When he came, Chen Yi didn't bring much luggage, but now more than a month has passed, and his room is filled with the smell of books and ink.

In the past month or so, in addition to viewing rare books in the Xuanmiao Pavilion, he has copied calligraphy paintings, especially the paintings left here by Zhang Daqian, nearly 100 of them.

Zhang Daqian lived in Qingcheng Mountain for three years, the biggest reason was to avoid the disaster of war, when the small island country of Beiping Command sent traitors to persuade Zhang Daqian to take up a false position, he shirked his responsibility, disguised escape from Beiping, traveled to Tianhai, Hong Kong, Guilin, and finally entered Sanchuan, in Qingcheng Mountain Qing Palace seclusion.

In the past three years, he has created dozens of poems and more than 1,000 paintings, planted plum trees, raised birds and young apes, which can be said to be very comfortable, and the reason why Zhang Daqian can become a famous person is that he has a huge relationship with his "searching all the strange peaks and making drafts" in Qingcheng Mountain.

Three years is only more than 1,000 days, and he can paint more than 1,000 paintings, which shows the speed of his creation, almost one a day.

Chen Yi deliberately selected a few of these 100 paintings for copying and learning, and during this period, He Wenzhi, who was born in Shudu, also gave a lot of guidance, so that he almost mastered some painting styles of the Bashu school.

In addition to Zhang Daqian, Chen Yi has copied the calligraphy paintings of other generations of celebrities, this month and a half, almost one a day, sometimes two a day, the calligraphy paintings copied in the house, plus one has reached more than 50, not counting those discarded works.

These paintings and calligraphy are not simply copied works, but works that have a great similarity with the originals. these works. He was only going to take a small part with him. The other large part is prepared to be placed in Qingcheng Mountain.

After all, some of these paintings and calligraphy are extremely precious pre-existing works, and even if they are copied works, they have great value and significance.

In addition to copying, during these days, he also took some time out to travel around Qingcheng Mountain. Looking at this beautiful land, there are 20 paintings, including scenery and figures, of which only a few can be regarded as masterpieces, and the rest are painted casually.

Of these twenty paintings, he is going to take some with him, and the rest is left in the Three Clear Views, the Three Clear Views as a whole. He didn't draw it, not because he wasn't capable. It's because of time.

If you want to really show this paradise-like scene of Sanqingguan on the painting, it must take a lot of energy, and during the period of living in the Taoist temple, most of his energy was put on the Xuanmiao Pavilion and He Wenzhi's paintings, and this painting will have to wait until later.

Finally, Chen Yi's eyes were on the silk calligraphy on the desk, this Huang Tingjing silk calligraphy, is his most copied calligraphy works in the Xuan Miao Pavilion, every copy, you can feel a deeper sense of brushwork, it can be said that he copied dozens of pieces, each one has a difference, copying this calligraphy every day, is his homework must be done.

During this time, he also did not study the secret of this calligraphy, but he did not take it to heart, and he could continue to feel the brushwork belonging to Wang Xizhi from this calligraphy, which was already a pie falling from the sky.

Chen Yi looked at this calligraphy, thought about it, made a decision, and was ready to try his best to take it out of the Taoist temple and take it back to Haoyang, so that Gao Cunzhi and his master Zheng Lao could watch and study it to see if they could reveal its true secrets and truly determine the era in which it was located.

Although Wuzhen Daochang doesn't care about this piece of calligraphy, it is an antiquity that is more than a thousand years old after all, and it will never make people take out the Taoist temple lightly.

At this moment, there was a gentle knock on the door, and then the voice of the Xuanji Daoist came, "Chen Jushi, you are in the house." ”

Chen Yi hurriedly answered, and then walked briskly towards the door, he just mentioned it to the Xuanji Daoist yesterday, but he didn't expect that without waiting for his resignation, the Xuanji Daoist came here first.

When he opened the door, it was the Xuanji Daoist and the Wuzhen Daoist who glanced into the room, and the Xuanji Daoist was a little reluctant on his face, "Chen Jushi, I heard that you were leaving yesterday, and I thought it was just a joke, but I didn't expect it to be true." ”

"Xuanji Daoist, I've been worrying about you for so long in the view, it's time for me to leave, I should have gone to ask you for my resignation in person, but I'm really sorry to bother you to come to me." Chen Yi said apologetically.

"Boy Chen, you really want to leave, now that you have just mastered the old way of light body exercises, and you are not yet fully proficient, you might as well stay for a while." At this time, the Enlightened Daoist also said with reluctance.

Being with Chen Yi for more than a month can be said to be his happiest days, even if he is not as strict as the Xuanji Daoist, but these disciples in the Taoist temple still can't completely communicate with him normally, let alone make jokes like Chen Yi from time to time.

Now that Chen Yi is leaving, he is afraid that he will have to resume his previous life again, get up early to climb the mountain and jump off the cliff, and then stay in the Xuanmiao Pavilion to smell the fragrance and sleep.

