sino-Japanese War and the War of Resistance Against Japanese Aggression that lasted for more than 10 years, and it can be said that Japan took the lead in provoking every war, and it is not unreasonable to say that Japan is not filial.

"Yu Feijun is joking!" Saori Mitsui was reluctant to debate with this shameless person, so she said coldly, and then chatted with Ning Chengfeng.

Yu Fei didn't care, he was at ease when he looked east and west.

The welcoming ceremony at Waseda University was as lengthy as Ningdu University's, and several old men with gray hair trumpeted the university's long history and academic status from the podium in the auditorium, which made Yu Fei tired of hearing it.

When he came, Yu Fei used the chaotic qi to learn Japanese, and now although he stumbles when he speaks Japanese, he can basically understand it. Learning Japanese in about ten days, this is too surprising to say it, so now Yu Fei still pretends not to understand, but fortunately, Mitsui Sandpaper's Chinese is very good, and there is no difficulty in communicating.

After the welcome ceremony, we had a welcome dinner. However, the raw and cold Japanese food made Yu Fei unappetizing, and he just ate some fried foods such as tempura, which was secretly ridiculed by the student representatives of Waseda University as local buns.

The next morning, according to the itinerary, I was going to visit the Tokyo National Museum. Yu Fei was not interested in this, but after listening to Saori Mitsui's introduction, Yu Fei changed his mind again.

Founded in 1872, the Tokyo National Museum consists of four museums, with a collection of more than 100,000 pieces, a total exhibition room of more than 14,000 square meters, and more than 4,000 cultural relics on display.

The most attractive thing to fly is the Toyokan. Opened in 1968, the Toyokan has 10 showrooms on display of art and archaeological relics from various regions of the East except Japan, half of which are Chinese antiques.

The exhibits range from prehistoric stone tools and painted pottery, bronze ware of the Shang and Zhou dynasties, pottery and portrait stones of the Han Dynasty, Buddha statues of the Wei, Jin, Southern and Northern Dynasties, gold and silver ware and Sancai of the Tang Dynasty, to porcelain, calligraphy and painting of the Song, Yuan, Ming and Qing dynasties.

"I wonder if Yu Feijun is interested?" Saori Mitsui seemed to have already figured out Yu Fei's temper, and every word she said captured Yu Fei's heart.

"Can I say no?" Yu Fei said helplessly. The Tokyo National Museum's collection is rich, comprehensive, and high-grade, which is stronger than most museums in China.

After arriving at the National Museum, Yu Fei did not follow the team to visit step by step, but went straight to the Oriental Museum alone.

The first floor of the Toyo Museum displays precious Egyptian artifacts including mummies, Indian and early Buddhist artifacts, and archaeological excavations from Southeast Asia and West Asia. Yu Fei only swept away this, and now Yu Fei has no interest in foreign artworks, whether he is stupid or narrow-minded, there is always such a process in the process of maturity.

Yu Fei was attracted by a special exhibition entitled "Trade, Fun and Change: Jingdezhen Porcelain from 1620 to 1645", which showcased China's long-standing prowess in trade and cultural exchange, but also revealed the fact that from the late Ming Dynasty, with the decline of China's national power and its policy of seclusion, the shrewd Japanese had gradually broken China's monopoly on European porcelain exports in maritime trade. For example, Japan's "Imari Burning" blue and white porcelain is inscribed with the bottom of the "Ming Jiajing Year System" and "Ming Wanli Year System", in order to fool Westerners and sell them at a high price. To put it bluntly, it is a cottage Jingdezhen porcelain!

This made Yu Fei amazed, and they all said that the cottage was an invention and unique to China, and it turned out to be the first to originate in Japan today.

There is a very credible theory about how the blue and white porcelain technique was introduced to Japan. That is, Toyotomi Hideyoshi took a large number of ceramics and potters from Korea during the two Korean Wars, which played a crucial role in the firing of Japanese blue and white porcelain.

The second floor of the Oriental Museum can be said to be the "China Museum", a total of five exhibition rooms, four of which are "Chinese archaeology", although the name is called archaeological relics, but in fact, most of them are the Japanese army in the previous invasion and looting, mainly during the War of Resistance Against Japan, at that time, the Japanese army's iron hooves spread over most of China, and the antiques collected can be described as countless.

The exhibits range from the Neolithic Age to the early cultural relics unearthed in the Han Dynasty, such as bone tools, stone tools, pottery, jade, bronze ware, etc., with a clear historical context and complete longitudinal extension.

The ceramic showroom exhibits ceramics from the Three Kingdoms and Tang Dynasty to porcelain from the Song Dynasty to the Qing Dynasty, almost everything, which is simply a history of the development of Chinese ceramics! Like the white porcelain plate mouth bottle of the Ding kiln of the five famous kilns, the celadon wheel flower bowl of the official kiln, etc., are rare treasures. And the Yuan blue and white lotus pond pattern plate, Ming Xuande blue and white peony arabesque pattern bowl, Ming Wanli colorful dragon peony pattern bottle, Qing Kangxi colorful fairy girl picture plate, Qing Qianlong blue and white red color bat cloud pattern pot and other fine porcelain can be equated with sky-high prices.

Where are the Chinese antiques in this exhibition, they are all the shame of modern China! robbed other people's things, didn't pay them back, and took them out for exhibition, which is also too shameless. Yu Fei became more and more depressed the more he looked at it, and suddenly, a wave of anger rushed straight to his brainβ€”β€”(To be continued......)

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