Source: @Zhihu Ma Xiaofu

Anyway, it seems that there are benefits on the side of the original post! If you are interested, go ask Du Niang or Google!

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How did the image of a girl with "big boobs and panties exposed" common in Japanese anime come about?

I watched "Dragon Ball", "EVA", "Slam Dunk", "Soccer Player", and "Saint Seiya" in elementary school, and I haven't watched it since. The reason why I asked the question was because I saw a lot of cosplay sexy and exposed, and I mentioned it because of my feelings.

Why are girls with "big boobs and panties exposed" common in Japanese anime? Was it a style that started out or did it evolve gradually?

Of course, it's a style that evolves gradually. This is actually a good question, but the word "all" is inappropriate, it should be "common", so I would like to change the question. If you have studied Japanese animation and manga, you should be able to notice that "color gas" is a major theme throughout the history of Japanese animation after the war. The so-called "sexuality", or "sexAppeal", is a state between "sexy" and "attractive", and more commonly speaking, "feminine".

"Lust Scene" has another name in anime, that is, "kill must die", which is taken from the transliteration of the Japanese word "サービス", which is derived from the English "Service", in short, "serving the reader". This statement can first be seen in Shinji Wada's shoujo manga "Super Girl Asuka" in 76, in which the author draws Asuka's nude body once in each episode, and in the sentence "Asuka for Two", the narration is attached to the phrase "The guest officer has been waiting for a long time, and Asuka is naked once in each episode, and he will die if he kills and kills him!" If it sounds familiar, that's where Asuka's name comes from, and this is where Misato Katsuragi's trailer always says, "Kill and die, kill and die" also comes from this.

Since the 70s, "Kill to Die" has become an essential element of almost all comics, with the exception of children's comics or the four-panel in newspapers. Among them, "exposed underwear" is the most frequent, and it is an element that almost all men (whether they are teenagers or young people, not to mention adults); And "Giant Ru" should indeed belong to the category of character design, but it is also a part of killing and dying, and there are also giant Ru comics with Giant Ru as a selling point. In addition, what the subject didn't mention, "bathing" is also one of the most common kills in anime.

These three were very popular from the 70s to the 00s, especially in the 80s, and there were even animations with direct dew points on TV, and exposing panties or something was just a small case. Since 00, except for "Miss Conch" and "Crayon Shin-chan", which are due to the needs of the plot, the others have gradually stopped showing their underwear (except for wearing swimsuits in beach and pool scenes). Late-night schedules have different restrictions depending on the restrictions of each TV station, and there will be different autonomous regulations (safety pants, no direct cameras, the light of the fan, and even someone's big bald head), in contrast, the "absolute field" has become popular. Although it is not nudity enough, it is also a kind of killing and death.

So, let's talk about the origins. Warning, contains a lot of cold knowledge and kills, if there is discomfort, it is not responsible. Most of them are from ordinary works, but minors should be accompanied by an adult. Having said that, can Zhihu transmit this kind of picture......

One, panties

Let's start with revealing panties because it's so common, and it's the most important and inseparable element of comics, and it was born early because of children's curiosity about sex during the period of sexual ignorance. Lubei underwear, called "パンチラ" in Japanese, that is, "パンツ" (underwear) + "チラリ" (seeing something for a short moment), means "fleeting underwear is gone", and has been popular since the 50s. In recent years, a new word has appeared called "パンモロ", that is, "パンツ" + "もろに", which means "the state of the underwear being completely seen", and it doesn't matter much if the two are mixed, both are common in anime. In addition, there is also "see せパン", which means "it doesn't matter if you are seen", and recently it is often used to describe the scene of low-waisted jeans and skinny hot pants showing their panties when they bend over, which is relatively rare in anime. Anyway, I think it's a mess to invent so many sayings just after a panty runs out!

If you want to say the most famous walking scene in history, it must be Marilyn Monroe's flying skirt and looming white panties in "The Seven Year Itch". This is where the Japanese panty complex comes from. When "The Seven Year Itch" was released in Japan in '55, the posters of Marilyn Monroe plastered on the streets and alleys caused a national sensation. Well, it's not the kind of voyeurism that happens right now, for example, it's easier to catch a glimpse of the girls dancing or something. The term "パンチラ" became popular from then on.

