Then everyone entered the exhibition hall and saw thousands of pieces of porcelain placed inside, these porcelain, after restoration, the glaze has been basically restored, but the traces of the one or two hundred years buried in the seabed are still retained on the porcelain.

In addition to porcelain, they also saw the silk on the shipwreck, as well as the pieces of tea, all the way down, they seemed to witness the ups and downs of the ship.

Then, they came to another shipwreck pavilion, outside this pavilion, a ship larger than the Qing Dynasty shipwreck, the same shape is also very different from the Qing Dynasty shipwreck, full of exotic scenery.

In the exhibition hall, they saw more abundant shipwreck relics than just now, beautiful gold and silver jewelry, and the pieces of gold bricks that radiated light, under the light, these gold and silver jewelry emitted a kind of intoxicating light, which is a kind of light representing wealth.

In addition to gold and silver jewelry, there are also some rich porcelain, which is of better quality and more beautiful than the shipwreck porcelain of the Qing Dynasty.

Seeing this Portuguese shipwreck, seeing these cultural relics, all the Chinese people, have a kind of pride, in the past, Portugal seized Macau, today, in the Chinese museum, but there is their colonial treasure ship, and this qiē, are brought by Chen Yi, in their hearts, involuntarily have a respect for Chen Yi.

After the two shipwreck pavilions, they entered the ancient Chinese porcelain pavilion and saw them for the first time. It is a group of three rows of twelve Kangxi official kiln colorful flower cups in the central display cabinet of the exhibition hall. All of them. are subconsciously attracted by this set of flower god cups, which is a dream that many people in modern times cannot accomplish.

Kangxi Colorful Twelve Flowers God Cup, this is the world's first and only set, anyone who gets it will be regarded as a treasure, but Chen Yi is for charity, and he takes it out for people to watch. It makes people admire.

Even in some large museums in China, it is impossible for them to see these flower god cups at will, but now, in Chen Yi's museum, they have seen a set, each flower god cup exudes a different beauty, some flowers are delicate, some flowers are weak, and some flowers are atmospheric.

Twelve flower god cups. Twelve months, twelve flowers. It represents twelve beautiful ancient women, and also illustrates the splendid and colorful Chinese culture.

In the porcelain exhibition hall, they also saw some other ancient Chinese porcelain, each of which is extremely beautiful and exudes a quaint atmosphere, but in this exhibition hall, the most dazzling is undoubtedly the world's only set of Kangxi colorful twelve flower god cups.

Then they entered the Chinese modern porcelain exhibition hall, in the display inside, are made of modern zuò out of the beautiful porcelain, in terms of technology, compared to the ancient fine porcelain is also more than the same, the most dazzling is still two pieces of firewood kiln porcelain, and the outside of the large firewood kiln is different, these two pieces of firewood kiln is very small and exquisite, let people see the different posture of firewood kiln porcelain.

As time passed, the first batch of people watched all the open pavilions, and the only feeling was that the trip was worthwhile, in which they saw too many beautiful things and felt the rich and splendid culture of China.

According to the museum staff, after that, Chen Yi's calligraphy and painting works will also be displayed in the museum, which undoubtedly makes more people full of expectations.

They have only seen a few of Chen Yi's paintings and calligraphy works on TV or the Internet, and if they can see a special exhibition in this museum, it will undoubtedly be exciting.

After coming out, almost all of them expressed their praise to the media for the Chinese Museum, thinking that when they came to Tianjing, they must go to the Chinese Museum to have a look, see the shipwreck culture, see the only set of flower cups in China, and contribute to charity.

In the news report of the day, major media, including CCTV, also carried some reports on the establishment of the Chinese Museum and the Feather Wing Charity Fund.

And in the news, it was reported that the Feather Wing Charity Foundation raised one billion yuan at the beginning of its establishment, and in addition, it also explained the purpose of the foundation that Chen Yi repeatedly reiterated, the Feather Wing Foundation was established only for charity, and it was for charity.

