"Xiaokui, your expression is wrong, at this time you need to show the confusion in the pain, you are too painful, after your illness makes you fall, you will be very puzzled that you just fell and did not blindly show your pain, and there is, you just fell a little bit did not take care of the camera, the direction of your fall should be ......" Nagata Qin pulled Miyazaki Aoi to talk about the play, the little girl Miyazaki Aoi's acting learning has been interrupted for several years, although the talent is still there, but there are still many places that do not adapt, And Zhou Xiao is also very focused on studying around Yongtianqin, and even he occasionally writes something in his pen, so that he can be a studious student.

"How? What have you learned? Nagata Koto sat back on the stool after finishing the play with Aoi Miyazaki, turned his head and asked Zhou Xiao on the side.

"It turns out that even such a delicate thing needs to be prepared......" Zhou Xiao said his feelings.

Things on paper are always just on paper, Zhou Xiao's script is already very detailed, after all, he has the original works of two plays to refer to, but even so, many things still need to be considered by the actors and directors on the spot, but just the difference between the whole set and Zhou Xiao's memory is likely to require the actors to make appropriate changes.

Zhou Xiao has never studied directing, in his previous life, he was at best half a media person, although he also went to the set, but at that time he only went because of other work, all the knowledge about directors in his previous life basically came from the Internet and friends in the media entertainment industry, and in the process of chatting and bragging with those friends, Zhou Xiao got most of the film knowledge.

And here, Zhou Xiao began to make up for his film and television shooting knowledge after determining his goal, not only rented a lot of relevant books from the library, but also pulled her every day to ask for a lot of things after inviting Yongtian Qin, Yongtian Qin also seemed to know Zhou Xiao's purpose of looking for her to be a director, so he was very attentive to his teaching, during this time, Zhou Xiao learned no less music knowledge in movies than he learned in those music teachers every day when he was being. Coupled with the clear movie picture in his mind, Zhou Xiao felt that he definitely had the opportunity to reproduce those classics in his memory.

No, what he just learned, in addition to the artist, the grasp of the actor's acting skills, the position of the camera and the grasp of the camera are also what he is very interested in.

Moreover, in the past few days of filming, Zhou Xiao is also very satisfied with Nagata Qin, Nagata Qin has been an apprentice to Iwai Shunji for a period of time, but she has not been infected with the other party's very personal style of film concepts, she has her own good things, although she can't have Iwai Shunji's extraordinary talent, but at least as a commercial director or as a more ordinary director, these things are very sufficient.

This is actually what Zhou Xiao wants to see, Zhou Xiao doesn't need too many people with an incomparably strong personal style to be his director, in his opinion, that kind of director filming is very good, but it is not suitable for being a teacher, because what he wants to shoot is someone else's thing, so he can't have color on him, those movies that leave a name in history and are highly rated are all shot by a different person, if the same script is handed over to a director who already has his own style, then Zuihou will shoot it, it can still only be the work of that director and not the former director. Therefore, Zhou Xiaocai needs to not have any director's color on his body and only learn jishu, because only in this way can he shoot things with other people's colors.

In this new script that Zhou Xiao and Nagata Qin came up with, the general context of the whole story has not changed, basically it still continues the haode set by Zhou Xiao, the plot of the two versions of "One Liter of Tears" in film and television, the plot of Zhou Xiao's version is actually nothing special, and even at first glance it looks a bit like a third-rate Korean drama, but I have to say that compared with the movie version of "One Liter of Tears" in Zhou Xiao's previous life, Zhou Xiao's version is much better in terms of plot and sensationalism than the previous version.

The version of Zhou Xiao's previous life can basically be described as having no plot, and the whole film can basically be described as Ya Ye is sick, Ya is also in pain, and Ya is also dead, the director states the story in this way, trying to highlight Ya Ye's own pain rather than other messy plots, and relatively speaking, that version also follows the original work.

But the so-called movie is not to tell a story in itself, and the movie is to make money, it is to be good-looking, Zhou Xiao is not going to be a pioneer filmmaker, what is the stream of consciousness thing, he is making this movie now, there are only two very simple purposes, one is to learn things, the other is to make money and earn fame, as for other things? As for what artistry? Unless this artistic performance brings him something else that he wants, otherwise, artistry can't be eaten, is it, he's really a little poor.

The other is Miyazaki Aoi, the inexperienced girl quickly showed an impressive talent, in addition to the lack of experience, she has been able to be very qualified for the role of Yaya, compared with the other two people who acted in this play, the movie version of the starring Onishi Mahui's acting skills and image are relatively ordinary among Japanese actresses, unless she meets someone to support, otherwise she is unlikely to become the top actor. And Erika Sawajiri is also a girl with outstanding acting skills, but the key to her is that Erika Sawajiri herself is even a somewhat self-respecting queen, and Yaya is a relatively delicate girl, although her acting skills are enough to cover her nature, but the cover is not as good as Aoi Miyazaki's performance.

Miyazaki Aoi's personality is actually very good, there have been rumors that she has a very bad personality, but if her personality is so bad, there will be a scandal of domestic violence after marriage? Moreover, Miyazaki Aoi's husband Takaoka Sofu is not a good bird, compared with the bad personality, the rumors of Takaoka engaging in third parties and domestic violence are obviously more credible, because this product even scolded the Korean Wave directly on his blog in the past two years, not to mention how the Korean Wave is, but your character who can't hold things in your heart doesn't look like a good character. A more direct proof is that Takaoka can only be regarded as a third-rate artist at best, while Aoi Miyazaki has won awards since her debut, the first actress of the new generation in Japan, in the face of such a huge gap, the combination of Yamaguchi Momoe and Miura Tomokazu looked like a good match!

Little Miyazaki Aoi has put her whole person into the role in the past two days, causing her to look more and more weak when she is already very small and soft, and she is a sick and delicate girl like that, but Zhou Xiao is also a little regretful, although "A Liter of Tears" is focusing on the story of Yaye, but this movie from the director to the investor, that is, all of them have a taste and tendency of commercial films, such a movie made by such a crew, I am afraid that it has nothing to do with artistry, Zhou Xiao doesn't know, The girl who was brought into the showbiz and debuted like herself can still become the Miyazaki Aoi who has won many awards at European film festivals.

While filming with the crew, Zhou Xiao also concurrently served as the crew's chores, originally he wanted to be a drama manager, because he heard that the drama was basically the highest level of the crew's chores, but what he didn't expect was that the vast majority of the work in the entire crew, whether it was drama or props, was professional, and ordinary people really didn't necessarily get started right away, and after being busy for a long time, Zhou Xiao honestly returned to his miscellaneous positioning, but as an investor, even if Zhou Xiao was already very kind, There are not many people in the entire crew who really dare to call him, and perhaps only Yakushimaru Hiroko and director Koto Nagata dare to do this.

As for Aoi Miyazaki, the most common way for the little girl to call him through Yakushimaru Hiroko: "Mom, I want that, Mom I want this......"

Then with the fingers of Yakushimaru Hiroko, Zhou Xiao moved when he heard the wind......

Of course, this kind of atmosphere is very good, after all, Aoi Miyazaki is acting for the first time after being sensible, and she has not yet developed the habit of professional actors who want to live or die when acting, and after acting, they will stagger their faces and everyone is not familiar with them.

As for Yakushimaru Hiroko? She was just a maternal seizure.

(I went out tonight and tomorrow during the day, so I changed it early...... ）