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Hearing Yuan Lao's words, Chen Yi couldn't help but smile, although Yuan Lao was strict on the surface, but the test was relaxed, not specifying the subject matter, and letting the disciples swing freely, which could make the painter's mind unconstrained, so that he could better wave his imagination and use his own brush to depict the picture he wanted. (Please search, the novel is better and faster!)

Under Gao Cunzhi's explanation, he also has a great understanding of the two painting methods of boneless and water and powder.

The boneless painting method is different from the Gongbi painting he is learning now, which requires the use of an ink pen to outline the lines, and then dyeing the colors according to the lines, which has the limitation of the lines, so that the paintings made will be neat and detailed.

The boneless method is to draw the image directly in color without outlining with ink lines, and there will be no outlines outlined by ink lines.

Gongbi painting needs to outline lines, and naturally needs to be primed, while paintings painted with the boneless method do not need to be primed, and cannot be topped with base samples, and various objects are directly painted in color.

This kind of painting method can be said to be between the fine brush and freehand, neither like the former must have neat lines, meticulous, smooth, but also different from the latter freehand swaying, hearty, its unique self-contained, whether it is flowers or flowers and birds, all in one wave.

When painting flowers, when the color of the leaves and branches is still moist and not dry, after dipping a clean brush in water, a large amount of water or powder is injected into the leaves and branches to make them collide to form multiple layers of different shades and natural contour lines.

The paintings painted by the water and powder method will be full of a unique charm, and the leaves will appear moist and vibrant and three-dimensional, if they are not water-impacted, then they will only be some relatively plain color blocks.

This collision of water and powder was not created by the Lingnan people and the Nest of the Lingnan People, but it was the conscious use and innovation of the two of them, and finally popularized it, making most of the Chinese painters. In this way, their innovation and promotion are indelible.

The two brothers are the disciples of Gao Jianfu and Chen Shuren, the founders of the Lingnan School of Painting, who completely inherited the painting method founded by the two houses and completely promoted it.

Promote the tradition of Chinese painting, but do not forget to innovate. This is one of the most famous characteristics of the Lingnan School.

Qi Qianqian is Shen Yujun's junior sister, ranked tenth, and she is also the youngest among the ten disciples.

In order to be able to fully display the process of painting in front of everyone, it is necessary to paint on the drawing board, and Fang Wenbo has already prepared the drawing board, which is on the right side of the hall. In this way, his master and Qian Lao didn't have to get up, just turned their heads, and they could see the process of Qi Qianqian's painting.

Knowing that she was going to be the first to paint, Qi Qianqian couldn't help but feel a little restrained, but quickly switched around and came to the drawing board. Check to see if you have all the tools you need to paint.

The brush has created the starting point of Chinese culture, and has also made outstanding contributions to the exhibition of Chinese culture, the types of brushes are very varied, and in painting, each technique needs to be used in different types of brushes.

"Chen Xiaoyou, if you feel tired, you can sit down and rest for a while." Yuan Lao saw Chen Yi standing next to him. couldn't help but smile and said, after all the things before, he couldn't treat Chen Yi as an ordinary person.

After Chen Yi thanked him, he shook his head, "Old Yuan, I'll just stand, such an opportunity to observe the paintings." Can't miss it. ”

Yuan Lao immediately smiled with relief, sure enough, he was an appraiser, and when others were painting, they had to watch it carefully. Let's show the technique.

Seeing the expression on Yuan Lao's face, Qian Lao on the side smiled mysteriously, I'm afraid that this old man only thinks that Chen Yi is an antique appraiser in his heart, hehe, when he is amazed.

And Xie Zhiyuan in the crowd showed a touch of disdain on his face, and he also looked at the paintings, do you think that you are a person who plays antiques, how well you know about paintings, he thinks that Chen Yi, this kid, may identify paintings, but let him draw them, I'm afraid it is more difficult than ascending to the sky, he suddenly showed a strange smile on his face, maybe he can use this to embarrass this kid.

Qi Qianqian's painting is not birds and beasts, but flowers, from its appearance, it should be plum blossoms, a little red plum without a line, directly with a pen to paint in color, it looks a little freehand taste.

Chen Yi has seen Shen Yujun paint, naturally he has a certain familiarity with some of the painting methods of the Lingnan School, in comparison, each kind of painting has its advantages, and the boneless painting method can be said to have the two advantages of gongbi and freehand, which are both realistic but not rigid, both freehand charm, but not so unbridled.

Compared with Gongbi painting, the boneless painting method does not require a base draft, and can be painted directly on paper, which is a test of the author's painting skills, as well as a test of imagination.

