There are no pop-up windows, 10,000 book fans are online at the same time in South Korea, and there are many entertainment brokerage companies, but the more powerful ones are still those old companies, the most influential of which are Lee Kyung-won's current S.m, as well as Park Jin-young's JYP and Yang Hyun-suk's YG.

These three companies have a common characteristic, that is, their leaders are all retired old-timers in the entertainment industry, whether it is Lee so-man, Park Jin-young or Yang Hyun-suk, they used to be artists.

Compared with these three people, Lee so-man and Yang Hyun-seok have completely left the screen, and only Park Jin-young still occasionally appears on the show or holds his own solo concert. In other words, among the three, the only person who is still working part-time as a singer for the time being is Park Jinrong.

After thinking about it, Lee Kyung-won found that it was precisely because of Park Jin-young's temporary singer identity that affected the development of his artists.

First of all, since he wants to be a part-time singer in front of the scene, then it is natural to ensure the necessary practice time, and Park Zhenrong's energy cannot be completely put on his singers, even if he Park Zhenrong looks wild and has abundant energy, but it is not 100% dedicated, and the effect will still be slightly reduced.

If the lack of time is just a small factor, then another drawback brought by Park Jin-young's singer status is a bit fatal. As a singer, if there is no instructor, he basically will not take the initiative to change his style. Park Zhenrong is now in such a state, because he is both an old-timer and the leader of a large company, whether in terms of identity or qualifications, no one in South Korea will be willing to be his mentor, even if it is a senior who is more qualified than Park Zhenrong, they will not be willing to guide the senior leaders of such a large company. Because everyone knows that when a person stands on such a high place, he must have some pride and self in his character, even if he is to guide Park Zhenrong, will he accept it for the time being, if there is a conflict, it will not be good for anyone.

It is under this premise that Park Jin-young has always maintained his personal singing style, and because of his self-identification, he still likes this style very much. If he is just a singer, then there is nothing wrong with his behavior, but Park Jinrong is not a simple singer.

In addition to his career as a singer, he is also the leader of a company, and with such status and power, coupled with his interest in music, it is certainly impossible for him not to guide the juniors in his company. As a result, the biggest constraint affecting the development of younger singers has appeared.

is suitable for Park Zhenrong's style, but it may not be suitable for others, every singer should have his own style. However, in JYP, Park Jin-young's status and identity determine what he says and what guidance he makes, and the younger generations must accept it unconditionally. The most obvious evidence is that in some talk shows or variety shows, 2AM and 2PM and WonderGirls themselves said that Park Zhenrong asked them to sing some songs in their own way, especially to pay attention to stress and rhythm, and these groups were also infected with a strong Park Zhenrong style when singing, which greatly affected the formation of their own styles by younger artists.

WonderGirls can be said to be such a typical example, when these girls debuted at the beginning, they did achieve great success with the retro style inherited from Park Jin-young, and they were immediately under the attention of all the people, and their title song also spread throughout the Hallyu circle.

The retro style has achieved such a big success, which stimulated Park Zhenrong again, and it was the beginning of such a success that made his brain hot, so WonderGirls was tragic, and was directly supported by Lao Park to the United States, and went directly to the European and American markets.

After arriving in the United States, WonderGirls can be said to be successful, because after all, they are on the Billboard list in the United States, but it can also be said that they have failed, because after appearing on this 'billboard', WonderGirls has not developed again, and because of staying in the United States for a long time, they have even gradually faded out of the sight of Koreans, and have lost a lot of support from the base camp.

The key to the development of WonderGirls in the United States is because of Park Zhenrong, who is younger than Lee so-man, and naturally has more momentum, and it is this lack of calmness that causes this consequence. ,

When it came to WonderGirls' entry into the United States, Park Jin-young made several mistakes. The most important thing is that the timing is too wrong.

In an issue of "Knee Taoist", WonderGirls and Park Jin-young both appeared, and these girls talked about their situation in the United States, and the most surprising thing is that after their group arrived in the United States, they had nothing to do for two months, and they could only stay in the company every day to practice.

What does this mean? It's very simple, it directly shows that WonderGirls' plan to enter the United States is completely unprepared, and it is just a sudden decision made by Park Jinrong when he is hot-headed, otherwise, where would there be such an oolong incident.

