Sakurai Painting's popular manga "Asian" will release a trilogy theatrical version of the anime, and now the official message of the main producer of the theatrical anime has been released.

Hiroyuki Seshita, who served as the chief supervisor, used "the active role of the characters in the drama, showing the suspenseful plot and action that makes people breathtaking, and also reproducing the unique appeal and sense of presence of the anime" to attract everyone's expectations. And Koji Seko, who is the composition of the series, revealed the inside story of the original author Sakurai's influence on modern Hollywood action movies. Regarding the script creation of the theatrical version of the anime "Asian", Koji Seko said, "I will make a Hollywood action movie that countless men dream of using modern Japan as the stage."

In Good! "Subhuman" serialized in Afternoon (Kodansha) is a battle suspense drama that depicts the offensive and defensive battle between the immortal new human subhuman subhuman and the national power that hunts down the subhumans. The company in charge of the animation production is PolygonPictures, which has produced the TV animation "Sidnia's Knight".

[Message from the main creative lineup of the theatrical version of "Asian"]

Kanyuki Seshita (Chief Superintendent)

The original was very interesting and I was hooked. The momentum overshadows the protagonist Kei.,Sato who has an overwhelming sense of zài.。 His actions and combat effectiveness are terrifying and at the same time have a longing charm. The active role of the characters in the play shows the suspenseful plot and action that takes people's breath away, and also reproduces the unique appeal and sense of presence of the anime.

Stay tuned!

Hiroaki Ando (Supervisor)

The depiction of the sense of speed and spatial presence in the original work shows the charm of admiring a painting. Our job is to animate it. The pictures and sounds that are full of a sense of galloping and boldness are expressed in a dynamic way.

Keiwa, who is toyed with by a sudden fate, and Kaito who helps him. Tozaki and others who chased the sub-people as social pioneers. The subhuman Sato who played with the two on top of the applause. In this case, how will Kei, who is indistinguishable from the appearance of modern people, fight against fate? Please stay tuned.

Koji Seko (Series Composition)

Comics like "Die Hard", "therock", "Spy Shadows", "THEMOVIE", etc., influenced by modern Hollywood action movies in the post-80s - this is how I felt when I first read "Asian". After that, I met with the original author, Sakurai, and while proving that my guess was indeed correct, I also determined the general direction of the script of the animated version of "Asian".

In other words, Hollywood action movies that many men dream of are made on the stage of modern Japan. The place where the sub-people's battles unfolded was neither the Sengoku period and the near future, nor the universe or another world, but the modern Japan in which we live. In the words of the character S, "How's it going, are you excited?" ”

Naoya Tanaka (design by zuò)

What kind of stage will the original work full of suspense be shown......

That's the biggest issue in the world view design of "Asian".

The sunset is still just as beautiful, but the moment it turns into a subhuman, all the qiē changes.

Gui, how will he escape from the pursuit, and how will he survive as a "subhuman"?

Please enjoy the action and suspense plot that unfolds in an impressionist-like landscape.

Yuki Moriyama (Character Design)

Battles to maximize your subhuman identity are breathtaking!

"If you're dead, you'll understand." What a terrible worldview, simple and straightforward, but very attractive. In this worldview, we will convey the tension and entanglement between the characters.

Needless to say to fans of the original work, we also want to see the anime to as many viewers as possible.

Sato's focus is on the surprisingly muscular male image. In the case of Izumi, please take a closer look at the video footage.

Katatsuki (Styling Supervision)

Tong Guò's detailed description of the modern scenery in the original work, and the sense of the existence of IBM that I have never seen before fascinated everyone.

My job is to make the characters attractive and convincing when they make movements, and I have this in mind to create a 3D model of zuò. Because it's all modern stuff, I want to make it clear that there are no flaws in the details, so that the audience can feel "credible", and I'm working that!

Takiguchi Hirushi (Art Director)

It's the first time I've come across a work with such a big gap between my impressions before and after reading.

To be honest, I was a little resistant to suspense comics, but this time I was unexpectedly immersed in it.

