The cooperation between "Chasing Love" and Chuxin Network Technology was not successful in the end. At this point, Tang Qingyou finally learned a word that she had long picked out to question her subordinates: "powerless".

She had to admit in her heart that in the face of Ouyang Zhi, many times she was indeed powerless. But Ouyang Zhi also has her own strengths, she is by no means a person who eats a vegetarian meal, she is not even just in her position, people, things, and things beyond the scope of her position, she will definitely participate in the performance if she reaches the stage and lifts her feet to climb the steps, and will never be just a silent audience. For example, she recently signed a large order and reached a brand strategic cooperation with a real estate sales website "Fangshou Wang", and Nanshan Grand Theater collects 5 million brand cooperation funds from Fangshou Wang every year, and grants all the title agents and related title income in the real estate industry to each other.

When the Nanshan Grand Theater was completed and opened, the eight regulations had been implemented, and the title cooperation and group ticket business of various institutions within the system were not very easy to negotiate. Based on the average number of the implementation of a project title every month and the total amount of 400,000 yuan (excluding ticket payment) for each title, the annual title income of 5 million is really a profitable business, Tang Qingyou applauded Ouyang Zhi from the bottom of his heart.

The amount of 5 million sounds really auspicious, just like winning the lottery jackpot, which made Ouyang Zhi suddenly a celebrity in the North and South Cinemas. This is also an honor for Tang Qingyou, who is in Ouyang Zhi's camp.

Tu Yiran called twice in a row, she was angry, and the two chatted calmly, and finally Tu Yiran gave in and Tang Qingyou decided to stay, and barely reached an agreement in the state of reaching out to each other.

No one understands her stubbornness better than Tu Yiran, and no one knows her inner demands better than Tang Qingyou.

At this time, the large and small theaters of the Nanshan Grand Theater are all in the rhythm of night and night, a series of symphonies, chamber music, operas, large-scale dance dramas, classic musicals, and dramas are staged in turn, and artists and groups from all walks of life come to the city one after another, and the performances leave non-stop after the performance, almost in the blink of an eye, the New Year's performance season has entered the countdown. Tang Qingyou suddenly found that he had missed many performances and had not gone to see them, and he inexplicably felt that he was a tyrannical thing, so he looked at the performance schedule and stared at a concert by a famous German symphony orchestra.

The status of this orchestra in the international music scene is also very important, "Gramophone" magazine listed the world's top 15 symphony orchestras, basically will list the name of this group, this performance fly in the ointment is that the schedule time is not between Christmas and New Year's Day, but in mid-January, such a performance schedule is actually very unfavorable. It is said that it was a step slower when it was set a year ago, and as a result, it could only be scheduled to the last leg of the tour in Greater China, which meant that the cost of sharing the carriage and horse fares increased and the difficulty of selling tickets increased. Fortunately, Gou Liang, who is now in charge of performance operations and marketing, is indeed smart and prescient, and three or four months ago, she led her staff to arrange various publicity and promotion for this large-scale symphony, including inviting a well-known music critic from Beijing and a famous host who is well versed in classical music to come to Beijing and give a sensational dialogue-style popularization lecture.

Although it is said that the popularization activities belong to the business scope that Tang Qingyou is responsible for in terms of plate division, Gou Liang is under the banner of marketing, and she can do what she wants to do with confidence and boldly, and no one raises objections.

For Gou Liang's behavior of daring to be the first in the world, Tang Qingyou couldn't help but be a little secretly impressed in her heart, but she has always been an understanding person, and the most direct focus of her "understanding" is to have clear ideas at the management level. But after several days of mental activity, I finally thought about it, and felt that it was good for anyone to say this, and I was afraid that it would be the opposite effect if I mentioned it myself, so I didn't mention it.

In fact, Gou Liang does not have a particularly outstanding overall view and overall planning ability at this stage, she just saw that Tang Qingyou's art popularization activities seemed to be a little effective, so she relied on the gourd to draw a scoop, as for what is called market activities, what is membership activities, what is art popularization activities, she has not figured it out at all, but fate always takes special care of her, she has enough time, space and manpower to slowly explore, little by little to understand the world of art management.

Gou Liang is more fortunate that the Nanshan Grand Theater has been the most high-end performance venue in the local area since the day it was built, and with the high-end performance resources of the North and South Cinema Lines continue to roll into this year, it has now easily become the artistic highland of the port, and the local newspaper group and the radio and television group jointly evaluated the top ten cultural institutions of the year, and the Nanshan Grand Theater ranks among the best. As the core middle-level staff in charge of the operation center of the Nanshan Grand Theater, Gou Liang is now like a rising star, shining and dazzling in the city's cultural and art circle.

Half a year before the opening of the mountain, Tang Qingyou, who had used a lot of effort to lay out, is now turning to the Beihai Art Base, which has no sense of existence.

