Chen Yi looked into the oilcloth paper, and what was wrapped in it was a scroll, but he didn't know whether it was a word or a painting, and the thickness of the scroll was far longer than an ordinary calligraphy and painting.

Could it be that this is a long calligraphy and painting, Chen Yi showed excitement on his face, the specifications and sizes of rice paper used in Chinese calligraphy and painting have many types, and the difficulty of long or huge calligraphy and painting works is naturally much greater than that of normal specifications, and similarly, if it is made by a celebrity, the value is difficult to achieve in other slightly shorter sizes.

Except for this scroll, there was nothing else in the oil paper, and Chen Yi couldn't help but feel a little strange, this Guo Jingzhong hid something in the iron box, and he didn't even leave some words explaining this thing.

No matter what, let's take a look at the content of this scroll first, I don't know if this is done by his disciple Fu Shan, Chen Yi thought about it, shook his head, and then cleaned up the bed, ready to unfold the scroll on the bed.

Judging from the thickness of this scroll, it must reach at least one and a half meters, and some tables in hotel rooms really do not have this length.

Even if there is only one scroll, it almost fills the entire iron box, before Chen Yi felt that there were a few things wrapped in this oil paper, but in the end it was the only one, so Guo Jingzhong was able to bury it, and specially made a treasure map to mark the place, which is enough to show the preciousness of this scroll.

Chen Yi slowly unfolded the scroll, the material used in this work is not rice paper, but silk, and the material used for its mounting is also extremely good, very comfortable to start, from the width of the scroll, this should be a silk handscroll, and it is also a style of banner in the mounting of Chinese paintings. It is named because it can be held in the hand and read in order.

At the moment of unfolding, Chen Yi's face showed a look of surprise, and at the top of the scroll, the color of the silk revealed was actually sky blue, and then he continued to unfold. When I saw a Fu character, and it was cursive, my face suddenly showed a look of surprise, this could be really the calligraphy left by Fu Shan.

It's just that this Fu character is written very elegantly, but it doesn't have the taste of Fu Shan. It must have been written by someone who framed Fu Shan.

Although he could know the information of the scroll directly with his identification technique, it was impossible to experience the surprise of slowly unfolding from the unknown to the known.

Finally, Chen Yi completely unfolded the head of the scroll, and in the frame of the calligraphy and painting, the head of the sky is the blank space at the top of the page, and some text can also be printed. And because these words are above the center of the page, like the eyebrows of the page, they are also called book eyebrows, which can be said to be as important as the cover of a book, so that people know what the work is.

After reading the heaven of this scroll, Chen Yi's face became extremely excited, he didn't expect what he was looking for. It turned out to be Fu Shan's calligraphy authentic, and the content of the book can be said to be extremely precious.

A few words written by this day, that is, Fu Qing's main book Huayan Jing, Fu Shan, the word Qingzhu, later changed to Qingzhu, behind the text, there is a person's style, but also a calligrapher and connoisseur in the late Ming and early Qing dynasties.

Huayan Sutra. This can be said to be a Buddhist classic, except for some Buddhist masters, the famous calligrapher has written extremely rare, and if this scroll is really Fu Shan's Huayan Sutra, then it is enough to prove Fu Shan's understanding of Buddhism. Its preciousness is incalculable.

At this moment, Chen Yi couldn't wait to unfold the next silk book, only to see that the content on it was far beyond his expectations, this is not the Huayan Sutra copied by Fu Shan, but according to his own understanding, some explanations of some things in the Huayan Sutra, this kind of interpretation of the Huayan Sutra is already more precious than simply copying the content of the Huayan Sutra by hand, and it has more cultural significance.

"Huayan Sutra: Puyan Bodhisattva White Buddha: Where is Puxian Bodhisattva now? Buddha said: Fuxian is here now. ……”

After reading the commentary of this second paragraph, Chen Yi looked at the following content again, and was suddenly stunned, because this has nothing to do with the content below and the Huayan Sutra, which is simply extremely strange, if it is just other scriptures, but the next paragraph connected to the Huayan Sutra is the Tang Dynasty poet Zhang Ruoxu's "Spring River Flower Moon Night".

"The tide of the spring river is even with the sea, and the bright moon on the sea is born together. Thousands of miles with the waves, where is there no moon in the spring river? The river flows around Fangdian, and the moonlit flowers and forests are like hail. The frost in the air does not fly, and the white sand on the Ting cannot be seen......"

This is completely inconsistent with the Huayan Sutra, one is the scriptures, and the other is the poems of the Tang Dynasty poet Zhang Ruoxu to express his feelings.

Speaking of this Zhang Ruoxu, but with He Zhizhang, as well as the grass saint Zhang Xu and others to become the fourth scholar of Wuzhong, his poems, now only two, especially the silk book "Spring River Flower Moonlight Night" is the most famous, with this poem established his status in the Tang epic, praised by the world as a lonely piece, actually for everyone.

