"Tang Yu used to be a handyman here." Luo Xiang said, because Tang Yu is relatively dull and doesn't like to speak, but he is very reliable, so let Tang Yu do things in He Wenxuan. Start from the grassroots level.

"Handyman? Have you taken an appraisal class? How many levels of appraiser do you get? Chen Nianzhu finally found some pleasure of revenge, hmph, I don't believe that your kid has always looked calm and calm.

"Miss, Xiao Tang has not taken any theoretical courses, but he often comes to discuss some antique problems with me, and I have taught a lot." Yan Kui said slowly on the side, "I believe that Xiao Tang can be a qualified appraiser. ”

Chen Nianzhu stared at Tang Yu for a full three seconds and asked, "Do you know what qualifications you need to be an appraiser?" ”

"I don't have any accreditation certificates, but what is it? If you think that a person's ability needs a certificate to prove, then I don't do it. Tang Yu said neither humbly nor arrogantly.

Chen Nianzhu smiled, he is really an arrogant and proud person, he wants to be an appraiser without taking any courses and having practical experience in the antique world, and he should be his own miracle existence?

"Okay, don't say that I won't give you a chance, my three things come out to test you, and if you are qualified, I will immediately admit you as He Wenxuan's appraiser. If you are not qualified, you should continue to work as a handyman," Chen Nianzhu said directly and happily.

"Question."

Chen Nianzhu whispered a few words to Luo Xiang.

Luo Xiang left, and when he came out again, he was holding a piece of Hetian jade inkstone in his hand.

The jade inkstone is oily all over, and the front of the inkstone is carved with a line relief technique, carving seven five-clawed dragons with different expressions. Under the inkstone carving, two dragons play in the water and water ripples with different expressions, in the inkstone, the upper part is carved with five different expressions, five dragons driving clouds and cloud patterns, and the lower right seal word "Mobao Pavilion" in the lower right of the inkstone. The front of the jade inkstone "Mobao Pavilion" seal character and the back of the inkstone "Qianlong year".

"To be the appraiser of our pawnshop needs a pair of sharp eyes, give you three minutes to consider whether this jade inkstone is real or fake?" Chen Nianzhu, who was born in a family of antiques since he was a child, said to Tang Yu.

Tang Yu didn't take the jade inkstone, but just glanced at it and said, "Counterfeit, up to three hundred yuan on the market." ”

"You didn't even touch it to know that it was fake? It's too child's play. Li Zhiguan said with some unhappiness, why is this kid so confident.

"Eyes, what my eyes see is false is false." Tang Yu said seriously and undoubtedly.

"You think you're sharp-eyed." Li Zhiguan's eyes almost erupted with anger.

Chen Nianzhu looked at it, touched it three times, and after a minute, he concluded that he had passed: "The first level is considered to have passed." ”

Luo Xiang took out a piece of He Wenxuan's antique porcelain again.

"Tell me where it came from and what the process requires." Chen Nianzhu showed a strange smile, this jade is He Wenxuan's key antique porcelain, and it is usually not taken out for display. Today, in order to let this Tang Yu eat and suffocate and kill his sharpness, Chen Nianzhu took this treasure out.

Yan Kui looked shocked, this eldest lady is too embarrassed for Tang Yu, right?

Tang Yu showed a faint smile, this girl is really more difficult than a topic, but she will not think of herself as an abnormal person.

"This is called blue and white glaze red porcelain, a kind of underglaze colored porcelain. It is decorated with copper red and painted patterns between blue and white. It is known for its brilliant colors. It began in the Yuan Dynasty. Due to the difficulty of firing, the blue and white glaze is regarded as an ancient porcelain treasure. The glaze red series was created at the end of the Yuan Dynasty more than 630 years ago, and was popular in the early Ming Dynasty. Due to the difficulty of red firing in the glaze and the low yield of the finished product, it gradually disappeared after the middle of the Ming Dynasty. During the Yongzheng and Qianlong periods, blue and white glaze red was introduced. The so-called blue and white glaze red is a decoration that paints two kinds of underglaze on the same utensil, blue and red. Under the cover of transparent glaze, it is calcined at high temperature. It has changed the monotony of painting only one color before. The blue and red colors set off each other, which is extraordinarily delicate and pleasing to the eye. During the Kangxi period of the Qing Dynasty, the long-lost glaze red was successfully fired, and its color was relatively stable. During the Yongzheng period, the glaze with bright red color was red, and the color was stable and exquisite; The patterns drawn are clear after firing, and they can be said to have reached the point of perfection. I can't imagine that we He Wenxuan have this piece of porcelain, where is it hidden? I haven't seen it. ”

