The liter of tears in Zhou Xiao's script is actually different from the two versions of the movie and TV series he has experienced, if you really want to say it, about the first half is the TV series version, and the second half is the movie version.

In the movie version of One Liter of Tears, the main description is the plot of the mother taking care of Yaya, except for these two people, everyone else is a relatively unimportant supporting role, and in terms of story, the story of the movie version is also very simple and can even be said to have almost no story.

In the TV drama version, whether it is Yaya's family, the seniors in the school and Ryo Nishikito, or even the doctors in the hospital have their own stories.

In Zhou Xiao's opinion, these two choices are not very haode, the reason why the movie version is more ordinary is because of the lack of storytelling, and although the evaluation of the TV series version is very good, it will always give people an atmosphere that they want to make you cry.

So in this version of his own screenplay, Zhou Xiao can be said to have absorbed the advantages of the movie and TV versions, removed the plot that was not so resonant in the disabled school in the later part of the movie version, and then turned the plot to be told, even if he is disabled, the spirit of self-improvement and self-reliance became another small story and put it on his mother, and in the vacated time, Zhou Xiao added another male character into it, this male character is a bit similar to Jin Hu Liang, and Zuihou and Jin Hu Liang were also admitted to medical universities, so to speak, the plot of the boy's admission to a medical university is the hope left to the audience after the story ends.

zuihou, Zhou Xiao's version of a liter of tears has changed from a single-line process to two entangled lines, mother's care for Yaya is concentrated in the middle of the movie most of the time, and the whole line of the movie is run through by the male protagonist's line, so that Yaya at the beginning seems to have lost even a hazy lover due to illness, in the middle of the story, the male protagonist will be very painfully entangled and struggling with how to treat Yaya, zuihou of the story, the boy finally understands his mind, Confessed to Yaya and spent the most beautiful time of the two.

In this way, the plot of the whole story is much fuller, and then, in Yaye's character building, Zhou Xiao also focuses on shaping the ordinary but life-loving side of girls, although she asked "the god weishenme chose to make me sick", but at the same time she can also enjoy the warmth of the sun, appreciate the beauty under the blue sky, every deep breath she takes with happiness, combined with the appearance of a weak body with a disability, will be a tear gas, bombarding the hearts of the viewers.

In Nagataqin's opinion, of course, Zhou Xiao's script is still very naïve, after all, he is just a layman, but all this cannot hide the aura he showed in the script. No matter how well your novel is written, you can't portray the picture, and you can't use the picture to express the mood of the characters, then you can only be regarded as a good novel author.

And Zhou Xiao's script has no such problem at all, scene by scene, all the plots, under his description and portrayal, as if they are happening in front of him, even the use of camera positions, the arrangement of some important props, are clearly reflected in the script, Nagataqin feels that this script is not so much the script of a movie, but a textual plot and lens series script! Don't say it's her, I'm afraid that if a camera shoots it directly, this movie can be easily filmed, because Zhou Xiao is too meticulous.

Of course, this will make the director's self lose a lot of room for self-play, but for Nagata Qin, who has not directed anything alone, this is actually very good, because this will give her a big backbone, even if she doesn't know how to shoot 10,000 steps back, it will be a good choice to shoot directly with Zhou Xiao's script.

And in terms of story, Zhou Xiao's setting also made his eyes shine, this movie looks like the emotional process between a teenager and a girl after a girl has a terminal illness, but in Nagata Qin is very clear, if this movie is made, the so-called male protagonist is actually just a soy sauce existence, the early stage of the movie is described, it is the loss of the girl's love and health, and the middle is about the strong and brave mother and the girl's attachment and love for shijie, and to zuihou, Although the girl is destined to die, the boy gives her incomplete life zuihou to fulfill a desire to fall in love, which can be regarded as making up for the lack of life to a large extent. And this relationship will make the departure of the zuihou girl particularly heartbreaking, as for the choice of the boy zuihou medical university, it is equivalent to leaving hope to everyone, such a movie, the rhythm is reasonable, the plot is complete, there is a tear jerking point every few minutes, which is enough to make the men and women who walked into the cinema cry from the very beginning to the zuihou of the film!

"This ......" When Nagata Qin finished reading the word zuihou in the script, she raised her head with a complicated face, and said a word without saying anything.

"That's exactly what I wrote." Zhou Xiao said with a smile, in the past month or so, he has seen too many expressions like the woman in front of him, is this song yours? You wrote this novel? Did you shoot this advertisement? Before seeing something, almost everyone would not believe what kind of results he could make, only when they saw that Zhou Xiao really did something in a short period of time that they might not be able to do in a lifetime, surprise, admiration and incredulity would climb up their cheeks, making them still ask such words in disbelief.

Nagata Qin patted his head: "It's rude, it's my honor to make this film, let's talk about the contract." ”

Her meaning was simple, I agreed to make this movie!

Zhou Xiao let out a sigh of relief, and one of the most important members of the crew was finally determined.

After confirming the approximate contract with Uncle Inoue, Nagata Qin, who was still in high spirits, chatted with Zhou Xiao about the next most important issue, that is, who is more suitable for the heroine Yaya.

The first person Zhou Xiao thought of was Yuko Ogura, but Yuko Ogura was also the first person he denied, this girl is a little stupid, hiding behind the scenes when filming commercials is still frequent, and it is probably even more so when she puts it in front of the camera, otherwise in her previous life, why did she have almost no film and television works that she could handle.

"This girl can't be too big, no more than 22 years old at most, because most of the story describes Yaya in high school." Zhou Xiaodao.

"That's right, there are also some requirements for her acting skills, which actually excludes the vast majority of idol actors, but these don't seem to be suitable for the right people now......" Nagata Koto.

"Actually, there is a person who is the most suitable...... The child star debuted, the age is just right, very beautiful, and the acting skills are ...... enough," Zhou Xiaodao.

"You mean ......" As soon as Zhou Xiao's adjectives came out, Nagata Qin guessed who he wanted to say: "Anda Yushi?" ”

"That's right......" Although Zhou Xiao nodded in agreement, he didn't seem to particularly care about this woman named Anda Yushi. It's not that he doesn't care, it's really ...... With his qualifications and Nagata Qin's qualifications, he can't invite Anda Yumi at all.

Who is Yushi Anda? When she was 12 years old, she acted in a TV series called "Homeless Child", which eventually reached 37.2% of the ratings, making it one of the most sensational works in Japan at the time.

After Zhou Xiao's experience in 2010, she rarely participated in the filming of TV series as a starring role, and at that time, most people who had just come into contact with the Japanese entertainment industry knew her, but they only knew her from her ex-husband, Jun Itoda, who often worked as an MC in the weekly AKB.

Generally speaking, children who debut as child stars will only appear as ordinary actresses after graduating as child stars for a period of time, but Yumi Anda does not, since the age of 12, she has had one or two works every year, and she has not left the sight of Japanese audiences, but this also makes her worth and recognition very high, so she and Zhou Xiao have no way to invite her.

Zhou Xiao was a little worried, most of the Japanese actresses he knew were only eleven or twelve years old now, and many of them were even under the age of ten.