If this Spring River Flower Moon Night is not connected to the Huayan Sutra, Chen Yi's surprise can be more or less reduced, after all, two different calligraphy and paintings can be combined into one through guò mounting, but one is there, he can see clearly that this Huayan Sutra and the Spring River Flower Moon Night are completely connected, without any mounting, it can be said that Fu Shan wrote it completely on a silk book.

The whole handscroll is mostly cursive, but it is also mixed with other different fonts, often this paragraph is cursive, the next paragraph is the seal script, there are many patterns, and the text is thick and thin, and it is extremely different, and it can prove that these two different articles are one, in addition to the whole silk is one, there is also Fu Shan's style, after the interpretation of the Huayan Sutra, there is no money, and after this spring river flower moonlit night, there is Fu Shanshu three words.

Chen Yi looked at these two pieces of calligraphy with completely different styles and tastes, and recalled Fu Shan's information in his heart, the calligraphy handed down by Fu Shan is also very rare, each of which is a rare thing, even if he has not seen a few.

However, according to Gao Cunzhi, Fu Shanxi wrote miscellaneous books, the so-called miscellaneous books, have two meanings, first, the content is more diverse, often including self-composed poems, notes, excerpts from old books, and comments on characters, often both, east one, west one, the whole work has no unified theme and style.

However, the calligraphy he saw, there is no so-called miscellaneous book, it seems that what Gao Cunzhi said is true, from the previous paragraph is the Huayan Sutra, the next paragraph is Tang poetry, it can be proved that this is a miscellaneous book.

Although it looks a little abrupt, but when you taste it, it has a unique and natural taste, as if the human spirit is not restrained, showing a whimsical mentality.

In addition to the calligrapher's seal framed by Fu Shan, there is no other person's appreciation of the seal, which shows that this calligraphy was taken away by Guo Jingzhong not long after it was made, and has been buried in the mountain for hundreds of years.

Otherwise, with Fu Shan's fame, I am afraid that the whole calligraphy will now be covered with the seals of various famous artists, but in this way, it is more precious, and it seems that this is a calligraphy that has never been seen.

For Fu Shan's calligraphy, Chen Yicai has carefully studied, and now, even if he doesn't use identification, he can basically be sure that this is the authentic calligraphy of Fu Shan, but the value, he can't estimate it now, and he can only use identification.

"The identification of the item is successful, and the information is as follows, Fu Shan's cursive "Huayan Sutra" silk handscroll, author: Fu Shan, the age of the system: three hundred and thirty-three years ago."

"The maker of the information: Fu Shan, the word Qingzhu, later changed to the word Qingzhu, a famous thinker during the Ming and Qing dynasties, he is a famous scholar, philosophy, medicine, Confucianism, Buddhism, poetry, Taoism, calligraphy, painting, gold and stone, martial arts, etc., and Gu Yanwu and other five people were called by Liang Qi, the six masters of the early Qing Dynasty, in the face of the coercion and temptation of the Qing Dynasty, rather die than yield, the heart of the Qing Dynasty has not changed in the slightest, and is a model figure in the late Ming and early Qing dynasties to maintain national integrity."

"Artistic characteristics: calligraphy is a traditional art unique to Chinese characters, and it is also a unique art of Chinese characters, known as wordless poetry and invisible dance; Painting without pictures, music without sound. ”

"Fu Shan's calligraphy comes from Yan Zhenqing, and summed up the experience of 'rather clumsy than clever, rather ugly than flattering, rather fragmented than slippery, and straightforward without arrangement', the text of his book has a peculiar strange taste, its cursive script does not have the slightest vulgar atmosphere, and the appearance is elegant and stubborn, just like his personality."

"The value of the item: Fu Shan cursive Huayan Sutra, its sentences, mostly use cursive, plus seal script, regular script, etc., the first half of the Huayan Sutra commentary, the second half of the Tang poem Chunjiang Flower Moon Night, the table xiàn out of its calligraphy creation mentality is extremely free characteristics, the whole calligraphy is a long work, its text, taste, style, content are different, extremely rare, so the value is extremely high."

Chen Yi already knew a lot about Fu Shan, and he browsed the information all the way, and when he saw the value of the last item, it was only a four-character evaluation with a very high value, which made him a little surprised.

Worth more than 10 million, Chen Yi after the initial surprise, there was a surge of excitement in his heart, with the style of Fu Shan's text, worthy of this price, and this is still a calligraphy that has not been seen for more than 300 years, its precious Cheng dù, can be seen.

In some of the calligraphy works he has seen, there is basically a theme, and almost the entire calligraphy work is written around this theme, but in Fu Shan's calligraphy, it is very miscellaneous, half of the scriptures, half of the poems, which is full of a strong strange smell.

It's just that, perhaps because of this strange smell, this kind of miscellaneous books that others can't reach, makes its calligraphy value so high, enough to be worth more than 10 million.

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