Wuzhen Daoist and the people of Sanqingguan, there is no special thing, they will not leave Sanqingguan, Chen Yi could never have imagined that Wuzhen Daoist would come to Haoyang to congratulate his wedding, if it is by the way, it is fine, if it is specially come, it is really unbearable.

The age of the Enlightened Daoist is older than his master Zheng Lao, his master is almost the same age as the Xuanji Daoist, but the Xuanji Daoist and the Enlightened Truth Daoist are separated by a generation, think about it, you know the age gap between the two.

It's just that this enlightened true path chief, when he really still has this kind of free and easy character, after directly throwing away the congratulatory gift, he didn't give him any chance to thank him, and quietly left, which really made Chen Yi cry and laugh, not to mention that he doesn't have the whereabouts of the true path master now, even if he is, with his current level of light skills, he can't catch up with the true path master.

You must know that in the suburbs of this city, there are many trees and rocks, and with the ability to realize the true path, a cliff of several hundred meters is not a problem, let alone a few tens of meters of mountain rocks.

Chen Yi looked at the painting tube in his hand, he was very curious about the paintings in it, with the character of the true Taoist, what he took would definitely be extremely precious paintings, he did not open the painting tube, and directly used an identification technique.

"The identification of the item is successful, and the information is as follows, Yu Fei Dark Four Joy Diagram, made zuò date: about seventy-four years ago."

"The information of the maker: Yu Fei Dark, his real name is Yu Zhao, the word is not a factory, he is not a dark signature, and he is also known as an idler, Gongsheng of the Qing Dynasty, a famous reporter in North China, a good worker, good at slimming, he has specialized in painting flowers and birds since he was more than 40 years old, starting from the outline of the Song Dynasty, carving green and embedded green. Gorgeous and gorgeous. White Orchid. It is precisely because of the efforts of Yu Feiyan and his comrades that the essence of traditional gongbi painting has been inherited, laying a solid foundation for the exhibition of modern gongbi painting, and has been appreciated and emulated by many later literati and ink artists. ”

"Artistic characteristics: painting is to record the process of social civilization and record beautiful things. A vehicle for the lyricist's emotions......"

"In the non-dark painting of flowers and birds also part-time with the writing of flowers and birds, the beginning of Chen Hongshou, followed by the study of the Song and Yuan dynasties, Zhao Ji Gongbi flower and bird painting method is particularly profound, its painting lines are rigorous, strong and powerful, the color is elegant, beautiful, even, the picture is decorative. The image portrayal is delicate and subtle, vivid and expressive. It is pleasing to the eye and refreshing. ”

The composition of this painting is dense, slope stone, bamboo, peach blossoms, rhododendrons, and interspersed with four magpies and six birds of various colors, although the content is complex, but the chapter is dense and orderly, the primary and secondary are distinct, there is no clutter and traces of piling up, only make people feel that "magpies call, happy events, peach blossoms, spring comes" of the lively and festive, the whole picture presents the elegant ...... of wealth and auspiciousness. ”

"Item value: The four joys originally meant that people in the old days celebrated and prayed for the four joyful events of life, including, life blessings, luck, longevity, and happiness; There is also a saying that 'a long drought is a sweet rain, a foreign country meets an old acquaintance, the cave house spends candle night, and the gold list is inscribed. ”

"This painting has plums, bamboos, peaches, azaleas, rocks, four magpies and birds are perched on the branches or rocks, the demeanor is different, the echo and care between them, people feel a peaceful spring garden in the wild and lively scene, the overall table xiàn theme is rich, covering plum, orchid, bamboo, camellia, parrots, magpies and other rare birds, can be described as colorful, extremely rich, the author's own level of craftsmanship is taken from the Song people, and add their own understanding, the level can be described as profound, so this painting is of great value."

Seeing the content of the appraisal information, Chen Yi's eyes widened, and he couldn't believe it, Yu Fei's Gongbi flower and bird paintings, and it was such a rich and colorful painting, he couldn't believe it.

When it comes to Qi Baishi, many people in China will know that there are naturally a lot of Qi Baishi's hand-me-down paintings, coupled with the publicity of the public, which is the reason why it has been active in the collection world and among the Chinese people.

Of course, among many painters or collectors who are proficient in paintings, when it comes to Qi Baishi, we have to mention Yu Feiyan, if Qi Baishi is a master of freehand flower and bird painting, then Yu Feiyan is the top figure of Gongbi flower and bird painting.

In the early years, he painted freehand landscapes in the dark, at the age of forty-two, he also studied landscape and seal carving under Qi Baishi, and painted a lot with Zhang Daqian in this period, and later he listened to Zhang Daqian's construction, and at the age of forty-six, he specialized in painting flowers and birds, at this time in the non-dark although to middle age, started a little later, but its achievements are great, the painted flowers and birds, carved green and green, rich and gorgeous, white depiction of orchid bamboo narcissus, pure and elegant, to the forties, its reputation can be reflected with Zhang Daqian.

At that time, the major painting schools were mainly freehand, and Yu Fei secretly specialized in the middle-aged paintings and birds, but in the end, he opened a sect, which changed the decline of the flowers and birds of the brushwork, and it can be said that he is a generation of masters.

