After leaving this area, Chen Yi took a taxi and returned to the hotel, at this time, Fan Lao and Yuan Lao and others had not returned, and they must still be busy in the exhibition hall.

This exchange activity is just a private activity of the calligraphy associations of the two sides, and the most important thing is the exhibition, so that the people of the small island country can see the splendid calligraphy culture of China.

The ancient Chinese calligraphy works represent the most splendid period of calligraphy, and in modern times, when the calligraphy world was in chaos, Chen Yi rose out of the sky and became the most high-profile calligrapher, becoming the hope and future of the modern Chinese calligraphy world.

It is precisely because of Chen Yi that many Chinese people have aroused their love for calligraphy, and this time, his three calligraphy works, not surprisingly, will become the most dazzling preservation of the exhibition.

After returning to the hotel, Chen Yi had some casual meals in the restaurant, and then came to his room, thinking of today's experience, he shook his head and smiled.

Originally, he imagined that it would be easy to find the Kungo knife, but there was a change, the antique is dead, but the person is alive, and he can only hope that Kimura Kazuken can come back as soon as possible, so that he can get the identification information of the Kungo knife, and he can materialize the Kungo knife first.

At the same time, he is most interested in what the antique that hides the Kunwu knife will be, since Lu Zigang was killed by the emperor of the Ming Dynasty, the Kunwu knife has no whereabouts, I don't know if Lu Zigang hid it before he died, or was hidden by others after his death.

If Lu Zigang hid it, then the biggest possibility was that it was hidden in the jade he carved himself, and Lu Zigang's hidden ability was very powerful. Often in some inconspicuous dark places of jade. Leave your own money. and not known.

It is said that the emperor twice found the inscription in the jade carved by Lu Zigang because one of his friends was jealous of his achievements and reported it to the emperor, but it is unknown what the truth is.

Chen Yi photographed a bucket-shaped cup of Lu Zigang on a black market in Haoyang before, and the inscription was hidden in the landscape decoration of the cup, except that it could be clearly seen from an angle. Under normal circumstances, no one can tell that there will be two small fonts on it.

This bucket-shaped cup, he took it for more than 800,000 yuan, but it is worth more than 5 million, it can be said that it is a very precious artifact, in the countless Zigang jade today, can be truly identified as Zigang jade jade, it can be said that there are very few Liaoliao.

I just don't know if the object that hides the Kunwu knife is a jade carved by Lu Zigang himself, and I don't know how I was able to come to the small island country. It may have been passed down from the Ming and Qing dynasties, or it is possible. It was snatched by a small island nation during its invasion of China.

If it is really the Zigang jade carved by Lu Zigang, there is a hidden Kunwu knife, then he wants to get the Kunwu knife, and this Zigang jade, he also wants to get, after all, every piece of Zigang jade is a very rare store.

Of course, it depends on what the situation is, if you can get it openly, you can also make the Kunwu knife open and honest, if Kimura Kazuken really doesn't cooperate, he can only get the Kunwu knife first, and then find a reason to let it appear.

In the hotel, Chen Yi found out the identification information of some antiques in Kimura Yijian's house, and then materialized them, among these antiques, some of them are calligraphy works of ancient Chinese masters, and these calligraphy works are basically rare to see.

The reason why his calligraphy is becoming more and more mature is that his calligraphy has been nourished by many famous calligraphers, and every accomplished calligrapher in ancient times has basically copied the works of many calligraphers.

In this continuous copying, I found my own calligraphy, found my own way, and then created my own calligraphy.

What Chen Yi is doing now is exactly this, inheriting the traditional Chinese calligraphy culture, and creating a new calligraphy style through these foundations, which is the path that calligraphy needs to take to truly innovate.

The indiscriminate innovation of calligraphy by the people of the small island country will not leave too many traces in history, and once the calligraphy style created by Chen Yi matures, it will surely shock the entire calligraphy world, and now, including future generations, there will be many calligraphers to study and learn the calligraphy style created by him.

Chen Yi took out the rice paper from the storage space, compared it with the materialized calligraphy, used the copying technique, and began to understand the artistic conception and brushwork in these calligraphy.

Now his copying technique is still in the intermediate stage, but after a week at most, he can complete this calligraphy competition task and obtain advanced copying skills, he can have the current level of calligraphy and painting, and copying has a huge merit.

After copying a piece of calligraphy, Chen Yi rested for a while, and just wanted to continue, Yuan Lao's shout came from outside the door, he shook his head and smiled, turned the materialized calligraphy into aura, disappeared into the air, and then put the calligraphy copied on the rice paper back into the storage space.

After opening the door, it was Fan Lao and Yuan Lao, Chen Yi invited the two old men to come in, and exchanged with each other for a while.