So how important is it to show women's panties in comics? Please see the manga tutorial "Monkeys Can Draw Manga", "How to Draw Shonen Manga Well" Lecture: (Since I am translated from the English version, the reading order is from left to right)

…… So you see, I'm not lying, everyone else teaches comic tutorials like this, this is really a comic tutorial! (Although this comic tutorial does have a bit of a radio wave system)

When the underpants were formed in the manga, it is necessary to start with the change of Japanese women's underwear, and the girls began to abandon traditional clothing and choose Western-style clothing and underwear from the post-war period. Therefore, the manga of exposing panties can be traced back to Hasegawa Machiko's four-panel manga "Miss Conch". (With more than 6,000 episodes aired, what kind of anime is Miss Conch?) Because of the concise painting style, the little girl Isono Wakame will inevitably often show her panties, but at that time there was no such thing as Lori Control, and Hasegawa's painting style was even more insulated from Moe, which was just used to express the innocence and liveliness of the little girl. The success of wakame created a visual standard, and the white bloomers became popular among young girls for nearly a decade. Osamu Tezuka then designed his sister Uran in the 63 anime version of Astro Boy with an upturned skirt and half-exposed bloomers. This phenomenon was a symbol of cuteness at the time. By the way, there is also Disney's Minnie Mouse, which also has a short skirt and white bloomers, which is often exposed.

The three people who left a deep impact on the killing of "exposing underwear" were these three people: Hiroshi Nagai, Tatsuo Kanai, and Katsura Masakazu.

Nagai Hao is the founder of the mountain, the reason why so many bear children who like to lift girls' skirts appeared later, juvenile comics tried their best to show the heroine's skirt scenery, and it was all to blame on this grandfather. In 68, Nagai Hao did something shocking, he depicted a perverted teacher who likes to peep at the underwear and carcasses of female students in the comic "Shameless School", and the male protagonist has a series of campus comedy stories in the process of confronting the teacher. This comic is the first time to involve the curiosity of adolescent teenagers about sex, and it is also the first time that adult women have been stripped of their underwear. "Jump" relied on the popularity of this comic, and jumped from a newborn to one of the three major shonen manga magazines, and since then, lifting skirts and exposing panties have almost become essential elements of shonen manga.

By the 70s, revealing panties had become the norm, and there were many manga writers who made outstanding contributions to it, such as Hiroshi Honguya, who was almost instinctive to pursue realism as a manga artist, so he ...... He added a little floral ornament to his underwear, such as a ribbon. Then, Jiro Kuwata and Kamogawa Tsubame added some lace to the panties, and the panties gradually became a store that ignited human interest. Then, Tatsuo Kanai made a qualitative leap by creating a wrinkled effect on his underwear, and from then on, it could be truly said that the underwear had become a unique visual symbol in Japanese manga. Since the late 70s, panties have taken on a life of their own! [Hey, wait, it seems that something is wrong.]

Legend has it that when Tatsuo Kanai was working as an assistant to Hiroshi Honguya, Mr. Hongu thought he had a talent for drawing panties, and told him, "Draw more panties, if you draw more panties, you will become a mainstream manga artist one day." Unfortunately, although Tatsuo Kanai went further and further on the road of drawing underwear, and his technique was so popular among readers at the time that he was imitated by other manga artists, he himself never became popular...... Kanei-san, you were deceived by Hongiya-san, it's not enough to just draw your underwear!

The good and popular underwear painting is the birth of Gui Zhenghe in the 80s. Gui Zhenghe had already shown his dedication to killing when he painted "Wingman" in '83, and he had been honed by "Shadow Lady", "DNA2", and "Movie Girl", and his painting skills were fully matured in "I''s". Gui Zhenghe's underwear painting is more realistic, the depiction of the buttocks is more fleshy, and no one can match the display of color and gas in the same period, which can be said to be the pinnacle of this kind of killing. And Katsura is not only good at drawing underwear, but also depicting the psychology of adolescent boys, so it has a sense of involvement. By the way...... "Movie Girl" is still one of the top three romantic comedy comics in my mind.

In terms of animation, the pinnacle also comes from the OVA work of the same year as "I''s" - "AIKa". The producers of AIKa claimed at the time that they wanted to "create the most exposed panties in the industry", so they did it. On average, every 20 seconds, the panties are exposed, and the flesh-colored thighs and white panties fly together on the screen, which is really dazzling, and the exquisite depiction of the color of the buttocks and the folds of the panties has become an industry benchmark, Yuichiro Koguro called it "the highest peak of panty animation", and the animator Noriyasu Yamauchi has won the reputation of "the first person to paint women's bodies". Uh, I don't think I'm going to get this picture......

In addition to the above works, the following anime and manga also have outstanding contributions, in no particular order: "Sweet Warrior", "Witch Girl Megumi-chan", "Science Ninja Team", "Space Battleship Yamato", "Sarutobi Ninja", "Machiko-sensei", "Little Red Bean", "Strawberry 100%", ...... And so on and so forth.

Finally, there is a scene where the skirt is lifted in the general animation

2, Juru

"Oupai" is a common name for boobs in Japanese, so in order to retain a bit of discipline, I wrote Oupai instead. Attacking the chest - that is, suddenly catching the girl Oupai - was also originally from "Shameless School", so I won't repeat it here. The landlord only asked Juru, and I only wrote Juru.

