Chapter 11 Michael. Bei's debut novel (4)

"So~ Robert, are you really going to marry Miss Cindy next month?"

Robert nodded noncommittally.

"So, what do you think about bachelorette parties?"

When Jerry heard this, he was stunned for a moment, no wonder Michael. Beneng mixed up with Robert, and it turned out that these two guys were all the way

"Bachelorette party? Oh ~ Michael, I'm not interested in this. Cindy would be angry. ”

"e~on~ Robert, there's no guy who isn't interested in a bachelorette party, it's a big revelry before you get married. Every man who is not married is a wild, untamed wild horse. Mustangs, tough, young mustangs, you don't have to answer any questions, you don't have to pay attention to anyone, you just have to run on the plains. Your whole life has been in a primitive, never-ending quest, let's make a more vivid analogy, you are always looking for delicious grass. Wild horses will always drive themselves to look for more tasty, tastier, more variety, more quantities of grass. The tall grass, the low grass, the green grass, the black grass, run from one plain to another. What a delicious life it is. But once this wild horse is reined in ~ "Michael. Bei clasped his hands together and clenched his fists.

"You mean getting married?"

"Exactly, Robert, once this wild horse is trapped in his later life, he can only live in a stable. Boring and boring, forever only a roof and hay life"

Jerry pursed his lips, "Michael, don't teach Robert badly, he finally changed his temper." If you let Miss Cindy hear this, you will feel good."

"I don't mean anything else, I'm just describing Robert the difference between a wild horse and a racehorse in captivity. Then, then give him a bachelorette party to congratulate him on his smooth transition from the prairie to civilized society. That's it. How about it, man, find a time, let's find a bunch of beauties and binge. ”

Robert glanced at Cindy in the distance. Crawford, and then the thief laughed, "Bachelorette party? No problem at all, but Michael, don't look for *** mother. If Cindy finds out, I'll be dead. ”

Don't look for *** mother? Who to bluff Jerry looked at Robert's fiery eyes and despised him fiercely in his heart.

Michael. Bei raised his eyebrows, "There is no *** mother, there is absolutely no *** mother." Jerry, are you interested? ”

"I'd better be free, I'm not as coquettish as you two, not to mention that I'm still underage, even if I go to a party, I can only drink soda."

Michael. Bei put his arm on Jerry's shoulder, "Come on, you're not as coquettish as us?" Just had a conversation with Jessica some time ago. Alba, Britney. Spears, plus Christina. Aguilera got into a scandal and hooked up with Natalie in the blink of an eye. Portman, lo and behold, it's not been a week yet, and there's another little Japanese sister. Tsk, it's a pity that it's a little shorter, otherwise, it's also a super beauty. It's very much to my taste."

Jerry punched him, "Alright, Michael, don't be coquettish." Let's get inside."

Inside the hall, Jerry also met with General Hammer Ed. Harris, golden supporting actor David. Moss, the brilliant villain Tony. Todd, Brandon. Li and others, in short, are a group of tough guys gathered together.

Since "Death Island" is the first film released since the establishment of the DreamWorks Group, the top management of the DreamWorks Group, CEO Howard . Stringer, the film company's Stephen. Spielberg, the music company's David. Geffen, plus Jeffrey of the animation company. Katzenberg, the Big Four were all present. Of course, DreamWorks' largest shareholder, CEO Robert Brown, of JR Investments. Soros, naturally, cannot be excused. This boy from the Soros family, who is not yet forty years old, has approached his father George Brown. Soros. Today, on Wall Street in the United States, Robert. Soros, like his JR Investments, has become an iconic banner. And Robert. Soros has also been given the title of the god of elf stocks by shareholders because of the investment rate of return like the god of JR investment in the past 87 years.

The release of the first film of the DreamWorks Group, in addition to the main crew of "Into the Island of Death" and the main executives of the DreamWorks Group, Disney's Michael . Eisner, Warner Bros. CEO Terry. Searle, Paramount's CEO Mel. Kalmazin and other senior executives of well-known Hollywood film companies were also invited by the DreamWorks Group to attend the premiere of "Brave Island". Of course, some of these people are good friends of the Big Four, and some of them came to the premiere of "Brave Island" with the intention of watching jokes.

Think about it, a director who can only shoot MTV took over a movie with an investment of nearly $7,500W as soon as he came up. The investment of 7,500w US dollars was a lot of money in 1994, but this big deal was handed over to a layman, no matter who it was, would think that DreamWorks was crazy. Among them, there are also the Big Four of DreamWorks. Because even the investment in Schindler's List did not reach $3000w. In order to dispel the concerns of the Big Four, JR Investments promised to assume all the investment in the film, and of course, the proceeds of the film will also belong to JR Investments. This is also the case with Robert. Soros and Michael. Another reason for Bey's rapport. ,

In all the quiet sit down and in Michael. After a brief introduction by Bey, the lights in the theater dimmed and the movie began.

