Yang Xiaoming wrote such an article, of course, because he felt that he was slapped in the face by the facts after seeing that the sales of "The Most Solo" were so high, and Wu Di's "Slam Dunk" was not written according to his prediction at all.

Wu Di's tens of millions of fans on the Internet ran to Yang Xiaoming's Weibo to mock him, and Yang Xiaoming, who was quite popular, was directly blown up again......

These fans of Wu Di certainly have the confidence to refute Yang Xiaoming's fallacy, especially the sales of "The Most Solo", which is slightly inferior to "Youth Sacrifice" and "Fragments of Time", completely surpassed the original third place in "Flower Season", which makes people in the magazine circle feel that it is a complete miracle!

As the core author of "The Most Solo", Wu Di is obviously the creator of this miracle, because of Wu Di, those readers will buy "The Most Solo", and then find that the other articles of "The Most Solo" are also good, in this case, they naturally feel that this magazine is worth buying every issue.

"The Most Soloist" seems to be a youth literature magazine on the surface, but readers who have read the magazine will find that its style is different from "Fragments of Time" and "The Sacrifice of Youth", and the articles in it are more focused on fun, joy, and commerciality, and it is a very interesting novel.

Wu Di's fans still hold on to Yang Xiaoming's wrong prediction of "Slam Dunk", and fiercely despise the author of this predecessor who pointed fingers at the younger generations in the literary world because of his old qualifications.

Yang Xiaoming's previous bad deeds were naturally dug up by the vast number of netizens, and when he saw such a public opinion situation on the Internet, he was completely annoyed and angry, and he realized that the fans of Wu Di, the girl, were really crazy......

It is no wonder that under such circumstances, he hurried to write an article "The Current Situation and Future of the XX Post" to analyze the new generation of post-XX writers with Wu Di, Liang Liang, Gu Yangfan, etc. as ghostwriters. The article is lengthy, which can make the layman see the clouds, but it can divert people's attention at once, and it can only be said that his map cannon is too big!

This article "The Current Situation and Future of Post-XX Writers" probably talks about Yang Xiaoming's various dissatisfaction with the new generation of writers, which reads: "It is completely impossible for post-XX writers to persist in such a posture and become reserve writers of mainstream literature. From a literary point of view, 'post-XX' writing is not literary writing as a whole, and can only be regarded as literary 'ticket holder' writing at best. The so-called 'ticket friends' is a borrowed term to show that the 'post-XX' group of writers cannot actually be regarded as real writers, but mainly as lovers of literary creation. "I've spoken before about the 'post-XX' authors and their works. has entered the market, but has not yet entered the literary world; This is because the 'star authors' among them rarely appear in literary magazines, and the literary world only knows their names but not their people and their writings, and they seem to be satisfied with their existing successes and have no intention of stepping out of the market and entering the literary world......"

In this article. Wu Di has not been shot too much, she is a new generation of writers who have both the market and real fame. Writers like Liang Liang and Gu Yangfan who debuted through "literary stars". was simply sprayed with blood by Yang Xiaoming!

Liang Liang's reaction was the fastest, and he knew that this was the opportunity he longed for in pen battle! He didn't hesitate to write a "The literary world is a fart, no one pretends to be a fart", so that the title is super controversial pen war article!

In the article, he wrote: "The sinister circle consciousness revealed in Mr. Yang's article. What is in the literary world, what is in the literary world, how to enter the literary world, how does it sound like a child playing at home. It seems that Old Man Yang nodded. You can be considered to have entered the literary world. In fact, everyone who writes a blog can be regarded as entering the literary world. Don't be too profound, every author is unique. Every novel is artistic, the literary world is a fart, the Dun Spear Literary Award is a fart, and the pure literary journal is a fart, that is, a hundred people are prostituted and a hundred people read it. People are already in full swing here, and their postures have changed a lot, and you are still saying there, come, see how I masturbate, learn a little, and have to be the same frequency as me, and you can be regarded as entering the prostitution world. ”

"Some seniors should write something seriously, don't be Huang and violent, in fact, the heart is more turbulent than young people, don't get together to do something and pretend to be what altar and what circle, what altar is also an altar to the most rear, and what circle is also a wreath after the most rear. As I said earlier, the real martial arts masters are all alone, at most with a beautiful woman with almost martial arts, and only the little minions get together. ”

"As for young people, literature is all about writing seriously and casually. That's all a man can do, and everything else depends on creation. Literature is the only thing that cannot be practiced hard and hard. Not to mention the hypocritical majority of their predecessors. The most dangerous realm of literature is that it is really hypocritical, but I still feel that I am very sincere. ”

As soon as Liang Liang's article "The Literary World is a Fart, Don't Pretend to Be Forced" came out, Yang Xiaoming, who saw it for the first time, felt a panache in his chest, this kid is sharp enough, quite Yao Qiong's demeanor, and his contempt for authority shocked Yang Xiaoming even more, and he realized that he seemed to underestimate this Liang Liang!

Yang Xiaoming immediately replied to a "My Statement - Response to Liang Liang", which can be regarded as truly presenting this pen war in front of the public, he angrily denounced Liang Liang's low moral quality, and Liang Liang, who wrote swear words unscrupulously in the article, is not even worthy of being a writer!

And because Liang Liang's previous article "The Literary World is a Fart, Don't Pretend to Be a Fart" is also a wide-ranging map cannon, so that another literary critic Lu Tianming also joined the battle group, he strongly supported Yang Xiaoming, and both literary critics with "Ming" began to besiege Liang Liang.

Under such circumstances, Liang Liang is still calm, and one after another sharp pen battles are issued, which makes people fully realize his talent and agility, but his flaw lies in the fact that he is too straightforward.

He is like a real warrior, while rushing left and right to kill a boiling Yingtian, he is also scarred, and in the end, no one can help anyone, Yao Qiong was also this virtue at the beginning.

Since Yang Xiaoming accuses the new generation of writers of not being able to write really good essays, and it is all a bunch of kitsch commercial literature that pleases readers, then if you have the ability to write a truly critical essay and prove yourself, if this essay can also be used for pen warfare, then it is really sharp.

Thousands of miles away, take people's heads, this is the way the dashing person fights.

When Liang Liang fell into the quagmire of pen war, Wu Di finally made a calm move, and she wrote a satirical short story - "Chameleon" with exaggerated writing techniques based on Yang Xiaoming's own character experience. (To be continued......)