In an exhibition center in a prosperous area, two large exhibition halls have been prepared to exhibit the calligraphy of China and small island countries, so that small island countries, including foreign tourists, can clearly see the difference between Chinese calligraphy and calligraphy culture of small island countries, and also let everyone know which kind of calligraphy culture is more outstanding.

In the exhibition hall, Chen Yi's three pieces of calligraphy were placed in the most prominent position, all people who enter the exhibition hall must go through these three pieces of calligraphy, ancient calligraphy, representing the splendid past of Chinese calligraphy culture, and Chen Yi's calligraphy, is on behalf of the present of Chinese calligraphy.

After exchanging ideas with each other for a while, finally Fan Lao and Yuan Lao asked Chen Yi if he would go to the exhibition center tomorrow, Chen Yi thought about it and nodded, he also wanted to see what kind of calligraphy was on display in the small island country this time, so as to prepare for him to choose the trophies.

The next day, after Chen Yi exercised in his room, he went to the restaurant with Yuan Lao, Fan Lao and others to have breakfast, and then took a special car to the exhibition center in a busy area of Tokyo.

After arriving at the exhibition center, you will be greeted by a huge banner that warmly welcomes the calligraphy exchange exhibition between China and small island countries to be held in this exhibition center.

At the entrance of the exhibition center, there are also promotional pictures, which respectively introduce some precious calligraphy exhibited by the two countries in this calligraphy exchange exhibition, among which three of Chen Yi's calligraphy also appear on the promotional pictures.

At the same time, on this picture, I also wrote a very tempting text, if you want to understand the difference between Chinese calligraphy and small island country calligraphy, and want to know which one of them is better, then enter the Chinese and small island country calligraphy exchange exhibition hall to watch.

In this exhibition, the Lingnan Calligraphy Association also sent several commentators who are proficient in Chinese and English to introduce some precious Chinese calligraphy works in the exhibition hall, so that more people can understand Chinese calligraphy culture.

In the past, people in Europe and the United States and other countries knew more about the calligraphy of the small island country than the Chinese calligraphy, and they believed that the calligraphy of the small island country was the whole of calligraphy, which was also guided by the very close exchanges between the small island country and Europe and the United States after World War II.

However, with the continuous enhancement of China's national strength and continuous opening to the outside world, some of China's splendid culture has now gone to the world.

When Chen Yi accompanied Yuan Lao and others to the exhibition center, the exhibition center had begun to open to the public, and there were special personnel in charge of the exhibition hall, who came here to see how many people visited today, and similarly, they would also observe the perception of the people who entered the exhibition hall to watch calligraphy.

The two exhibition halls of this exhibition are adjacent, and Huaxia is the first exhibition hall and the small island nation is the second, but as far as the exhibition is concerned, it is not necessarily a good thing to exhibit in the first exhibition hall.

Chen Yi accompanied Fan Lao and Yuan Lao when they had just approached the Huaxia exhibition hall, and they saw many people walking quickly towards the exhibition hall they were about to enter, with eagerness on their faces.

Just when Chen Yi and the others thought that something unexpected had been discovered in the exhibition hall, suddenly some people's voices came from the side, "Come in, it's here, I saw it in this exhibition hall......"

"It is this exhibition hall that has three pieces of calligraphy by Mr. Chen Yi, the most famous calligrapher in China, each of which is a different calligraphy, and the level ......is extremely high, which makes people breathtaking."

Hearing the voices of these people, the tension on the faces of Fan Lao and Yuan Lao disappeared instantly, and was replaced by a deep joy, "Haha, Brother Chen, what did I say before, these three pieces of calligraphy of yours will definitely be the most high-profile of the entire calligraphy exhibition, but it is ridiculous that the Calligraphy Alliance of the Small Island Country still put us first, thinking that there would be more people going to their exhibition hall than us, and now we have directly intercepted their passenger flow." ”

Chen Yi smiled slightly, there was not too much surprise on his face, for his calligraphy level, he himself is the most knowledgeable, although these three calligraphy were created before, but they are now in the calligraphy world, the top of the zài, can create the same level of people, it can be said that there are very few Liao Liao, or rather, almost no zài.

Yuan Lao also smiled, Chen Yi's three calligraphy can be said to be of a very high level, which can be compared to some ancient calligraphers, "Lao Fan, Xiaoyi, let's go in and see how these small island people evaluate these three calligraphy, so that we can have a deeper understanding of the calligraphy world of the small island country." ”

Chen Yi didn't care a little, he really didn't care about how the people of the island commented on his calligraphy, his original intention of creating calligraphy was just to love calligraphy, and now, it has changed from a love to a inheritance of Chinese calligraphy culture. (To be continued......) R1292