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"Boss, the person in charge of the day TV has arrived." Zhou Xiao in the recording studio was singing, and Nakamaru outside wrote these big characters on the paper and pasted them on the glass for him to see.

Zhou Xiao made a gesture of knowing, but he didn't go out immediately, but said to the person on the side: "Let's go on and finish this paragraph." ”

Although there is no need for recording, many of Zhou Xiao's cooperation with the band is still in the recording studio, and most of the various arrangements of the songs and the new arrangements are also carried out here. But a person can't do this all day long, and it's boring to do such a brain-consuming thing for a long time.

So in addition to the necessary exercises every day, Zhou Xiao is still doing two other things, one is fitness, the concert still has certain requirements for the body, maybe Zhou Xiao does not need to train any muscles, but endurance training such as long-distance running is not missing. Another thing is my own "creation".

Of course, many things still have to undergo secondary creation when they are taken out, after all, many things may conflict with the current era.

As for why the person in charge of Japanese TV is looking for him,The reason is that the prime time between the summer and autumn files of September and October is expected to have a gap of about a week or so.,It's already this time.,It's obviously a little difficult to find actors to determine the schedule from the solicitation of scripts to form a special version of the TV series for the crew.,Even if it's barely done.。 One or two may be fine, but it will not be easy if there are more. Therefore, the people at the TV station said that they wanted to do a relatively large-scale project. This project is a special program of about two hours. As a result, the TV station invited script writers who were related to the station in the hope of getting a suitable project from them.

"Zhou Xiao's Fast Flashing Journey", as a recent star program, will of course also receive an invitation from the TV station, although the TV station thinks that Zhou Xiao is basically unlikely to really have any plans when he is already so busy, but he still invited him out of politeness.

They don't know that in fact, for many future projects, Zhou Xiao has already started to write!

Zhou Xiao didn't mean that he had really made a complete plan, it was impossible. Because there are various reasons to take into account, such as choosing people is a problem, the celebrities in 2oo1 are completely different from the celebrities in more than ten years, but some projects are only fun to look at when they are placed on a certain person, and it is likely to be a little boring if you change someone, and there are many, many examples like this. It is impossible for him to write a plan now, and it will be adopted if he takes it out without moving a word in two years, so many of the things that Zhou Xiao has established now are just outlines.

And after receiving the invitation, Zhou Xiaoke didn't know that the other party only invited him out of politeness, no. Or if Zhou Xiao knew what the other party thought, I am afraid that he would create the plan, slap his face or something, and be the happiest.

As for the plan to slap his face, Zhou Xiao was almost instantaneous. I thought of his goal.

Whole Prize!

The Japanese really like it. From very early to now, it can be said that there is an endless stream of artists, and even some funny artists are classified as "whole artists" alone, but most of the whole people can be said to be part of variety shows, and there are cases where the whole person program is really made into a big show, but there are not many.

And the whole person award is one of the most exciting, the most mature and the most fun programs.

This can be seen from his ratings, the ratings of the early 2o1o return are about 12%, prime-time special programs, this number can only be regarded as ordinary, and in the second episode, it is about this number, in fact, these two episodes can be said to be even the TV station and the script planning director are exploring. What really makes the show exciting is the third round of the whole award, the third round of the whole award time has been extended from two hours to four hours and broadcast in two parts, the first part of the two hours, the ratings are only about 11.7%, but the second part, the ratings have surprisingly jumped to 15.4%! This figure is already a very high number in 2o12.

After that, with the declining ratings of the TV circle, the whole awards that did one to three times a year began to grow against the trend, and even in the highest episode, the ratings reached 18.9%! The 18.9% rating in 2o13 may break 25 if you put it in 2oo1!

Zhou Xiao has a lot of confidence in this project, the whole person is originally the favorite thing to see in the Japanese entertainment industry, and the various links in the whole person award are set after the initial exploration, and they are already very mature in the later stage, Zhou Xiao does not need to copy the many unimportant and ininteresting things in the first issue, as long as he keeps the outline of the first issue, and then takes out the experience gained when doing the show in the later stage, it is enough to make the show new and very mature at the same time. This is something that no one else can do when they are writing a new project.

After staying up for a week,After writing out a complete plan and handing it in,Day TV reacted quickly,Today is the second day of Zhou Xiao's project,And today he has already booked a joint practice with the band and music teacher,Even so,The people of Day TV still found it after many inquiries,From this point,It's enough to see how eager they are for Zhou Xiao's plan。

The mature entertainment industry has a very, very high salary for creative work, whether it is a songwriter, a novel author or the original script of a movie or TV series, it can be said that if an artist can do these jobs, there is absolutely no need to work hard to run the show on TV to promote. And the people who do these jobs are also very respectable, and even in the Japanese entertainment industry, the treatment of these people will make people who don't know much feel that it is a bit too much.

If you compare it with the Chinese entertainment industry, it can be said that the screenwriters in the big 6 entertainment circles, ordinary songwriters or something, can almost be regarded as the lowest level of staff. For example, one thing Zhou Xiao knew, the script written by a screenwriter started filming, and the supporting actress invited a big-name actor in China, and the first thing the actor did after taking the job was to ask for the script to start changing the script.

"I don't want this part." "Add a little more to this part." "There's no need for this actor." "There should be another character added to this plot, and I think xx is very good."

After some revisions, people now have the entire plot changed beyond recognition, the drama that was originally scheduled for 3o episodes was changed by this big name to shoot less than 25 episodes, and even the relationship between the characters should be, this big-name supporting actress has become the protagonist, but the originally young and beautiful protagonist has become a supporting role!

Is it ridiculous? But things just happened, and neither the screenwriter nor the director had any resistance to the other party's actions, and the whole TV series started filming so ridiculously, and at the end of the filming, because the number of episodes was really not enough, several episodes were refilmed!

Can this happen in Japan? It's actually okay to change the script, if you have a valid reason, you can discuss it with the crew and the screenwriter to change it, but if you want to say that it is impossible to change the outline plot, or even change it without the consent of the screenwriter at all.

How to prove this? It's very simple, when it comes to the screenwriters of Japanese dramas, we can list a long list of them, Shigeki Kaneko, Shinji Nojima, Etsushiko Kitagawa, Kuro Miyato, Yuki Mitani, Izumi Kizumi, Satoshi Kuramoto, Satoshi Miki, Taeko Asano...... There are so many names like this that that could be mentioned.

But if you want to talk about well-known Japanese drama directors, except for the above screenwriters who occasionally make cameo appearances as directors, and then get rid of those who are actually Japanese film directors, such as Yukihiko, who else?

In fact, if you want to be familiar with Japanese dramas, you will be the director of a Japanese drama, most of the time it is composed of two or three people, in this case, you can imagine how much control the director has over the script.