Li Tongxin's handwritten quatrain is called "Yuqing", which is the work of the late Tang Dynasty poet Wang Jia.

Wang drove his people and his poems, and he did not have much fame in later generations, but it does not mean that his people are not of standard. There is the Tang Dynasty, there are countless famous poets and writers, and there are not a few who are buried by those bright brilliance.

Sikong Tu, the author of "Twenty-Four Poems", praised Wang for his ability to think and be in the environment, and this "Rain and Sunshine" is a representative work. This poem takes flowers as eyes and rain as changes, vividly writing the late spring garden scene where the rain beats the flowers and the bees and butterflies abandon them, and the regret and pity leap between the words.

Li Tong was moved by the feeling that in writing the poem Wang Jia, in addition to the theme of the decaying landscape, there is also a layer of feeling, that is, the sneer of the warmth and coldness of human feelings implied in the poem, and it was inspired by feelings.

With flowers as a metaphor for people, bees and butterflies are bustling human feelings, he is a late spring remnant flower, the rain withers, human feelings are over, such as bees and butterflies flying away, perhaps suspecting that others still have flowers.

But its current situation is turbulent, the wind and rain are shaky, and the withering of flowers is caused by the season, everyone is trapped here, and the beautiful scenery is difficult to regain, just as Shangguan Wan'er joked, the summer cicada is noisy, and there is no spring in the neighborhood. In other words, the Wu Zhou Dynasty Tang is already on the air every day, and everyone in the current situation will be affected by this.

The longevity of literary works lies in the kind of situations that can be universally substituted. Reading poems and lyrics, although the ancients said, but the feeling comes from everyone's own heart, the poems may have good and bad differences, but people's feelings are generally equal, there is no judgment of high and low.

Shangguan Wan'er commented that the meaning of this poem was still scattered, and Li Tong did not agree with it in his heart, but the reason why he did not argue was probably because of the idea that Xia Worm could not speak ice.

The concept of Tang poetry as a whole is well known, and it can be subdivided into many categories, such as the early, middle and late Tang Dynasty in terms of chronology, the palace style, side plug, pastoral and so on in the faction, and the ancient poems, rhythmic poems, quatrains, etc. in the form.

Tang poetry also has a characteristic, that is, daily singing and communicative poems account for a large proportion, one person sings the first to set up a rhyme, and the others should compose poems. Writing poems on the orders of the emperor is called the edict, and after the martial queen performs the pole, it is called the system because of the avoidance of its name "Cao", the order of the prince and the queen is called the order, and the order of the kings is called the teaching. As for ordinary people, that's peace.

Shangguan Wan'er thought that the poem "Yuqing" was scattered, and Li Tong was not surprised. In the early Tang Dynasty, palace style poetry still dominated the mainstream, and Shangguan Wan'er's grandfather, Shangguan Yi, was the leader of palace style poetry in the early Tang Dynasty, and his poems were even named Shangguan style, which was the first poetry style named after a person's surname in Tang poetry, which shows the great influence of his people at that time.

Although Shangguan Wan'er was still in infancy, and her grandfather Shangguan Yi was killed by Wu Zetian, the influence of Shangguan was still very great. There is such a literary elder in the family, and Shangguan Wan'er's life experience is mainly concentrated in the forbidden palace, so it is not surprising that her aesthetic interest tends to this.

As a leading representative of palace style poetry, Shangguan style also pays attention to the characteristics of palace style poetry such as elegance, form and rhetoric. Based on the pursuit of formal beauty, Shangguanyi summarized the duality of poetry in the Six Dynasties, put forward the concepts of six pairs and eight pairs, and made a great contribution to the final formation of the poetry.

But when it comes to the artistic vitality of Shangguanyi's poems, there is also a very simple criterion for judging, how many people in later generations can recite his poems?

Shangguan Wan'er was known for her talent in later generations, especially in the Zhongzong Dynasty, and was even known as the world's poets, but the limitations brought by her knowledge still cannot be ignored.

Especially for Li Tong, who has appreciated the grand occasion of Tang poetry, it is really polite to say that you and your grandfather, including Song Zhiwen and Shen Yanqi and others you weighed, are all little brothers!

More than 1,300 years of knowledge is not given in vain, I don't want to argue with you, because I am afraid that you will not be able to take it. Er Cao's body and name are destroyed, and he does not waste his text and copy thousands of poems, do you say that he is angry?

Shangguan Wan'er didn't know that Li Tong had classified it as a little brother in her heart, she really liked the fun of the scenes in this poem, but she really regretted the shortcomings of the words being plain and ugly, losing symmetry, and being flat and rebellious.

However, this is also in line with the situation of King Yong'an, as the son of the late prince Li Xian, he must have talent, but he lacks systematic training and training, so that his talent is surging, his pen is lost, and it is difficult to produce good works.

As for the "Ciwu Poem" that was previously forwarded to the Queen Mother by her, Shangguan Wan'er herself did not think that it was written by Li Tong.

On the occasion of commenting on this poem, she wanted to tell King Yong'an some skills in composing poetry, so that she could feel it in the future and be able to write elegant works with neat words. You don't have to force your name to be amazing, you can chant rhymes within the union, and having such a hobby can also relieve the boredom of seclusion a little.

Shangguan Wan'er talked about the situation of loss of work and stickiness in this poem, but soon found that Li Tong was a little absent-minded, and soon realized that the young man occasionally got good sentences, and it was inevitable that he would be complacent, hoping to hear praise from others, and there would be some resistance to the correction of mistakes. When I was studying poetry as a teenager, I occasionally had this kind of strong temperament.

So Shangguan Wan'er no longer made any more annoying noises, and changed the topic to talk about the imperial court's edict to give Zeng Shen the prince Taibao, and enjoy the honor of the Confucian Temple.