Yu Feiyan can have this achievement, not only because of his serious study of the ancients, and planting flowers and breeding birds, from the reason for drawing nutrients from life, but also calligraphy reasons, he took the ancient as a teacher, learned the unique thin gold calligraphy of Zhao Ji of Song Huizong, and has considerable attainments, is the master of modern thin gold body, for the painter of fine brush, the thin gold body can not only exercise the pen power, calligraphy style and fine brush painting also complement each other.

In addition, he also incorporated the thin gold brushwork into the painting, and the brushwork has changed greatly, not only greatly increasing the sense of calligraphy, but also making the painting lines have rich changes in the sense of texture, volume and space.

When Chen Yi first entered the antique shop, he knew who Qi Baishi was, but Yu Feiyan didn't hear about it, but with the passage of time, coupled with the teaching of Fu Lao at the Central Academy of Fine Arts, he really knew that Yu Feiyan was a figure as famous as Zhang Daqian.

It's just that because Yu Feiyan's Gongbi paintings of flowers and birds do not survive, his works rarely appear at auction, but during the Republic of China, his paintings were on a par with Zhang Daqian, Wu Hufan, Pu Ru and others, and even better than Qi Baishi's paintings.

This painting, when he lived in Sanqingguan, did not appear, presumably in the view, there are other places to treasure cultural relics, this picture of four happiness, compared to his Gongbi flowers and birds, but it is much more clever, there are a lot of places he needs to learn, and the value of this painting, in his opinion, should reach about 30 million.

The painting worth 30 million is already a very precious thing, but I didn't expect that the enlightened Taoist would directly give it to him as a gift, and then drift away.

He looked at the painting tube, looked at the door, sighed and smiled, and then opened the letter in his hand, "Chen Jushi, since the view of a farewell, has been more than a year, the old Tao traveled outside the mountain, happy to hear about the marriage, rushed back to the view, the cave room candle night this is a great joy in life, you and Miss Shen are talented and beautiful, a match made in heaven, with this four happy pictures as a congratulator, I wish you two a happy marriage, an old way in the mountains." ”

Looking at the letter written by this old Taoist, Chen Yi was very moved in his heart, he didn't expect that the Taoist Master of Wuzhen was specially here to say good news for him, these four happy pictures not only complement his marriage now, but also can learn a lot of knowledge of flowers and birds from the paintings.

Yu Feiyan is a master of flowers and birds, and his paintings naturally have a lot to study, which is probably the second intention of the two Taoist masters, Wuzhen and Xuanji.

"Xiaoyi, why are you stunned, who sent this as a gift, and wrote a letter." At this time, Zheng Lao walked over from the room, and when he saw Chen Yi's stupid appearance, he couldn't help but come forward and say, but he didn't go directly to see the letter in Chen Yi's hand.

Chen Yi shook his head and smiled, and handed the letter to his master, "Master, just now a staff member said that there was a person who looked like a Taoist priest, handed over the gift and letter to him, and left directly, when I arrived at the door, the person had disappeared, with my eyesight, the handwriting of this letter should be made by an old Taoist in the Taoist temple I told you." ”

Hearing Chen Yi's words, Zheng Lao's face showed a strange color, "Oh, it's a Taoist in that Taoist temple." He naturally knew what the Taoist temple Chen Yi mentioned, and when he tasted the Shengxue tea leaves in Longyuan and Wang Xizhi's authentic works appeared, Chen Yi had already told them some things, but he didn't mention the specific location of the Taoist temple, just said that these were all obtained in a Taoist temple.

He also didn't expect that this Taoist person would come to congratulate Chen Yi's wedding, and after receiving the letter, he glanced at it a few times, and immediately praised: "Good words, the handwriting reveals a kind of free and easy nature, and there is a Taoist sense of peace, from these words, you can see how the Taoist master is doing." ”

After reading the letter, Zheng Lao looked at the painting tube in Chen Yi's hand again, and said with a smile: "Since this Taoist master has come here thousands of miles to congratulate you, then accept it, and thank them again when you have time." ”

"Okay, master, should you open this painting and take a look?" Chen Yi couldn't help but smile and said that Yu Feiyan's paintings were very rare, and he also hoped that the master and others could appreciate this precious painting.

Zheng Lao nodded and smiled, "Naturally, you have to open it and take a look, from the letter, you know that this painting is a picture of four joys, and your wedding can be regarded as one of the joys." "From Chen Yi's previous Longyuan Shengxue and Wang Xizhi's authentic works, we know what the background of this Taoist temple is, Wang Xizhi's authentic works not to mention for the time being, Longyuan Shengxue is also a long-lost thing, which can be called extremely precious.

Chen Yi then opened the painting tube, took out the paintings in it, and spread them out on a stone table next to him.

"Oh, it's a flower and bird." The moment he saw the painting, Zheng Lao's face showed a look of surprise, even if he didn't see the name of its author, just seeing the exquisite Cheng Dù of this painting, he also knew that its level was absolutely very profound. (Want to know more exciting developments in "The Great Appraiser"?) Open WeChat now, click on the "+" sign in the upper right corner, select Add Friends to add an official account, search for "zhongenang", follow the official account, and never miss every update again! qdread) (To be continued!)

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