Plum blossom can be said to be one of the favorite themes of all Chinese painters in ancient and modern times, it has always been enduring, and it is also deeply loved by ancient poets, and there are countless poems praising plum blossoms.

In the severe cold, plum blossoms bloom in front of a hundred flowers, the world alone and spring, its plum tree has a very long lifespan, up to more than a thousand years, and plum blossoms and orchids, bamboo, chrysanthemums, and called the four gentlemen, in addition, also with pine, bamboo and called the three friends of the cold.

Chen Yi carefully watched the process of Qi Qianqian's painting, and in the process, he realized that Qi Qianqian might have made some mistakes in painting plum blossom branches because of her restraint or because of her own lack of skills.

Boneless painting does not need to be as neat and meticulous as gongbi painting, but there are certain specifications, otherwise it is directly called freehand, rather than boneless painting.

Soon, Qi Qianqian painted this plum blossom picture, on the entire painting paper, a plum red color, it looks like spring is coming, but on the painting paper, several plum blossom branches, but it is very incongruous, giving people a very abrupt feeling, and in the water collision, there are also many defects, which is exactly some of the defects that Chen Yi saw, and did not use the identification technique.

Shen Yujun painted on the spot from time to time, giving him the experience of observation, and Gao Cunzhi focused on these painting methods when explaining some paintings, Chen Yi completely memorized them, and continued to study them in his mind according to the information of the paintings identified, which made his ability to appreciate calligraphy and painting stronger and stronger.

After the painting was finished, Qi Qianqian stood next to her and said to Yuan Lao, "Master, I have finished drawing." The uneasiness in her heart could be seen in the look on her face.

Chen Yi couldn't help but sigh lightly, the most important thing for a painter is not the profundity of painting skills, but the need for a stable mentality, if the mentality cannot be stabilized, how to hold the brush steadily, and how to be able to imagine the picture in his mind, the perfect expression on the paper.

Yuan Lao slowly stood up, looked at the painting for a while, and then looked at Qi Qianqian's face, and suddenly sighed lightly, "Put the painting away first, after everyone has finished painting, I will comment on it in a unified manner." ”

Chen Yi couldn't help but smile, Yuan Lao didn't want to comment now, I was afraid that he was worried about bringing pressure to the people behind, but he didn't even have this mentality of resisting pressure, how could he overcome many difficulties and become a respected painter.

After that, from the tenth disciple began to paint one by one, each painting took almost half an hour, finally, it was Shen Yujun's turn to paint, Yuan Lao told everyone, Shen Yujun finished painting and rested for a while, and continued to paint in the afternoon.

Shen Yujun slowly walked to the drawing board, and couldn't help but see Chen Yi on the side, while Chen Yi smiled at her and waved his fist.

In his opinion, Shen Yujun's mentality is still very good, when he met the criminals at that time, he went to the rescue, saw that he was not capable, and let the two criminals let him go, and replaced him with a person with an unstable mentality, I am afraid that he would have been out of control and yelling, at that time, the two criminals were afraid that others would know, and they would not be merciful, and they even rang the alarm bell of the mobile phone at the end to scare the criminal away, which is not something that ordinary people can do.

As for painting in public, since Shen Yujun dared to generously comment on Wei Huayuan's fake painting of Qi Baishi at Zheng Lao's birthday banquet, how could it be difficult to get her now painting in his master's home.

Shen Yujun stood in front of the drawing board, thought for a while, and then began to pick up the painting, different from the red plum blossoms painted by her little junior sister, what she painted was small orange-red flowers, and the small flowers bloomed on an ancient tree, which looked quite charming.

The roots and branches of the ancient tree are black and gray, and on the branches above, there are orange-red flowers, and in the center of the flowers, there are green and black stamens, which are lifelike at a glance.

After painting the trees and flowers, Shen Yujun stopped, looking in front of the painting, just when everyone thought she was going to stop writing, she started to write again, on a thick branch of the painting, painted a flying and sprinting bird, this bird opened its mouth, as if chirping, and the top of its head and part of the feathers are blue, but also between the black and gray branches and orange flowers, it is particularly eye-catching.

Looking at these flowers, Chen Yi couldn't help but smile, if he was asked to watch these flowers before coming to Lingzhou, he would never be able to recognize what they were, and he could only distinguish them through guò identification.

And yesterday, in order to amuse the birds and dogs, he drove to the park, and saw the same flowers as those on Shen Yujun's paintings, and after the identification of the articulation, these flowers are the special products of the south, the city flower of Lingzhou City-kapok.

Another characteristic of the Lingnan School of painting is that it takes the unique scenery of Lingnan as the theme, and kapok, as the city flower of Lingzhou City, will naturally rejuvenate another kind of vitality under the brushes of the painters of the Lingnan School.