When Li Tong heard this, his eyes suddenly lit up. He is not familiar with Zeng Shen, and his mourning has nothing to do with him. However, the "Ciwu Poems" he entered a few days ago has the words "please seal Zeng Shen", and now Shangguan Wan'er talks about the imperial court, and they are naturally related to each other.

Whether he has participated in the mourning glory or not, he naturally can't cover up the current Li Tong. But this incident is a signal, indicating that this "Ciwu Poem" has indeed reverberate, and it is no longer confined to the forbidden palace, but has extended to the outer court.

Wu Zetian is a god madman, and the strength of the gods of the mountains and rivers he confers can be said to be second only to Jiang Ziya in "Romance of the Gods". Jiang Ziya is just a senior worker in the Zhou Dynasty, but Wu Zetian himself is the boss who wants to start a new week, and it seems that there is an overflow of gods and ghosts, each of which has specific political intentions.

Zeng Shen was awarded a gift for filial piety, Li Tong didn't know what kind of communication Wu Zetian and Li Dan had behind this incident, and Shangguan Wan'er would definitely not tell him, but he probably could think that it was nothing more than to beat Li Dan with this and warn him to abide by filial piety and not disobey his mother's will.

In this way, the safety of Li Tong's family is naturally more guaranteed, because Wu Zetian needs to use their family to warn Li Dan. If their family will continue to suffer, Li Dan saw it in his eyes, stretched out his head and stabbed his head, and shrunk his head with a knife, and he couldn't die well left and right, so he still endured a fart? Fight it, fight it and break the net!

Of course, in reality the logic is not so serious. But Li Tong's family is indeed because of this, in Wu Zetian's view, they are no longer just dispensable idlers, but already have a little value of chess pieces. There are clear trade-offs between the pros and cons of politicians, and as long as the hidden dangers brought by their existence do not outweigh the value they can provide, it is not difficult to survive.

Li Tong also understands that the so-called value of this point cannot be maintained for a long time. Especially after Wu Zetian officially completed the Tang Revolution, Li Dan himself lost his position as emperor and became an embarrassing imperial heir, and their family naturally had no value in continuing to give Li Dan a warning, and would once again be reduced to a dispensable role, so they still need to be cautious.

However, Li Tong feels that "Ciwu Poems" still has the value of continuous fermentation and can continue to be excavated.

The filial piety of mother and son is an eternal human topic, and it is also a moral stain of Wu Zetian's mother's snatching of children, and the existence of "Ciwu Poem" can well whitewash this stain, which is also one of the reasons why Li Tong chose to make up this poem.

Of course, whether it will be used or not, this is not something he can decide, but it is only a possibility to leave himself a little chat.

At present, he is not qualified to make a mistake with the general trend, and he can only start small, and obtain a little insignificant reversal and improvement through the constant reverberation.

Shangguan Wan'er stayed in the pavilion for half an hour, and then got up to say goodbye, Li Tong sent her out again, and turned around and couldn't help but think about where else she could turn passive into active.

The Forbidden Palace is still stable because it is shrouded in the glory of the God Emperor.

But the four years of the vertical arch is destined to be a turbulent year, for example, at the beginning of the year, the Queen Mother ordered to destroy the Qianyuan Palace, which was not long to build, and was already very gorgeous and magnificent, and built the Ming Hall from the ground, half a year has passed, the Ming Hall framework has been completed, and it has been quite domineering.

Outside the palace, auspicious and frequent, Luoshui out of the treasure map, the water out of the Rui stone, auspicious all kinds, a wide range of categories, a saint in the world, heaven and earth to congratulate the joyful atmosphere.

On the other side of the glamour, there is a great prosperity of cool officials, and the government and the opposition are in the wind, and the copper outside the gate of heaven is full of day and night. The cool officials led by Zhou Xing and others wantonly framed, unjust prisons occurred frequently, and the court was filled with a violent and panicked atmosphere. Whatever is involved, no matter the Shishu Club, it is difficult to be spared, and they will easily raid their homes and exterminate their families.

For example, Hao Xiangxian, the grandson of the former prime minister Hao Chujun and the prince's general, was falsely accused of rebellion for his servants, and was arrested and interrogated by Zhou Xing, and was soon convicted and punished. Hao Xiangxian scolded the Queen Mother before his execution, and revealed many hidden evils in the forbidden palace. The Empress Dowager ordered his body to be dismembered and his father's coffin to vent her anger. From then on, all sinners were punished with wooden pellets.

As a female official waiting for the imperial edict, although Shangguan Wan'er is not involved in the turmoil in the outer court, but in such an atmosphere, she has the dual sensitivity of being a woman and a poet, and after she is also a criminal household, her heart is also full of distracting thoughts and palpitations. In addition to the daily busyness, occasionally or chanting poems and essays, soothing heavy emotions with poetry.

Although in her opinion, this poem is not a good work in any aspect, but it has its own sense of interest and liveliness.

But the more this is the case, the more Shangguan Wan'er regrets the simplicity and roughness of this poem. Occasionally pick up a pen and write on paper, with their own literary literacy to carve and repair, I hope that this little poem can be both work, elegant and rhyme, and become a masterpiece that is truly worthy of chanting and appreciation.

"The stamens between the flowers, the flowers in the leaves, although the meaning is reversed, the words lose the palindrome to the meaning......"

The love is new because of the victory, the intention is the new love, and the same words and phrases are exchanged to produce interest through the exchange of positions, which is the palindrome pair in the "eight pairs" summarized by her grandfather Shangguanyi. Shangguan Wan'er groaned for a moment, and then picked up the pen and revised it.