From an artistic point of view, the use of space refers to the composition of Hollywood movies, and it is a work with a great sense of proportion.

This art team has exerted its maximum energy when it comes to visualization.

You can feel a sense of fulfillment that you haven't felt before. I hope you look forward to it.

Hiroshi Noji (color design)

After reading the original work, I think it's very interesting to have a setting where you can't tell if you're subhuman if you don't die. And I was very happy when I received this job.

The colors of IBM and the characters were made without ruining the atmosphere of the original.

If you pay attention to the color of each scene while enjoying the story, I will be happy.

This is a work that has been produced by a lot of people working together to make it, and I hope it will be interesting for fans of the original work and anime fans, so please stay tuned.

Shikazumi Langsheng (performance)

When I read the original work, which found a new entry point on the eternal theme of "immortality", I was attracted by the overwhelming sense of suspense. I was very fortunate to be able to participate in a work that attracted Chief Superintendent Seshita, who has overwhelming performance. I can resonate with the protagonist who is considered a waste, and I may be a waste too...... (Khan). But I think anyone is bound to resonate with something. I hope I can convey this incredible charm of the protagonist and overwhelming sense of suspense to everyone.

りょーちも (performance)

Hello everyone, I'm りょーちも who is in charge of the performance, and I'm working hard.

After reading the original work, fantasies related to the military and police immediately appeared in my mind!

It's exciting to think about how to show it.

Because this is a work that has a lot of intense development, I also challenged various psychological warfare moves.

Please pay attention to it.

Iate (performance)

The response to the trailer was very enthusiastic, but on the other hand, I also felt the pressure of videotaping the popular manga.

Because the original work is still being serialized, the second half of the anime version has become an original story. In addition, in order to shape the character's character, there are also places to change the original lines and change the acting skills. I hope that whether you have read the original work or not, you can enjoy this work well.

Kenshi Iwata (CG supervision)

This work is not a horror and SF but a suspense drama.

The suspense drama is visualized in the form of a documentary, reflecting not "reality" but "realism", and then depicting the charm of the original work with a dynamic table unique to 3D.

Mizoguchi Yuuki (CG supervision)

This is a rare work that integrates the protagonist's special character setting and action + suspense + fantasy high dimension.

This is probably the most anticipated as a CG company, and I strive every day to make IBM's visual image understandable to fans and viewers who have not read the original work.

The plot of the theatrical trilogy is constantly climactic. Please look forward to it.

Susumu Sugai (CG supervision)

Because it's a video work of a popular manga, I hope you can keep it up and keep it up for fun!

Miwa Iwanami (sound supervisor)

Adding "flesh-and-blood sounds" to CG images has been my unremitting pursuit for 20 years. "Asian" is a work that I have created using the technology, knowledge, and experience that I have accumulated so far.

This work has brought together the best of the material. After that, it's time to make the best sound effects.

Stay tuned.

I hope you enjoy it.

Yugo Kanno (music)

When I read the manga, I was surrounded by a sense of shock and excitement, and I was very happy when I heard the music that made me take the lead. Because various ideas keep popping up in my mind, with the same mood as Shiyàn, what should I do to make the music feel like a "subhuman", and I enjoy composing while trying it repeatedly. After that, I thought I was the most disgusting and handsome music in the history of my creation. In any case, please enjoy "Asian" with guò ears too!

[Theatrical version of the animation "Asian" trilogy production zuò personnel]

Original: Sakurai Picture Gate (Kodansha "Good!") Afternoon)

Superintendent: Kanyuki Seshita

Supervision: Hiroaki Ando

Series composition: Koji Seko

Designed by Naoya Tanaka

Character design: Yuki Moriyama

Shaping supervision: The film is full

Art Director: Takiguchi Hiruchi

Color design: Hiroshi Noji

Performances: Lang Shikazumi, りょーちも, Keisuke Ide

CG supervision: Kenshi Iwata, Yuki Mizoguchi, Susumu Sugai

Sound supervision: Miwa Iwanami

Music: Yugo Kanno

Animation by PolygonPictures

Rationing: Toho Imaging Division

制zuò: Sub-human Management Committee