Source@和evil society

After the announcement of the animation of this comic, Jimmy himself paid attention to it, especially in the work, there is a student from Shanghai, China who came to Japan Kong Wenge , this role is also an important supporting role, the official even came out with a separate role CM, that is, when promoting this Kong Wenge CM, it was found that the voice actor Wen Yexing who served as the voice actor was a Chinese and also used **, so he tried to hook up for an interview, which contributed to the following paragraph. It is very difficult for Chinese people to go to Japan to break into the voice actor circle, last year we interviewed KK from Qinger Agency, this time we will take a look at the story of Wen Yexing's dubbing in Japan.

First of all, please tell us how you fell in love with ACG.

I originally liked ACG, but I just liked it in general. When I was in my first and second years of college in China, I experienced a low point in my life. I once went to a friend's house to watch a set of Chobits, and then I began to instill a lot of all kinds of animations and entered the second dimension. Because I don't know how to draw, I naturally want to be a voice actor in the future.

What is the role of the first dubbing?

The first dubbing was one year after I came to Japan. At that time, he dubbed a high-level Chinese textbook, and the content was the original text of Sun Tzu's Art of War.

Who is the most admired senior voice actor?

Mr. Akira Kamiya

Why did you come to Japan to be a voice actor?

I want to be the first foreigner to make a name for myself in the Japanese voice actor world.

In this new April "Ping Pong", you dubbed a Chinese table tennis player Kong Wenge, how did you get this job opportunity?

The senior of the university happened to be an employee of the company.

What kind of preparation was made for this role? How do you understand this role yourself?

1. Read the original book and understand the plot, world view, and character relationships.

2. Communicate with the director to understand the director's conception of the work and the position of the characters in the work.

3. Build characters on the basis of the above.

A determines the timbre.

aBased on the voice of Mr. Ryutaro Oki, Mitsui Kotobuki, he tried to make his voice as close to this voice as possible. (Of course, the physical difference is far away, but what you want is the atmosphere)

bContinue to familiarize yourself with the work and deepen your understanding of the characters. In the process, the parts of Mitsui Shou's voice that are not suitable for Kong Wen \ Ge are gradually removed. In certain lines and scenes, add the tone of the voice of other voice actors.

C practiced the lines on the basis of deliberately retaining A and B to shape the prototype of the character.

After da certain number of years are proficient, he no longer deliberately imitates any voice actor, and is completely free to control zhì.

B decides on acting

aDecide on the method of deduction according to your own understanding.

b Prepare several sets of interpretations that may save zài, corresponding to the director's requirements

C watch the video, lip-tune, and grasp the timing of the opening

D Maintain the throat

How do you collaborate with other voice actors in your work?

Because the staff did not understand Chinese, it was difficult to edit and synthesize, and it took a lot of time to match with the team. So Kong Wenge is dubbed separately and has no cooperation.

Do you have a lot of jobs at this stage?

The workload is ok.

What was the biggest difficulty you've ever encountered?

Japanese pronunciation is currently basically improving.

For many people in China who yearn for the dream of voice actors, what advice do you have as a pioneer?

For beginners

Lay a good foundation, train your vocal cords, and return to your pronunciation.

For intermediates

Observe the people and things around you, collect and store various life scenes and corresponding character dynamics.

For superiors

If you move the muscles of the throat and mouth more freely, you will have the opportunity to develop a new voice.

To the superior

Practice a variety of interjections such as ah, hum, hey, etc., and it is best to prepare 4 or 5 types of each word.

For the super

Practice loud laughter, shrill laughter, wild laughter, monster roars, all kinds of super special moves, all kinds of moans

===Dividing line===

Speaking of which, Kong Wen \ Ge is pinching it Mar Wen \ Ge!