A round of crescent moon quietly appeared in the clouds, a stone was thrown down, splashing a splash, the camera quickly xiangshang, it turned out to be just a reflection in the water, in mid-air, a round of crescent moon sat a child, the child was holding a fishing rod fishing, the moon changed into D, after the dense clouds drifted over, the word dreamwork appeared, below this word, there appeared the small words jskg, underlined, in the soft music, This is how the opening credits of DreamWorks Animation, made by Pixar, appeared.

As soon as the opening credits of the DreamWorks movie end, "hummell_gets_the_rockets" followed. In a dimly lit and gloomy environment, a group of U.S. Marines carry a coffin, and the scene switches to a pensive man smoking a cigarette. A noisy battle call reveals a vague backdrop to a general named Hammer who, for some reason, loses his soldiers. The dim picture, coupled with the noisy battle calls, and the determined eyes, this tragic music, from the beginning of the low prelude to the passionate tune, fully reveals the contradictory and complicated feelings of the general named Hammer: he finally made this difficult choice in the face of extreme nostalgia for his wife - everything should be stopped...... I'm going to do something you can't do when you're ...... I've tried everything, but I still can't get their attention...... Whatever happens, please don't look down on me.

The music turns, a strong rhythm replaces the excitement, and a group of Marines infiltrate the arsenal with great skill and steal sixteen missiles. However, one missile ruptured, causing the gas bomb mounted inside the missile to break. The background music uses a soft key to express General Hammer's frustration with his men trapped in the arsenal.

It's just that from the beginning, it captured the nerves of all the audience with music.

A federal agent who spends his days doing nothing, chemistry fan Stanley. Goosby and Marvin. Isherwu was playing around in his office, and the mood had just eased, when the sound of sirens and the muffled music of the wind in the pipes lifted the audience's nerves again. Federal agents found a strange package at the airport, which was eventually found to contain a gas bomb. The low rhythm coupled with the rapid camera switching, coupled with the bomb countdown, quickly brought the audience into another tense atmosphere. Stanley. Goosby successfully defuses the bomb.

In Stanley. Goosby's home, Cindy. Sarah, played by Crawford, appears on the scene, and a dialogue softens the atmosphere again.

"rock_house_jail" plays, and a low piece of music is used to show the scene of Alcatraz before the incident, a group of tourists are visiting the abandoned Alcatraz Island, and through the introduction of the Alcatraz guide, the general situation of Alcatraz Island is explained - even if someone escapes from prison, there is no survivor. Next, the music shifts to a strong rhythmic tune showing the Marines' swift and decisive occupation of Alcatraz Island, and the music ends briefly to ease the audience's mood for a moment, and when General Hammer gathers his men to express his determination, the music returns to the tragic part, but this time not helplessly, but highlights the determination of General Hammer and his men to complete their mission.

There are two shots here, the first, when General Hammer saw a group of little girls, he crouched down and asked the little girls to tell their teacher to quickly take them on the boat and leave Alcatraz, here is the foreshadowing for General Hammer's cruelty to the Americans in San Francisco, and the second, when General Hammer introduced his subordinates, he introduced Captain Frye and Captain Darrow, using the first time they worked together, and here laid the groundwork for their rebellion in the future.

Then, a short unsettling melody expresses the conversation between Director fBi and General Hammer.

The reasons and purpose of General Hammer's hostage-taking and vx Neural missiles are explained here at the fBi meeting and in conversation with General Hammer.

At the same time, Chiguoguo unveiled the so-called human rights and democracy that were hidden on the American ZF.

The first part of the music of "rock_house_jail" ends.

The U.S. side searched everywhere for people familiar with the internal architecture of Alcatraz Island, and eventually, the FBI found a person named John Brown from the federal prison. Mason (Sean. Connally), he was the only person who managed to escape from Alcatraz prison, he was a British agent, and the United States imprisoned him because he had many secrets in the United States, including Kennedy's murdered murderer and the recordings of many secret conversations with dignitaries in the possession of former FBI Director Hoover At the same time, the FBI found biological weapons experts, federal agent Stanley. Cusby, and prepare to enlist them in an elite special forces assault detachment organized by the military, and let them secretly infiltrate Alcatraz Island to carry out a surprise attack on the island's marines, in an attempt to recapture the navigation chip that controls the missile without much difficulty. ,

Mason's identity is another irony of the hero: the Americans gave up rescuing the Marines for their own national interests, while the British refused to recognize Mason's legitimacy for their national interests.

In order to get rid of fBi's pursuit of him to meet his daughter, Mason and fBi on the streets of San Francisco, this music "the_chase", completely expresses the tense and exciting atmosphere, and the expression is very layered, from the beginning Mason is ready to escape to the street drag racing, the music rhythm is also from slow to fast, from soothing to intense. In a vehicle chase scene, Michael. Bei made use of a large number of short camera cuts to push the tense and exciting atmosphere to another small **. At the same time, he did not forget about the explosion, which he loved since childhood, and directly blew up a rail car into the sky.