Tang Qingyou has no direct appeal for "name". Although she is in the urban Vanity Fair, she is well aware of the benefits that "fame" can bring, but at this moment, she is not ready to go from behind the scenes to the front of the stage. All the grievances in her heart only come from a crisis of faith in "fairness, justice, and righteousness".

In contrast, Gou Liang, a young girl who believes in herself and has achieved herself, naturally has no crisis of faith. Her growth is obvious to all, from copying the popularization activity model to exploring a set of marketing methodology, she only took this little half a year.

Under the word-of-mouth paving of the symphony popularization lecture, this famous German symphony orchestra classical concert has attracted much attention from the day of ticket issuance.

As an internal quasi-middle manager, Tang Qingyou is the group of people who have come into contact with the troupe information very early, and she has done some preliminary homework, so she is very clear about the strength of the orchestra and the co-conductor of the tour, the orchestra plays Mahler's repertoire, and the conductor Pruce is now a rising star in the European classical music scene - Maazel has just passed away, there are only a handful of top conductors in the international music scene, Zubin Mehta and others are extremely difficult to knock, Pruce can almost be said to be the youngest conductor todayPromising.

In addition, Pruss is two meters tall, has a strong figure, and a pair of charming blue eyes with their own generators, and his outstanding appearance has given this performance a lot of favorability points.

In short, the box office situation is very good, and the audience generally expressed their expectations. However, after the results of the voting repertoire came out, Tang Qingyou still chattered with Ni Huaner in disappointment for a while: "If you want to listen to Ma Wu, it's okay now!" Isn't it a tyrannical thing to let this orchestra play Chai Wu?! ”

Ni Huaner also knew little about classical music, so he asked Tang Qingyou what was going on.

Tang Qingyou sighed solemnly and explained the difficulty of Mahler's Fifth Symphony, as well as the classicism of Tchaikovsky's Fifth Symphony - for the general public, Chai Wu's people have heard more, the melody is more familiar, and the momentum of the music seems to be more majestic, compared to Mahler's musical style is more obscure and heavy, and the musicality and melody seem to be less moving. So, when the audience auditioned for the performance repertoire, Chai Wu won with an absolute advantage.

But who in the industry, including Tang Qingyou, doesn't know that the most classic repertoire of the German Symphony Orchestra is Ma Wu. Although the melodies of Tchaikovsky's repertoire correspond to the aesthetic tastes of ordinary people. But Mahler's style is even more appealing to Tang Qingyou, who himself once said: "My music is always the sound of nature." The Mahler music that Tang Qingyou understands is romantic and poetic, and explores the grand and deep topics of life and death, the earth and the universe, and this style has won Tang Qingyou's heart. As for Mahler's Fifth Symphony, it is even better. Compared with Mahler's previous four symphonies, the Fifth Symphony re-establishes the path of purely instrumental composition, without the use of any vocal elements, and the connection between the individual movements is no longer visible from the title itself, relying more on the development of the music's own logic, more abstract, but also more pure. The most interesting thing is that although this piece is called "Symphony No. 5 in C sharp minor", only the first movement uses C sharp minor, Mahler did not "play by the rules", his music creation pays more attention to the internal connection and logical development of the music itself, after the second movement A minor sonata-style allegro, the music deviates from the dull C sharp minor and runs towards the broader and deeper D major, which is why Mahler, who is accustomed to fighting against fate to the end, will do this?

For the sake of Mahler in his mind, Tang Qingyou also specially asked Ji Simian to help communicate with the group, and asked them to bring the original CD for signing on the spot, and they must bring Ma Wu's version.

Not being able to hear a live version of Mahler's Fifth Symphony is a pity after all. Two hours before the performance, when Tang Qingyou was sitting alone in the café next to the theater to rest, he was still choking, why didn't the predecessors of domestic classical music popularize Ma Wu to the extent that everyone knows it?

However, the verdict is settled. Nanshan Grand Theater's marketing and execution methods laid a "transparent and open" official behavior model when Tang Qingyou was in his hands, and the collective appeal of the audience occupied the main influence in the official operation. Therefore, at the concert of the last stop of the annual tour of the famous German symphony orchestra in Greater China, the final performance was the well-known "Tchaikovsky Symphony No. 5".

Tang Qingyou was doing psychological counseling for herself, comforting herself and saying that the most promising conductor in the industry on board the orchestra with such a high ranking, even if he played a serenade, this concert was worth listening to, wasn't it?

Just as she was cheering herself up, a tall young European man in a tweed coat held a coffee and asked, "Excuseme, MayIsithere?"

At this point in time, the café was at its peak from work to before the performance, and the seats were overcrowded, Tang Qingyou occupied a stage by herself, which was obviously inappropriate, so she replied without thinking about it: "Sure."

When the man sat on the seat, Tang Qingyou was suddenly stunned - the handsome blue-eyed young man in front of him was not tonight's conductor, Prus?