First of all, "Juru" is a very subjective concept, how big is it? In 80 years, Japan's Acup accounted for as much as 58.6%, so C and D were enough to be called giant Ru; In 04, A was reduced to 10.2%, and B and C accounted for 27.8% each, so E and above can be regarded as a giant Ru. In the current mainstream shonen manga, the favorite to draw giant Ru should be Oda, right? Three Jcup giants that violate the laws of the human body...... Nami and Robin were originally Icup, but they can still grow!

The concept of Juru can first be seen sporadically in adult magazines that began to appear in the first half of the 60s, followed by late-night programs and the wave of pink movies, and the idol of Juru Mitsuko, Mari Nakayama and others began to appear. However, at that time, there was no such thing as Juru, and it was not until the second half of the 80s that it became popular under the drive of AV.

Tracing back the giant Ru characters in the history of anime, there are two people who have the greatest influence, and unlike the real giant Ru idols, they are active from the 70s to the present without fading - they are the two national-level giant Ru characters, Feng Fujiko and Ruyue Sweetheart.

Ruzuki Sweetheart is from the 73 anime "Sweet Warrior", and the original work is also from Hiroshi Nagai. The series' depiction of female boobs is particularly prominent, in addition to the provocative figure of the sweetheart himself, as the enemy Pansa Weirdo Group is even more famous for its giant Ru, and can even use the chest as a weapon to radiate lasers, missiles or something as a sexual metaphor. In addition, the biggest contribution of the series to future generations is the bridge of the naked transformation, which has influenced the subsequent magical girl animation (such as the naked transformation of Sailor Moon), and the OP of the whole series is rare and has never been changed, this song has a great influence, and Japanese variety shows sometimes make a little bit of color, so they often use this song as BGM. In other words, I often sing this in KTV......

The atmosphere of this anime, you can feel it from the OP and the first episode preview:

CuteyHoney－OP(HQ)

http://videocn/v/b/110766250－1804531244.html

http://videocn/v/b/110766250－1804531244.html

Teaser for the first episode of cutiehoney

http://v./v_show/id_XNTg1NjgyNzA4.html

http://v./v_show/id_XNTg1NjgyNzA4.html

Fujiko Mine is from "Lupin III", the original work is a youth manga that MonkeyPunch began serializing in '67, and was put on TV in '71 and became the first TV anime for adults. Well, there's actually an earlier one, but that one is generally not discussed, so we don't bother with it. Fujiko Mine's devilish figure and frequent light appearance became a sexy symbol throughout the 70s and 80s, and it is still on the list of major anime heroines to this day, and it is even an exaggeration to say that it has influenced the aesthetic concept of two generations of Japanese people. It doesn't matter if you don't remember this name, just remember the measurements - B99.9/W55.5/H88.8, how easy to remember, remember this string of numbers and you can search for her, seriously, no second person's measurements have this treatment. In addition, the CVs of the first generation Ruzuki sweetheart and the second generation of Mine Fujiko are both Masuyamae Weizi.

It's from the first theatrical version, I'm sorry, I played mosaic because of the dew point......

These two can be regarded as pioneers, and the rise of giant Ru characters in comics waited until the trend of third-rate drama painting in the second half of the 70s. The so-called drama painting is a genre that has been popular since the 50s, which is different from Osamu Tezuka's cartoon style and pursues realism, so there are also materials translated as realistic comics. From the second half of the 70s, the school of drama and painting became popular with adult pornography, that is, third-rate drama painting, also known as functional drama painting. The sale of Juru as an element of the work began from the period of third-rate drama painting.

Because of the dew point, this time I played a double mosaic...... What is the style of third-rate drama painting, you can feel it from the cover.

In the 80s, third-rate drama was banned in large numbers due to the deportation of bad books every ten years, and it went into decline. This was followed by the rise of Bishoujo adult comics, which were composed of the Bishoujo style that appeared around the 80s and combined with the themes of third-rate drama paintings. Kaoru Nagayama mentioned in the book "Research on Erotic Comics" that the reason why there is a trend of giant Ru in beautiful girl adult comics is because the author imposes original sin on such characters in order to alleviate the guilt of overthrowing underage girls - big breasts are original sin, which implies the stereotype of "bad brain, excessive sexual desire, **". This is of course a bad excuse in reality, but in comics it can be used to rationalize "sin". This wave ended with the murder of Miyazaki, but Juru has since become more and more common in manga. In addition to the rationalization of "sin", the appearance of the giant Ru character is also because in adult comics, the giant Ru character can do special skills that ordinary people can't do, and at the same time, it can also introduce more visual effects, and the picture can be more expressive. For the same reason, a similar concept appears in the anime - Ru Shake. The so-called Ru shake is the visual effect of Ru room shake, and the earliest Ru shake in the animation is DaiconFilm, the predecessor of Gainax, which DAICON4 the opening animation of the Japanese Science Fiction Convention in 83, and the Ru shake effect of the bunny girl in the film surprised the industry - "It turns out that animation TMD can still play like this?" , Yoshiyuki Sadamoto, who was in charge of painting, got a nickname in the industry called "Ru Shake Sadamoto". From "Daicon 4" to "Leap to the Peak", Ru Shake has since become the signature of Gainax, so it is also called "Gainax Shake".