Some people in China, seeing these news reports, immediately looked forward to the Chinese Museum, wanting to see the sunken shipwreck cultural relics that had sunk for hundreds or even hundreds of years, to see the colonial treasure ships built by Portugal like robbers in the past, and to see the wealth looted, and even more wanted to see the world's only set of Kangxi colorful twelve flower god cups, and similarly, to offer a love for charity.

The establishment of the Chinese Museum and the Feather Wing Charity Foundation has also enhanced Chen Yi's fame again, allowing many people to further understand Chen Yi and be full of respect for Chen Yi.

At such a young age, most of the people with such achievements are the second generation of rich people and the second generation of officials, but Chen Yi is relying on his own strength, with his current achievements, with his current wealth, and now for charity, he does not hesitate to take out his precious collection for people to watch, which is not something that everyone can do.

Soon, the opening day of the museum passed, and after the statistics came out, it was shocking again, the flow of people in the Chinese Museum reached 20,000 people that day, exceeding the single-day flow of many large museums in China, and at the same time, these 20,000 people also contributed more than 1 million yuan to charity.

The next day, after news reports, the flow of people in the Chinese Museum continued to reach a new high, reaching 30,000 people, in order to ensure a comfortable viewing environment, the museum had to restrict the flow of people to enter, but the public's enthusiasm for the Chinese Museum still did not weaken, and some people even got up early in the morning to line up.

Seeing that the museum he established has so many people coming to watch it every day, Chen Yi's heart is also full of a sense of accomplishment.

The person in charge of this museum, who is also a veteran who has managed large museums, was introduced by his master Zheng Lao, and Chen Yi also appraised him, and his mind and ability met the requirements.

As for the Feather Wing Charity Foundation, Chen Yi himself is the chairman of the foundation, and the management is all looking for people with management ability, love and upright personality, those who are easily blinded by money, he can directly identify and exclude them.

His charitable foundation wants people who can do charity, not people who steal chickens and dogs in the foundation.

After waiting for half a month, the museum and the foundation were stable, and after getting on the right track, Chen Yi felt that it was time to set off to Lingzhou to find the Huaxia Zhibao Lilong Jewel.

According to the information he searched back before, this week Zimin is also an antique collector in Lingzhou, and he is arrogant and likes to show off.

A few months ago, this week, the people seemed to have found a huge night pearl at a low price in the antique city, so they regarded it as a treasure and began to show it off to the outside world.

Judging from these news, Zhou Zimin should be a very difficult person to communicate, Chen Yi felt that maybe he was also within the scope of his contempt, although he had achieved many achievements, and the night pearl he found, if nothing else, should be the Huaxia Zhibaoli pearl mentioned in the appraisal system.

It's just that Zhou Zimin regards this night pearl as a treasure, and it will take a lot of trouble to get it, but Zhou Zimin would never have thought that his night pearl is a long-lost national treasure-level cultural relic, Lizhu.

Of course, the night pearl in Zhou Zimin's hand, whether it is a Li Zhu or not, needs to be further confirmed, with his current appraisal level, he can only identify items within 1,500 years, and now he can't even identify the authentic works of Wang Xi of the Jin Dynasty, not to mention that this Li Dragon Jewel is an item from the Zhuangzi era in 300 BC.

However, in the legend, the Lizhu also has some special effects, and when the time comes, you will find a chance to try it, if it is really exactly the same as in the legend, then this Lilong Orb will really shock the whole world again.

During his stay in Tianjing, Chen Yi took the time to go to the Palace Museum again, absorbed more than 100,000 appraisal points, and exchanged two pills of longevity, one of which was inadvertently taken by his master Zheng Lao, and the other was given to Shen Yujun, who was studying at the Central Academy of Fine Arts in Tianjing.

Although Shen Yujun is still very young and has no diseases on his body, Chen Yi still understands the principle of taking precautions, in terms of aura absorption, he will no longer lack identification points, and naturally he will not put it until the end for his lover.

Since obtaining the mall system, he has also exchanged some rice paper to create calligraphy paintings, which is of better quality than the rice paper he uses now, and the exquisiteness of the paintings drawn is also even better.

The rice paper he used now has not been discovered by his master Zheng Lao, and even if he does, he has some excuses to use, just like Longyuan Shengxue. (To be continued......)