"Enlightened Truth Daoist, thank you for teaching me your unique skills, as the saying goes, the master leads the door, the practice is personal, whether the light body exercises can be mastered or not, it depends on my own practice, even if I stay for a while, there is also a time to part." Chen Yi said calmly, his heart also did not want to leave this paradise, but in the outside world, he still has a lot of things that have not been completed, maybe when he reaches middle age like Zhang Daqian, he may bring his wife and family to live in the Taoist temple for a year and a half.

"Chen Jushi, let's go into the house first." Xuanji Dao Leader nodded and said.

Chen Yi nodded, invited the two Dao Masters, and entered the room, after the Xuanji Dao Leader walked into the room, he looked at some calligraphy and painting works in the room that had not yet been packed, as well as the luggage that had been packed, he couldn't help but be a little strange, "Chen Jushi, are you going to take these simple things away?" ”

"Yes, Xuanji Daoist, the calligraphy and painting works I copied in the Xuanmiao Pavilion and created by myself are too many to take all of them away, only some of them can be taken away, and some of them can only be taken away, and some of them can only be placed in the Taoist temple, which will cause you a lot of trouble." Chen Yi pointed to the rolled up calligraphy and painting works in the room, and said to the Xuanji Daoist.

In the Sanqing Temple, there are so many ancient books, and the corresponding natural place for the restoration of ancient books is the same as the mounting of calligraphy and painting works.

The calligraphy and painting works he painted were also specially sent to this place, and the disciples of those sects who were in charge of framing were asked to frame them into vertical scrolls.

"Chen Jushi said with a smile, these works you have made are very valuable, how can it be trouble, now you have to leave, just like Lao Dao and He Jushi said, Sanqingguan will always open the door to you, and anything in this room, Lao Dao and others will not move, when you come to the Taoist Temple again, it will be the same as usual." The Xuanji Daoist shook his head and said with a chuckle.

Chen Yi hugged his fists and bowed to the Xuanji Daoist, "Thank you Xuanji Daoist, I have painted a portrait of you and the Wuzhen Daoist each with your zài, I don't want you to be satisfied, I just ask you not to throw me out of the Taoist temple after reading it." ”

"Oh, Chen boy, when you say this, Lao Dao really wants to see it, don't worry, if Lao Dao is not satisfied, not only will he not throw you out of the Taoist temple, but will leave you behind, when the painting is satisfactory, when will you let you go." Wuzhen Dao Chang's face moved, and he suddenly stepped forward with a smile on his face and said.

Chen Yi was stunned for a moment, then shook his head and smiled bitterly, but he dug a pit to bury himself, he smiled and took out two paintings from the painting tube on the side, and then put them on the desk and spread them out.

One of the paintings is a picture of Chen Yi just entering the Taoist temple, the Xuanji Taoist and his disciples greet each other, but Chen Yi did not paint himself, only painted the scene of the Xuanji Taoist and the disciples standing in front of the Taoist temple, waving the dust to welcome the guests.

The head of the Xuanji Daoist beard is white, wearing a Taoist robe, with a smile on his face, giving people a sense of extreme peace, and beside the Taoist master, there are two disciples to follow, and then in the distance in front of the Taoist temple, there are two rows of disciples, as for the top of the painting, it is the Sanqing statue on the Taoist Temple Square, and the other Taoist palaces and three cliff mountains and stones have been virtualized.

After all, his painting embodies the welcome of the Sanqingguan Xuanji Daoist, if you want to perfectly paint the whole picture of the Sanqingguan, as well as the three cliffs and rocks, it is not possible to do it in a short time.

Chen Yi's paintings, most of which are made of fine brushwork, and in some places, they also use freehand techniques, and they are also a part-time painting with writing.

At the same time, he also incorporated what he learned from Zhang Daqian's paintings and the style of the Bashu school taught by He Wenzhi.

Although the fine brush painting pays attention to neatness and meticulousness, and the painting of flowers and birds is the most unique, it can also be used to paint landscapes, which can also be majestic and full of artistic conception.

In addition to the elegance of this fine brush painting, there is also the elegant, beautiful and moist Bashu painting school, which can be said to not only make people feel the artistic conception, but also let people enjoy this beautiful picture.

Looking at this painting, Xuanji Dao's face suddenly showed a look of love, "Chen Jushi, I like this painting very much, and I thank you for your time spent on this painting." ”

"Master Xuanji, you can like it, this is my greatest wish." Chen Yi smiled, rolled up the painting, and gave it to the Xuanji Daoist.

"Cough, boy Chen, what about the old way, don't blame the old way for not reminding you just now." Wuzhen Dao Chief coughed behind him and said.

Chen Yi couldn't help but smile, "Dao Chief, don't worry, how dare I forget your paintings." (To be continued......)

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