"Its process requirements are actually quite difficult, blue and white, the production method is to use blue and white materials to depict various patterns and patterns on the formed porcelain blank, and then apply transparent glaze, in the underglaze color fired at a high temperature of about 1300C. Glaze red, refers to the use of copper oxide (copper flower) as the colorant to prepare the color material, on the body (or first applied to the green and white glaze of the blank soil) to depict the pattern, and then cover a layer of green and white glaze, and then into the kiln, through the 1250C ~ 1280C strong reducing flame atmosphere, so that the high-priced copper is reduced to low-cost copper, showing a delicate and calm red pattern. ”

Tang Yu said and took it and looked inside and out, this blue and white red porcelain aura was too little, otherwise he could absorb the aura to improve the power of his double pupils.

Li Zhiguan's face showed shame, if he tested himself, he would definitely not be able to say what Tang Yu said just now, this kid really hasn't systematically studied the appraisal class?

Genius appraiser?

"You make me feel strange and expectant." Chen Nianzhu said unabashedly, "The second level has also passed, and the last level is the last." ”

Tang Yu said: "Please ask the question." ”

On the one hand, Chen Nianzhu wanted to kill this Tang Yu's sharp spirit, and on the other hand, he was looking forward to what a person who had not learned any appraisal courses relied on to identify antiques? This psychology is very contradictory.

Luo Xiang came out with a calligraphy scroll.

Tang Yu waited for Luo Xiang to open the calligraphy handscroll, then said with a smile: "This is Song Weizong's thin gold calligraphy handscroll, although Song Huizong is incompetent in governing the country, but he has outstanding achievements in calligraphy and painting." In the third year of Chongning, he established the School of Painting, which was officially included in the imperial examination, in order to recruit painters from all over the world, and established the Xuanhe Painting Institute. His self-created thin gold calligraphy is a monument of Chinese calligraphy. The monolith on his calligraphy and painting is a similar elongated character for "heaven", which means "one person under heaven".

"Song Huizong created a thin gold calligraphy, the whole is uniform and steep, the iron painting silver hook, the muscles and bones are strong, refreshing and smooth, elegant and smart. This kind of calligraphy is taken from Xue Ji and Xue Yao in the Tang Dynasty, and the thin strength in the regular script has been exerted to the extreme, with strong artistry and usability, and has become a kind of book style with a distinctive style, which is copied by future generations. This volume of Song Huizong's thin gold body thousand-character text, the whole is delicate and chic, in one go, the words are exquisite, the pen and pen skills are to, the circulation is orderly, and it is well preserved. It is a rare masterpiece of Song Huizong's thin gold body. ”

This volume of calligraphy has four famous inscriptions, the frontispiece of the famous Ming Dynasty calligrapher and painter "Shen Zhou" inscription "Xiusheng Wuyue". Bayi is the outstanding calligrapher of the Yuan Dynasty Zhao Mengfu's "Huizong this volume of thin gold body is his early work, straight as an arrow, strong as iron, horizontal book with hook, vertical book with a point, knot body to take the valley, deep and horizontal, the appearance and a little thin, easy to show a unique personality also. Jixian University scholar Zhao Mengfu Fengle Gongba. The second is the "elegant rhyme" of Wang Jie, a scholar of the Qianlong Dynasty in the Qing Dynasty, "Qianlong Xin Chou Twilight Spring, Wang Jie of the Garden Worship Yuqin Xuan"; Basan is a scholar of the Qianlong Dynasty, a politician, and a calligrapher Liu Yong: "Bingyin Spring Dusk Record Zhao Ji Shuguan Zide Zhai Zhi Ji Xuan"