After Mason got rid of fBi, a piece of "jade" music spread out a scene where Mason went to see his daughter, this soft track, in stark contrast to the iron-blooded style of the movie, and also told the audience that the relationship between Mason and his daughter makes you feel that Mason is a good person, but at the same time, his mood is also very contradictory. Here's another foreshadowing.

After a cutscene at fBi Operations Command, the second part of "rock_house_jail" begins to play. The music begins to show the scene of the Navy SEALs sent by fBi setting off for Alcatraz Island to carry out a task mission, under the strong sense of rhythm, the tune begins to hit continuously**, the music at this time is enough to achieve a trendy and surging feeling, when the commandos enter the Alcatraz area, the music begins to become methodical, highlighting the feature of secret infiltration, and then after all the team members enter the water, the music hits ** again, and comes to an exciting ending.

When Mason opens the door to the passageway, the music of "in_the_tunnels" plays, and here it is just a piece of music to highlight the rhythm and tension of the action scenes between the Navy SEALs and the Marines. When the SEALs enter the bathhouse and confront the Marines, a quick camera cut again. Here, the tension is not using music as a form of expression, Michael. Bey only uses dialogue and quick camera switching.

In a mournful orchestral music, the Navy SEALs are strangled en masse in the bathhouse.

"Ceasefire, ceasefire, ceasefire"

General Hammer's shouts were so weak compared to the deafening sound of gunfire that he watched the lives of his colleagues being ignored by the government time and time again.

The tragedy of the characters is highlighted again.

Mason was persuaded by Goosby to continue the mission for the sake of his daughter.

The military's dispatch of Navy SEALs angered Hammer and his men, and because the U.S. government did not reply in the affirmative, Hammer decided to give the government a warning to tell the U.S. government his determination after weighing the suggestions of his subordinates and himself, so he ordered the missile to be launched, and just when the missile was about to hit the target, Hammer secretly modified the course and target orientation of the missile through the computer, so that the missile detonated in the sea, and also avoided a disaster. When his subordinates discovered that the missile had deviated from its intended target, he immediately knew why, and at this time, Hammer finally said his true purpose and thoughts, he just hoped to arouse the government's attention to the dead soldiers, and never thought of actually launching missiles to slaughter civilians, because he was a soldier, not a mercenary terrorist and an executioner who took pleasure in slaughtering civilians. He then ordered everyone to load the remaining missiles onto the helicopter and leave, and the mission was over. Hammer's subordinates, especially Captain Frye and Captain Darrow, who were working together for the first time, disagreed, believing that from the moment they accepted the mission, they were no longer soldiers in the ordinary sense of the word, they had become mercenaries for money, and after exhorting Hammer to contact the military immediately to negotiate again was not accepted, they turned their guns on Hammer.

The film gradually enters the ** here, the prominent contradictions in all aspects are about to erupt, the rhythm is tight, and Ed. Harris showed us the character and psychology of General Hammer with his superb performance, and the performances of the major tough guys were very dramatic.

The background music "rocket_Away" first uses an uneasy tune to show the confrontation between General Hammer and his men, when the guns go off, the music becomes sad again, General Hammer died tragically under the guns of his own men, and then Mason and Stanley began to engage in a fierce battle with the remaining marines, at this time the rhythm of the music starts from stealth, and then gets faster and faster, and at the same time, the fighter jet with fBi roars by, and the atmosphere becomes more and more tense, Until Stanley got rid of one of Zuihou's enemies and injected himself with an antidote, the music was temporarily soothed, but the fighter was flying towards Alcatraz, Stanley got up and knelt on the ground and lit the flare, hoping that fBi could see it, at this time everyone in fBi headquarters looked nervous, and Sara was also begging not to bomb Alcatraz, at this time the music became a rhythm similar to the beating of everyone's heart and kept accelerating, everything seemed to be on the way, until fBi finally saw Stanley's signalThe music begins to soothe, but by this time the fighter has dropped the bomb, and the music transitions from soothing to a tragic melody, and everyone thinks that Alcatraz has been blown up, but fortunately the bomb has missed. ,

Griffith's "Zuihou One Minute Rescue" is taken to the extreme in this film.

Stanley was thrown into the sea by the shockwave, and Mason fished him out of the sea, and then the two talked about the journey ahead, when the softest music appeared again, and the strong rhythm of the previous one was again soothing, and the nerves that had just been tense were relaxed.

In the movie, Stanley got the film from the church according to the news he got from Mason, and the ending song "fort_walton_kansas" sounded, showing Stanley and Sarah's happy mood after their wedding in a cheerful rhythm, and because he also got the confidential file given to him by Mason, there is also a hint of humor in the cheerfulness of this song.

The whole film is layered with foreshadowing, meticulously carved, exciting, and wonderful.

Another element that binds the whole film together, the music, from the very beginning, brings all the viewers into a state of addiction.

When the film ended, the subtitles floated, and "hummell_gets_the_rockets" sounded again, everyone stood up and applauded such a hot-blooded men's film.

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