Jerry walked down Sixth Street with a lost face, all the chaos and noise seemed to have nothing to do with him, some people fell, some people rushed up, some people screamed, some people were bleeding, all these things happened around him, but none of them had anything to do with him, none of them had anything to do with him. He rejected the Masons' offer to stay and left the C&C store alone, still wearing a wig and a sticky beard, of course.

Jerry-kun, I seem to like you!

That's what she said, that's what she said.

Jerry covered his forehead, really couldn't understand what was causing Sachiko Kamaike's attitude to change like this.

I just realized that I didn't like you as much as I thought I would.

What a ridiculous reason.

Jerry smiled self-deprecatingly, and his phone rang.

"Hey~ Who is it?" He wanted to throw his phone out, but Emily had warned him like a prophet that if Jerry dared to do anything, he would wait for her resignation letter tomorrow. It's a lame threat, but Jerry just ate it.

"It's me, Jerry." A woman's voice came from the phone, very familiar, but Jerry couldn't remember who it was?

"Sarah." The woman still gave her name.

It turned out to be Sarah Brightman.

Since Jerry's first album "That-Place-In-Your-Heart" collaboration, there have been few collaborations between Sarah Brightman and Jerry. As he told Natalie, Jerry doesn't have much of a passion for American opera (i.e., musicals). After "Pie-Jesu" came into Sarah Brightman's field of vision very accidentally, "The-War-Is-Over" was just a natural accident. As for Andrew Webb and Sarah Brightman's invitation, Jerry is unlikely to really make time to make his way to Broadway, except for a polite decline.

His field of expertise is still popular. And not classical.

Interestingly, after completing the collaboration with Jerry in "The-War-Is-Over", Sarah Brightman's field of focus has gradually penetrated from classical to crossover. From "Cats" in 1981, "The Nightingale" in 1982, "Requiem" (Pie-Jesu) in 1985, and then to "Phantom of the Opera" in 1988, after dominating the classical field, the chief singer completed the first conceptual crossover album "Dive" with German producer Frank Petersen in 1991, although this album was only a success in Canada, although it was the first album to be criticized as a failure. But this small setback still can't dampen Sarah Brightman's firm determination to pursue her own musical style.

Yes, the itch of the classical rock revolution of Magical J's Connon-X gave her the idea of subverting musicals and entering the crossover music field.

Last year, in 1995, Sarah Brightman and Frank Peterson produced their second album "Fly", and the title song "A-Question-of-Honour" was wrapped in a strong classical rock style, announcing the success of Sarah Brightman's crossover music style and gathering super popularity for her in Europe.

Originally, Sarah Brightman was quite like asking for the idea of a magical J. In Sarah Brightman's view, Magic J is simply a genius in the field of crossover music. Think of the songs he wrote, from New World Celtic to classical, to dance music. Then to rock and hip-hop, you know. Who knew that in 1991, shortly after her divorce from Andrei, this little guy was shot in Tokyo, Japan, and in 1995. This guy was so busy flying around the world that he even made a statement like that on Royal Victoria Square, and Sarah Brightman didn't call Jerry. But it was only a sign of her support. As a branch of Judaism, a true believer in Kabbalism, how could she not support the Royal Victorian Declaration? It's just that, considering that this guy always has such and such things to deal with, the consultation about crossover music styles has been put on hold.

After the Seine Tunnel terrorist attack, Jerry was brought back to Japan by Nanako Tanaka for protection for more than a month, and now, he has finally returned to the United States.

Sarah Brightman had wanted to wait a while, but when she turned on the radio, she knew that the magic J had arrived in Times Square. And, right on Sixth Avenue near Broadway!

That's when she knew she had called Jerry.

"What's the matter? Sarah. Jerry was in good spirits.

"Hey~ Wonder Boy, came to Broadway, didn't you come to see me?" Sarah Brightman was in a good mood and her tone was cheerful, "How's it going?" Did Times Square fans scare you? ”

"Not really." Jerry exhaled deeply, trying not to think about Sachiko Kamaike, yes, only if he didn't think about her, his chest wouldn't be so stuffy.

Sarah heard a cacophony coming from the microphone and asked worriedly, "Where are you now?" Still on Sixth Avenue? Didn't the news say that you had already left? ”

"Still on Sixth Avenue." Jerry's tone paused, and Sachiko Kamaike's shadow always drifted through his mind from time to time, "Sarah, are you in the United States?" ”

"Bingo, got it right."

"Broadway."

"Here in Andrey."

"Are you welcome to come and be a guest?"

"Aha~ I've been waiting for you for a long time!" Sarah's voice was very obvious, "Andre said, make tea and wait for you to come." ”

After divorcing Andre Webb, Sarah Brightman moved her American home to Los Angeles in order to pursue her personal musical style, and she would normally be in Los Angeles without a worldwide itinerary. It's just that this time is more coincidental, because of an invitation from Germany, she came to Broadway again to meet her ex-husband Andre Weber. Even though she and Andre have divorced, the two are still very good friends.

Jerry hung up the phone, and he looked around, Sixth Avenue, just like his brain at this time, in a mess.

The conflict continues unabated.

The NYPD even deployed a large police presence to stop the riots.

Jerry shook his head, dodging a black teenager rushing towards him, and then burrowed into an alleyway that led to Fifth Street. (To be continued......)