Chapter 11 The Female Director of Red Rock

Huanan TV is located in Huanan City, which is 120 kilometers away from Fuwan City.

As the most important satellite city in the northwest of Fuwan, the audio-visual entertainment industry in South China is also extremely developed due to the economic radiation of Fuwan.

Its municipal television station, South China Television, has two subordinate music production companies and several film and television production companies.

Unlike Fuwan City, which tends to develop pop music, South China City positions itself as the capital of TV dramas.

Every year, hundreds of TV dramas are produced from this TV city, and a steady stream of dramas is supplied to more than 300 public and private TV stations across the country.

Among them, the TV series produced by South China TV have the best quality and are the most popular.

Almost every drama of China Television can be sold at a good price, and many local stations will rush to release it.

Their upcoming New Year's Eve drama "Bao Qingtian" at the end of the year has been jointly bought out by 25 provincial and municipal TV stations, and it will be jointly premiered at that time.

It is precisely because of this that the senior management of China Television attaches great importance to the production of this play.

The soundtrack and interludes of this big drama were handed over to their own music production company, Red Rock Records.

Chen Hua, the 36-year-old female director in charge of the soundtrack, is in charge of it herself.

After Chen Hua received this task, he did a side vocal soundtrack that he was good at, and then outsourced other interludes and opening and ending songs to a more professional record company.

Yun Shijie got a piece of the pie in this music outsourcing of China Television and got the production rights of the ending song of "Bao Qingtian".

The reason why Yun Shijie was able to establish a relationship with Hongyan Records stemmed from the private friendship between Chen Hua and Du Shan.

These two were classmates in the composition department of the South China Conservatory of Music during college, and they worked together for a period of time after graduation and had a good relationship.

Chen Hua knows that Du Shan has been chasing his dream over the years to develop the non-mainstream rock market that does not make money, and he admires Du Shan very much.

So as soon as she has the opportunity, she will throw the company's outsourcing business to Du Shan, which can be regarded as supporting Du Shan from the side.

Du Shan's death this time shocked Chen Hua quite a lot.

A middle-aged man chasing his dreams, who has worked hard for so many years, but he didn't get through, and it was gone, Chen Hua really felt sorry for Du Shan's fate and talent.

At the same time, she is also lamenting the fragility of life.

Originally, in her heart, Du Shan was an incomparably strong and resilient man.

I didn't expect such a man to be gone.

Human life is so fragile.

Du Shan's death made Chen Hua realize the importance of family.

Although Du Shan is dead, he at least has a son who remains in the world to continue his bloodline.

If she is gone one day, it will be a real death, and there will be nothing.

has always been very well-maintained, and her delicate appearance and figure make Chen Hua feel that he is not too old at the age of 36.

Du Shan's death finally made Chen Hua realize that she was actually not small.

She should have a home, too.

Du Shan's funeral, Chen Hua went to attend.

She also secretly wiped away her tears that day.

Losing Du Shan, a friend who firmly pursues his ideals, Chen Hua is really uncomfortable.

However, it is uncomfortable to return to normal business, and Chen Hua's attitude is still meticulous.

I got gossip before that Lin Jianguo was looking for a gunman outside and wanted to do the ending song of "Bao Qingtian" for Du Shan.

Chen Hua's attitude towards this matter is to turn a blind eye.

As long as the gunman Lin Jianguo is looking for is almost decent, Chen Hua will accept the work.

But if the work sent by Lin Jianguo is too unpresentable and too bad, she will still call Lin Jianguo back.

She can't let this rat poop ruin the whole pot of fresh broth of Huashi, so that the high-level will be guilty, and she will not be able to eat and walk around.

……

On this morning, seeing Lin Jianguoxing hurriedly sent the DEMO CD, and kept saying that this was just Du Shan's posthumous work, Chen Hua smiled coldly without poking it, took the CD, and saw that the song title was written on it, called "Mandarin Duck Butterfly Dream".

Seeing this name, Chen Hua immediately thought of the "Mandarin Duck and Butterfly School", a literary genre that was formed in Shanghai's "Ten Mile Ocean Field" at the beginning of this century, which in her opinion was very pretentious.

This romance novel produced by this genre specializes in writing all kinds of sorrows, eroticisms, misery, and bitterness of talented and beautiful women, and often compares "a pair of butterflies, three hundred and six mandarin ducks" to the talented and beautiful women in the book, which is really greasy in her opinion.

Chen Hua was very worried, Lin Jianguo brought this ending song to be written in the style of this genre, which is too incompatible with the rhythm of "Bao Qingtian", this is not a romance drama!

The reason why Chen Hua handed over the ending song of "Bao Qingtian" to Du Shan was that he felt that Du Shan's style of hard bridges and hard horses matched the theme of the play.

Who would have thought that Lin Jianguo sent her such a work, and before she heard it, Chen Hua's heart was half cold.

As another pillar of Yun Shijie, Lin Jianguo is not very appreciative of the music works themselves.

Although he is a person in this circle, Lin Jianguo can only hear a good song, but it is still not good.

The song "Mandarin Duck and Butterfly Dream" written by Du Xinghe, Lin Jianguo was attracted by the beautiful melody of the song for the first time, and the more he listened to it, the more he felt good.

Judging from his personal preferences, this song should be able to pass Chen Hua's level. But this song is obviously different from Du Shan's style, and he is not sure in his heart.

Now seeing that Chen Hua's face changed when he saw the title of the song, Lin Jianguo hurriedly emphasized: "Huazi, this song is really Lao Du's posthumous work, you have to accept whatever you say." Everyone has been friends for so many years, you can't go to zuihou anymore, put Lao Du in the hand. ”

"I'll hear it first." Chen Hua was in no mood to put the disc into the player, and without much hope, he put on the monitoring headphones and prepared to listen.

Because he is learning to compose, Chen Hua habitually does not read the lyrics first, but listens to the melody of the whole song.

The prelude of the guzheng simulated by the electronic keyboard soon came out of the headphones, a few bullets, and it was quite explosive, not the kind of soft traditional romance song minor.

The melodious main theme of the violin then appears, still simulating the charm of oriental classical music, and with the rhythm of the drum kit, this prelude sounds quite harmonious, combining classical and modern very well.

Chen Hua's evaluation of this is: Not bad.

Du Xinghe's gentle and free singing voice appeared at the right time.

……

Yesterday was like that flowing water~

If you are far away from me, you can't stay~

I'm worried about today's chaos~

Draw the knife to cut off the water and the water is more flowing~

Raise a glass to dispel sorrow and sorrow~

The breeze of the Ming Dynasty drifted in four directions~

……

Only newcomers laugh~

Who hears the old man cry~

The word aiqing is so hard~

It's to ask for an understanding~

I still have to pretend to be confused~

It is difficult to be content to know more and know less~

……

To Chen Hua's surprise, the lyrics of this song called "Mandarin Duck Butterfly Dream" are not the pretentious style of the Mandarin Duck and Butterfly School, but on the basis of the dashing and domineering prose and artistic conception of the great poet Li Bai in the Tang Dynasty, a new semi-ancient style was reorganized in the vernacular!

It's kind of interesting!

With her eyes closed, a savory smile appeared at the corner of Chen Huahongyan's mouth.