[HD] DAICONIVOPENINGANIMATION

http://v./v_show/id_XNDAyNzkwNDQ4.html

http://v./v_show/id_XNDAyNzkwNDQ4.html

It's 3 minutes and 24 seconds, but it's not that long anyway, so it should be obvious......

At first, Ru Shao can be said to be an inevitable phenomenon restoration of the real sports scene, such as "Leaping to the Peak" Gao Yazi wears loose sportswear, and Ru Shao will naturally appear when running, but now, Ru Shao has become an unscrupulous person who ignores the laws of physics in order to kill and die. You can also shake it when you wear tights.,You can also shake it when you stand still (One Piece has appeared),There are even Ru shake bullets (smiling flashes)、Ru shake dodge bullets (school apocalypse) magical scenes.。 During the OVA period of the 90s, when Ru Shake was at its peak, Ru Shake was everywhere, and the game industry also introduced Ru Shake, such as the fighting game in which the fire dance participated, the machine combat series, and the Life and Death series.

PururunSong

http://videocn/v/b/110272196－1804531244.html

http://videocn/v/b/110272196－1804531244.html

The 90's was the peak of Ru Sha, see the video MAD above, made in '99, which is also a representative of the ancient MAD. Among the animations that used Ru Sha as a selling point in the 90s, the most famous was the 94 OVA animation "PlasticLittle". In fact, there is nothing to watch in the whole film, but the bathing scene in it is a classic, and it does a great job of European contours, colors and shaking effects, and even has the reputation of "the pinnacle of European animation", and there are a total of 49 Ru shakes in the whole animation.

How do I know the times, you ask? Because there have been a number of them! When A.D.Vision, the largest Japanese animation agency in North America, released the DVD version, it ingeniously added a Ru shake counter to the screen, and it was found that Ru shook a total of 49 times, with an average of 55 seconds. What's even more bizarre is that when BurnUpExcess was released later, it was even counted separately by character, and it wasn't over, they even registered a trademark for it - I just want to say to the boss of ADV, why give up on treatment!

It's time for the Giant Ru Origin to end here. Compared to revealing panties, Juru should actually be regarded as "healthy", pornography is still healthy? Of course. Nagai Hiroshi said that he once saw a few elementary school students stealing through the ** in adult magazines in front of the bookstore, and the frightened look made people feel pitiful, so he wanted to give them "healthy". Exposed panties represent teenagers' curiosity about sex when they appear, but in fact, they often go overboard in sexual pranks and turn into school bullying and sexual violence.

I've been chatting for so long with the mentality of selling cuteness and nonsense, let's talk about some strict sù, and some of my personal thoughts that are not yet mature:

1. Although erotica is a major theme throughout the history of Japanese anime, manga, and PC games, I don't want to conclude like an old antique that "sexual expressions in anime are the root cause of juvenile delinquency". I have always believed that even children do need sexual appeals, and the key lies in how to express the concept of "healthy sexiness".

2. Japanese anime is not full of sexual elements from the beginning, and Japanese people are not born lewd. I think the biggest reason for the proliferation of erotic themes is that Japan is a country of overservice and consumerism. The third-rate drama in the 70s and the beautiful girl adult comics in the 80s, for example, should have been the role played by the surrounding adult books, books, publishers, publishers, but as the large publishers saw that they were profitable and entered this field, they always grabbed a lot of benefits in just a few years, made it mainstream, and destroyed the original small ecology.

3. Japan's sexual openness process is supposed to be the highest in Asia, and it also began at the same time as the sexual liberation movement in the West in the second half of the 60s. The main force among them is also from the New Left ideology, and most of the people who draw drama paintings are New Left cartoonists. After the end of the all-hands struggle**, conservative ideas and the new right were on the rise, and the main consumer of comics quickly changed to egoism at the end of the 80s, and thus went down a different path from the Western world. In fact, I think Japan is a negative teaching material in this regard, and if the restrictions on erotic themes are relaxed in China, it can be used as a reference.

Finally, if you see this, it should be hard work, so you will give some special gifts to kill and die!