The place where the glaze is made is carried out in one of the kiln factories, which is completely confidential, and there are some workers guarding it, and the people who make the glaze are the most trusted people of Wen Lao.

Being able to see the preparation process of this glaze with his own eyes, I am afraid that even some of Wen Lao's friends will not be able to get this kind of opportunity, and Chen Yi is also very grateful for Wen Lao's trust in him.

Although Chen Yi can identify the glazes used in these glazes and obtain the proportions of their preparations, some of the glaze components are made by secondary processing, which is never available on the market, and it is of great significance that Wen Lao can take him to see them.

The last time I just looked at it first, and didn't understand it carefully, Chen Yi also did not identify many glaze ingredients, and after getting the secret method of making firewood kiln porcelain, all he had to do now was to get all the ingredients of the glaze of firewood kiln porcelain, and then make it, and see if the porcelain made should be worthy of the title of Chinese porcelain.

Although it is said that in the glaze trading market, you can also get some glaze ingredients, but the quality on the market is by no means as good as that used by Wen Lao here, since there is such a condition, it is natural to use it.

However, the most regrettable thing is that, according to his understanding, the ingredients here for Wen Lao are only most of the ingredients needed for firewood kiln porcelain, and a small part is not available here, and it needs to be found elsewhere.

The glaze formula of a porcelain can be said to be the biggest secret, and the kiln sites of various famous kilns that later generations are looking for are trying to recreate these ancient kilns in order to study some of the things in their kiln sites.

The firewood kiln has not found the kiln site, and there is no physical object. This discourages anyone from wanting to copy. Even if the system zuò comes out. Nor will a single one believe it.

Now the kiln site of the Ru kiln has found a few, but what appears is only some imitations, and the kiln factory that can really produce the Ru kiln is not at all, and the research on the kiln site is not at all a moment and a half, and the real Ru kiln can be studied to make the ingredients.

Again, the perfection of a piece of porcelain. It's not just the glaze that plays a role, but also the kiln, and the temperature control required for firing, are all factors that affect the final porcelain.

Just like Chen Yi knows, the world's largest firewood kiln in Jingdezhen was built in the Qianlong period, the kiln room is more than 40 meters long, 19 meters wide, duck egg shaped, in the firing process, through guò control the temperature of different kiln positions. Dozens of different types of porcelain can be fired at high and low temperatures at the same time, which can be seen. How important is the temperature control required for porcelain molding.

However, in the box that Chen Yi obtained, there is the most comprehensive firewood kiln firing process, and it can be said that as long as the ingredients are complete, a porcelain kiln mentioned in this paper can be built.

Once this mechanism box is opened, the shock it brings to the world is definitely no less than Wang Xi's authentic work.

As Wen Lao came to the glaze making workshop of the kiln factory, which was filled with the smell of minerals and chemical raw materials, it was necessary to wear masks and gloves when entering the kiln factory to prevent harmful gases and substances.

This kiln factory, which can be said to be the largest of the Wenlao kiln factories, shoulders the heavy responsibility of drawing, glazing, firing porcelain, and making zuò glaze.

And this glaze making plant is also very large, with several different workshops, responsible for the production of different glazes, including blue and white materials, overglaze and underglaze color materials.

Jingdezhen in ancient times to produce celadon and white porcelain, the celadon produced is very similar to the Yue kiln, and the kiln factory of Wenlao, most of the production is blue and white and colored porcelain, for celadon, is also in production, but the proportion is not large.

Although Jingdezhen is famous for the production of celadon and white porcelain, with the passage of time, the status of blue and white porcelain has gradually given way to blue and white porcelain and colored porcelain, which is also the need of the times.

Of course, if the Ru kiln and the firewood kiln still exist in the world, then its rain over the color of azure, will definitely win the status of celadon, but in the current situation of porcelain, it is still the most popular blue and white porcelain and colored porcelain.

The celadon produced by Wen Lao also did not want this kind of porcelain to be interrupted, not for sale.

Some of the glazes in the celadon workshop, some of which are needed by Chen Yi, on the contrary, many of the colored porcelain glazes are not in the ingredients of the firewood kiln.

Celadon can be said to be one of the most famous porcelain in China, with firewood kiln, Ru kiln, official kiln, and Longquan kiln being the most famous.

Among the five famous kilns in China, there are four famous kilns that belong to the celadon system, Ru, Guan, Ge, Jun, and the last Ding kiln is the only white porcelain.

However, although the Jun kiln belongs to celadon, it is not a porcelain dominated by cyan, with many colors, which can be described as unpredictable, but in a strict sense, it is still celadon.

