However, just after turning over, the treasure jue in his mind began to move, which made Chu Chenmeng's heart startled, and said secretly, what is going on?

You must know that there is a wall in front of Chu Chen's eyes, and the other side of the wall is outside, and this wall is not thick, so there can be no other things in it.

Wait, there's no outside, that doesn't mean there's no under the bed!

Just now, Chu Chen had been falling into a misunderstanding of thinking, thinking that only what his eyes saw would cause Bao Jue's reaction, and he never thought that the antique would react as long as it was within his sensing range.

Indeed, in the past, Bao Jue could only react to those antiques that he had seen, but Chu Chen forgot that Bao Jue could be upgraded, just like the distance that Bao Jue felt, with the accumulation of spiritual energy, it slowly became much farther than at the beginning.

Now, with the accumulation of spiritual energy, the way Bao Jue senses are sensed has changed, which can be said to be both unexpected and reasonable.

Thinking of this, Chu Chen immediately got up from the bed, took out a flashlight from his backpack, and shone it under the bed. However, under the bed, nothing of value was found, except for a wooden box.

And this wooden box, Chu Chen also knew that there were some more precious classics inside, but most of these classics were some academic classics in the fifties and sixties, and a small number of them were printed books during the Republic of China.

Despite this, Chu Chen still took the box out from under the bed, but as soon as his left hand touched the box, the ability reacted, which made him excited at the same time, and hurriedly called the box, which was still the same as when Chu Chen was tidying up before, and there was a box of books.

In order to avoid things being caught in the book, Chu Chen flipped through all the classics, but he didn't find anything unusual in them, and there was no reaction to the ability.

"It's not in the book, it must be hidden in the box."

Such a box, if you hide something, it is only possible at the bottom of the box, knowing this, Chu Chen found that this box is actually like the pen holder he encountered before, and the depth inside is much shallower, but Chu Chen didn't care about this at all before, so he didn't think about it.

Discovering this, Chu Chen tapped the bottom of the box with his hand, and sure enough, when he knocked on the corner of the box, there were some subtle differences in the sound of the knock.

"Hah, this is it."

Chu Chen excitedly picked up the flashlight, and while shining it, he observed it carefully, and after a while, he saw a not very obvious gap around him, as for the gap was not obvious, it was because it was also coated with a layer of wax oil.

The wax oil is easy to remove, as long as it is gently scraped off with a knife. In fact, it is more convenient to have a hair dryer, as long as you put a piece of facial tissue in a place with wax oil and then use a hair dryer to blow it, the wax will be absorbed by the facial tissue after it melts.

After removing the wax oil on the gap, Chu Chen used a knife to reach into the gap and moved slightly, but fortunately, the wooden board reacted, indicating that there were no other mechanisms in it, which made Chu Chen breathe a sigh of relief.

Although there was no mechanism inside, in order to avoid any accidents with the things inside, when the wooden board was uncovered, Chu Chen was very cautious, and it took a while to open the wooden board.

In the dark compartment under the wooden board, there is a round wash that looks like azure glaze, and around the round wash is placed sawdust cotton and the like, which should play a protective role.

In ancient times, washing is a kind of study utensils other than the four treasures of the study, ink, paper and inkstone, which is used to hold water and wash the pen, and it is also a good product collected and used by the noble literati of the imperial palace in the past dynasties.

Wash was first seen in the Western Jin Dynasty green glaze products, open, wide folded edge, wide belly straight wall, flat bottom, wash along and inside the heart to depict water ripples, after the Song Dynasty have been fired. Such as antique bronze style of blue glaze double fish ear washing, drum nail washing, round washing, single-handle washing, sunflower petal washing, angle washing, cane section washing ear listening, lotus washing, peach washing, leaf washing, etc.

When Chu Chen saw this azure glaze round wash, he couldn't help but be taken aback, because this kind of azure glaze round wash often represents the word Ru kiln, and his father solemnly put this thing in the dark compartment of the box, could it be that this is a Song Dynasty Ru kiln firing? Or even worse, a round wash of a Ruguan kiln?

Ru kiln is one of the five famous porcelains of the Song Dynasty in China. It was created in the late Northern Song Dynasty and was named after its kiln site in Ruzhou.

Because the Ru kiln is glazed with agate, forming a special color, and also wrapping the full glaze with fragrant ash, which is unmatched by other kilns, and is favored and appreciated by the Northern Song Dynasty Imperial Palace, so Ru porcelain has become "the first of the famous porcelain, and the Ru kiln is the best", and it has been able to be passed down for centuries.

The opening time of Ru kiln is only 20 years, due to the short firing time, there are not many generations, in the Southern Song Dynasty, Ru kiln porcelain has been very rare. There are only more than 60 authentic products (Ruguan kilns) that have been handed down to the present day, which are precious and abnormal.

The glaze color of Ru kiln porcelain is moist, generally showing azure, thin fetal bones, and small nail marks at the bottom. The Song people evaluated the celadon with the Ru kiln as the first, and the Ming and Qing dynasties also listed the Ru kiln as the first when they evaluated the five famous kilns of the Song Dynasty.

The porcelain burning time of Ru kiln is very short, the Southern Song Dynasty has been recorded as "close to the rare", the Jingdezhen Deyu Factory in the early Ming Dynasty was once imitated burning, and the Qing Dynasty Yongzheng and Qianlong were more Nian Xiyao, Tang Ying and other kilns imitated a large number of kilns.

Mr. Feng Xianming once said: "Ru kiln glaze is the most difficult to imitate, much more difficult than Ding, Jun, Yao and other kilns, not easy to imitate, so the heirloom products are not chaotic at all." ”

The azure glaze in front of Chu Chen's eyes is round, open, shallow arc wall, and slightly outward. The whole body is covered with light azure glaze, the glaze is shiny, and the glaze is finely fragmented. The outsole has three small nail marks like sesame grains, and is engraved with the words "Queen Pavilion of Shoucheng Palace".

Among the Ru porcelain artifacts that have been handed down now, there are inscriptions at the bottom, which are generally engraved in two periods. Like Chu Chen's azure glazed round wash engraved on the "Shoucheng Palace Queen's Pavilion", as well as "Cai" and "Fenghua", which are generally engraved in the Song Dynasty.

"Shoucheng Palace Queen's Pavilion" is the name of the palace in the Song Dynasty, the word "Cai" should be related to Cai Jing, the favorite minister of Song Huizong, and "Fenghua" is related to Liu Guifei according to research.

In addition, signs such as "A", "B", "C", "D", etc., as well as some of Qianlong's poems, were engraved after entering the Qing Dynasty court.

Generally speaking, there are five sentences to identify whether it is a Ru kiln, "blue as the sky, face as jade, crab claw pattern, morning star thin, sesame nail glaze satisfaction".

"Blue as the sky", that is, the glaze is like rain over the sky. "The face is like jade" means that the surface of the vessel has a jade-like texture, the glaze is as smooth as jade, and the surface is as moist as beautiful jade when touched by hand. "Crab claw pattern" refers to the glaze cracked pieces, which are mostly scattered and extremely fine grained pieces, transparent and colorless like ice cracks, commonly known as "crab claw patterns".