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Chen Yi hadn't put down his pen for a long time in front of the drawing board, which also attracted some discussion from the people next to him, thinking that this Chen Yi couldn't draw, and his mind was blank, but Yuan Lao's eyes swept away, and everyone was silent, not daring to make any more sounds, their master would sometimes be very gentle, but when he was stern, he would never have the slightest politeness. (Please search, the novel is better and faster!)

Shen Yujun was a little worried on his face, Chen Yi has always been a very decisive person, and now he is hesitant in front of the drawing board, obviously not knowing how to draw.

However, Qian Lao looked at Chen Yi with a thick smile, when he put the finishing touch, Chen Yi was in such a state of thinking, and now it is the same, thinking in front of the drawing board, it is not that he doesn't know how to paint, but to feel the inner thoughts, to make the ideas more perfect, he is looking forward to Chen Yi's paintings, will they be as amazed as the finishing touch.

After thinking for a while and perfecting his inner thoughts, Chen Yi began to move his brush, but instead of picking up a paintbrush like Xie Zhiyuan, dipping it in color and starting to paint, he first began to draw lines on the white paper next to him, sketching out the paintings he imagined in his heart, and then copying them on rice paper.

In Yuan Lao's here, some painting tools and materials are very complete, there are ordinary white paper, which can be used as materials for painting at will, and there are also raw and cooked rice paper, however, the quality of these rice paper is a little ordinary, these disciples who are still in the practice stage, the current painting, is just familiar with the performance of rice paper and the techniques taught by the master, so it is most suitable to use these ordinary rice paper.

Raw rice paper is mainly used for freehand painting, strong water absorption, easy to produce rich ink rhyme changes, and cooked rice paper is naturally weak water absorption, ink and color will not spread out when painting, so it is used in the fine brush painting this kind of painting that requires neat and meticulous painting.

The boneless painting method of the Lingnan School can be painted on raw rice paper, and it can also be painted on cooked xuan. The same is true for half-lived rice paper.

However, different rice paper has different requirements for painting skills, and in terms of the boneless method, painting on raw Xuan is higher than that on cooked Xuan, only after this technique has reached proficiency. to be able to control the performance of raw rice paper.

The paintings painted by Shen Yujun and several disciples before were made on different rice paper, and most of them were half-cooked rice paper, which was the most suitable for those of them who were not yet proficient.

But. Xie Zhiyuan is using raw rice paper at this time, it seems that he is very confident in his painting skills, with raw rice painting boneless, biased to freehand, freehand paintings are not free to smear, raw rice paper is highly absorbent, a little bit of ink. It will be scattered on the paper, and the requirements for painting skills and control are very high.

Chen Yi can naturally use raw xuan to paint, but what he is doing now is gongbi painting, so it is most appropriate to use familiar xuan.

Seeing Chen Yi sketching on the white paper, Yuan Lao and Qian Lao couldn't help but be a little surprised, they didn't expect that Chen Xiaoyou was learning gongbi painting, but they knew that Gao Cunzhi was best at freehand painting.

However, Gongbi painting and freehand painting belong to two different categories. It is impossible to say which one is more difficult, it depends on the author's own skills.

Compared with painting, Gongbi painting requires more patience, while freehand painting can be free and easy, requiring a god-like style, not like Gongbi painting. It is required to have both form and spirit.

If you want to see Xie Zhiyuan's paintings, you need to wait until the painting is finished, but Chen Yi is different. They will be able to know what Chen Yi wants to paint.

However, the line drawing is line drawing, there is no color to set off, you can only see the shape, and the painting on the rice paper, is the most test of ability, if the color is not good, then the bottom of the drawing is neat, but it is only tangible and godless.

Chen Yi sat on the bench in front of the drawing board, and used his brush to depict the flowers and birds in his mind little by little.

This painting can be said to be his work that challenges the limit, if it succeeds, it will inevitably be very good, if it fails, then it is undoubtedly four dislikes, and the meaning of this painting is based on success, if it does not cross the limit, then this is also a meaningless failure work.

Moreover, Chen Yi has never seen a painting in this sense, so he can only rely on his own perception and use primary painting techniques, which is the best choice.

The manuscript is the most important, and the subsequent coloring will test his ability even more, but if he can paint such a work, no matter how hard he puts in, it is worth it.

On the other side, Xie Zhiyuan had already drawn the prototype of a peacock, which looked colorful and very beautiful, and this peacock seemed to be standing on a tree branch, looking down at something.