It's just that now the five famous kilns in China, some of them go away with history, some only have kiln sites, and some of them have not even found kiln sites, and the current porcelain is only the blue and white porcelain developed from the Yuan Dynasty and various overglaze and underglaze colored porcelain are the most famous.

Chen Yi followed Wen Lao to the glaze production workshops to watch the production and preparation of glazes, the preparation of glazes is a very complicated procedure, not as ordinary people think, just mix some ingredients together.

There are mineral raw materials and chemical raw materials, and it is not so easy to combine the two into one and turn them into glazes.

Chen Yi identified some of the glaze ingredients he saw, as well as some of the machines that made the glaze, so that he could use them in the preparation of the glaze for the firewood kiln later.

At the same time, in the process of Wen Lao's explanation, he also listened carefully, and raised some questions from time to time, the preparation of glaze is by no means so simple, which can be seen from the method of making glaze in the organ box.

Subsequently, they came to the green glaze making workshop, which is not busy, the green glazed porcelain is now gradually declining, and the formula used by Wen Lao now has also been improved by himself, as for the glaze formula of the five famous kilns, it is estimated that even the porcelain research institute has not studied it.

In this workshop, Chen Yi got several ingredients needed for the firewood kiln, identified them one by one, and identified all kinds of tools, he didn't need to have these ingredients, only needed to identify, and he could copy them with the materialization function, which can be said to be a powerful function of the identification system.

Of course, the use of this function also requires a large number of identification points to support, in Jingdezhen, in addition to Chen Yi went to Ding Run's house, Lin Tianbao's collection room, including some of Wen Lao's library and antique collection room, he has been there.

Especially in Wen Lao's collection room, it can be said that it is another porcelain exhibition hall, and during this period of time in Jingdezhen, he has obtained a total of nearly 10,000 appraisal points, raising his total number of appraisal points to more than 30,000 points.

Chen Yi felt that when he got the aura absorption technique, his identification points would be more, most of the things in the museum were sealed with display cabinets, and they couldn't be touched at all, even if his fame reached a certain level in the future, when he went to the museum, he might be able to touch some of these precious things, but those exhibited in the museum were not suitable if he wanted to touch them with his hands.

The cultural relics owned by the Palace Museum alone have reached more than one million, even if one gives him a little identification point, this is more than one million points, what kind of concept is that, Chen Yi is unimaginable.

It's just that now I can only think about it, although there are many cultural relics in the Forbidden City, but only a very small part of them are exhibited.

30,000 identification points is already a lot for Chen Yi, and now there are not many places where he needs to use identification points, the cultivation of Tai Chi health preservation, even if he absorbs spiritual energy at an accelerated speed now, he can't use ten points a month, in addition, it is the physical display function, which is used a lot during this time, probably nearly 1,000 points.

At the end of this year, the Longyuan Shengxue tea tree planted in Sanqingguan will be harvested, in addition to tea, there will be seeds, and when he wants to plant, he also needs to use the identification point to speed up the time.

Gradually, as time went by, Chen Yi came to Jingdezhen for nearly two months, during this time, he continued to learn porcelain with Wen Lao every day, and then he was looking for the materials needed for the glaze of the firewood kiln, and finally with some help from Wen Lao, he found all the materials on the secret method.

Although the quality of some materials is not very good, but after all, this is only an experiment, and in the end, after a period of preparation, he spent a lot of energy to prepare the glaze of the firewood kiln into the state stated in the secret method.

After the glaze was prepared, Chen Yi directly identified it, this glaze was formed by aura, and it could also be identified and copied again, so there was no need to waste time.

The next is the porcelain fetal system, the porcelain fetus used in Jingdezhen is all white tire, and the porcelain fetus used in the firewood kiln porcelain is gray and white, which requires him to make his own porcelain fetus.

In the process of learning with Wen Lao, he can be said to have comprehensively and systematically learned the whole process of porcelain making, from drawing blanks to glazing, and then to firing, and then learned to make glaze products.

Even if it is very difficult, in order to be able to see the crown of Chinese porcelain thousands of years ago, the firewood kiln, it is very worthwhile.

Soon, the porcelain fetus was also completed, Chen Yi calmed down, specifically glazed the porcelain fetus, the glazing of celadon, it can be said that unlike the blue and white porcelain and colored porcelain he made zuò, those porcelains only need to draw patterns on it, and do not need to be completely glazed, and celadon needs to be glazed on all parts of the porcelain fetus. (To be continued......)