Obviously, by this time, Park Zhenrong should have realized that WonderGirls' entry into the United States will not go well, but because of his personal self-esteem and face problems, this guy is stunned to let the girls die in the United States, which leads to another problem.

Staying in the United States for a long time, not starring in any shows, and not having any itinerary, this is a huge disaster for an artist. WonderGirls disappeared from people's eyes in a moment, and after losing their exposure, their influence suddenly decreased, and it was at this time that the girls' generation in South Korea instantly became the first girl group, followed by many other girl groups, completely filling the gap left by WonderGirls' departure.

Fortunately, WonderGirls in the United States is still competitive and has obtained a position on the 'billboard', which is not completely forgotten, otherwise, there will be another meteor in the entertainment industry.

In addition to the poor timing choice, WonderGirls also chose a bad first stop to enter the overseas market. In fact, according to the normal order, if Korean singers want to develop abroad, the first choice is definitely not the European and American markets, but the Japanese market.

Japan is the second largest entertainment market in addition to the United States, and geographically or culturally, it is more suitable for the development of Korean singers than the United States, because it is also in Asia, so the cultural differences are not too big, and it is much easier for Korean singers to develop in Japan than to go directly to the United States.

So what are the benefits of developing in Japan? First of all, it can give singers confidence and a simple start, which is very important for all singers who want to develop overseas careers, if they hit a wall at the beginning, it will inevitably affect the mentality of the singers, and then affect the state and strength of the singers themselves, so that Korean singers can test the water in Japan first, and then they will adapt to this high-level competition, and then enter the United States will definitely be much smoother.

The second point is that in fact, according to the music style, Japan should be at the intersection of Eastern style and Western style, if the singers are allowed to develop in Japan first, they can also indirectly understand the European and American styles, and after the initial adaptation, do their homework and then go to the European and American markets, it will be much simpler.

WonderGirls went straight to the United States without being trained in the Japanese market, which is indeed a huge mistake by Park Jin-young in Lee Kyung-won's view.

Perhaps in Park Jin-young's own opinion, his popularity in the United States is a little better than in Japan, and his music style is more acceptable to Europeans and Americans, so he made such a decision.

If this is the case, then Li Jingyuan will die of laughter. He really couldn't think of where Park Jin-young got so much confidence, thinking that with his guidance, WonderGirls could achieve great success in the United States with retro style.

You must know that he Park Jin-young himself has not achieved much success in the United States, and the facts have proven that his style will not work in the American market. The master didn't succeed, and then thought that his apprentice would rely on the same routine to achieve success, isn't this nonsense?

And another important reason is, is retro style really the best choice for WonderGirls? Retro style is not the mainstream of young people, according to the age of the girls, is it a bit inappropriate to let them sing such a style of songs? After all, for ordinary people, the more 'real' idol stars are, the better, the song is in line with the singer's age, close to the singer's own living state, will bring people a sense of reality, if the difference is too big, it will make people feel that there is a very deliberate feeling, everyone's first impression is 'Ah, this is a performance.' After subconsciously erasing the resonance between the singer himself and the song, the emotion or recognition that can be brought to people is also limited. ,

Some people may want to say, isn't WonderGirls on the 'Billboard', this is already a success, right? Actually, the 73rd position is not really meaningful, it is just a position that can make the Korean media lively, and it is not much help for WonderGirls itself.

In addition to professional musicians, what ordinary person would pay attention to a singer with such a low ranking, even if it is a professional musician, he will not take such a ranking too seriously, like the ranking in other fields, only by getting the position in the front row, can he really get extra help from the rankings.

And there is also a bit of a flaw, that is, the number of songs of WondeGirls is too small. If you can't explode with quality in one fell swoop, then it depends on the accumulation of quantity. But at this point, WonderGirls is in a very disadvantageous state, when they entered the United States, there were not many songs that they could take, not that there were not enough songs in their albums, but that there were not many songs that could be accepted and recognized by Europeans and Americans and even easy to sing along.

Such a hard injury,It has caused a very embarrassing situation,WonderGirls are those two songs everywhere they go,After a long time,It's hard to bring freshness to people.,But those songs are not a peerless classic good song.,Can't make people have a long-term aftertaste.,So it's normal to rely on these songs to hit the girls in the world.,It's natural that the development is getting slower and slower.。

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