In the process of painting, Xie Zhiyuan didn't think too much time, the brush in his hand barely stopped, and his boneless technique was very skillful, it can be seen that his previous words were true, peacocks and crows are the subjects he is best at.

Most of Yuan Lao's disciples were next to Xie Zhiyuan at this time, watching his paintings, and they realized something from them, and Chen Yi's side, except for Shen Yujun and other senior sisters, there was no one else.

Looking at some of the scenes drawn by Chen Yi's line, which were very neat and meticulous, Shen Yujun's previous worries relaxed a little, and his heart was more surprised, could it be true that Chen Yi was right, he really started to learn painting.

It's just that she and Chen Yi have only known each other for less than half a year, and Chen Yi's proficiency in online drawing and the neatness of the manuscript make her really a little unconvinced, Chen Yi has just learned to paint.

Qian Lao looked at some of Chen Yi's line drawings, and couldn't help nodding, among the major painting schools, there are many famous artists who are all freehand.

However, for painters, freehand can be more open-minded, but Gongbi also has its advantages, the appreciation angle of the two is also different, some painters' character is suitable for Gongbi, some painters are suitable for freehand, and some painters are part-time with writing, Zhang Daqian is undoubtedly one of the best, the combination of work and writing, heavy color, ink and wash into one, especially splashing ink and splashing color, it can be said to create a new artistic style.

In Gongbi painting, the line is the soul of the picture, and the line drawn by Chen Yi is undoubtedly neat, delicate and rigorous, which is undoubtedly the essence of Gongbi painting.

Those of them who have been on the road of painting for decades, a few strokes of others can let them see whether their painting skills are solid.

Chen Yi's line drawing is very fast, there is already a picture in his mind, coupled with the perception of primary painting skills, there is not much thinking in the brush, from the beginning of his study of painting with Shi Dan, to now, only two or three months, he has painted hundreds of paintings, at least one painting a day, and get the understanding of painting from it, then give up.

It is precisely because of his uninterrupted daily practice that although he has only just learned painting, his foundation is very solid.

Yuan Lao also saw Chen Yi's line drawing on the drawing board, and couldn't help but be a little surprised in his heart, how could Chen Yi, a young man, have the energy to learn painting when he was learning appraisal.

"Hehe, Lao Yuan, who do you think will be more excellent." At this time, seeing Yuan Lao's expression, Qian Lao couldn't help but ask.

Yuan Lao thought about it, and was just about to say something, but Qian Lao stretched out his hand and waved, "Let's say it first, don't be with the mud, I think the paintings drawn by Chen Xiaoyou will definitely be better than your disciples." ”

"Old Qian, do you believe in Chen Xiaoyou, who has only one side, my third disciple is already very good at painting, I believe you have seen it in the process of painting." Yuan Lao looked at Qian Lao with some surprise, and didn't understand why this old man would firmly believe that Chen Yi's painting would be very good, you know, Chen Yi has not even done a good job of the manuscript now, and the requirements for dyeing in Gongbi painting are even higher, far less casual than freehand.

And his disciple has already painted most of the pictures, and his paintings are full of three-dimensionality, which looks much stronger than Chen Yi.

"Oh, so you believe in your disciple, in this way, if the painting painted by your disciple is better than Chen Xiaoyou, I will give you the Yuhuatai ode that I painted, but if Chen Xiaoyou is better, then you will give me the spring "setu" you painted, what do you think." Qian Lao showed a mysterious smile on his face and said to Yuan Lao.

Yuan Lao's face changed slightly, and he was a little surprised, "Yuhuatai Song and the spring of the world" setu", but one of the most proud works of you and me, you actually believe in Chen Xiaoyou so much, however, I took it, compared to Chen Xiaoyou who had just met, I believe in the disciples I have taught for several years. ”

"Hey, hey, okay, it's a deal." Qian Lao smiled and stretched out his right hand, Yuan Lao snorted lightly, and shook it, "It's hard to chase the horse, how can I not want the things that are sent to the door for nothing." ”

While they were talking, Chen Yi had already made a draft on the drawing board, and Yuan Lao and Qian Lao immediately looked at the drawing board, and the peacock and crow were depicted very neatly and meticulously, and the surrounding scenery was the same, so that people could imagine the beauty of these landscapes through guò line drawing.

And after reading the analysis of the paintings, Yuan Lao and Qian Lao were surprised at the same time, they didn't expect that Chen Yi would express the peacock and the crow in such a form, which is more profound than Xie Zhiyuan's simple comparison.

However, what made Yuan Lao a little puzzled was that Chen Yi's paintings, whether they were peacocks or crows, did not have eyes, which couldn't help but look a little abrupt.