"Easy to Jane? This guy took money from Tomahawk Entertainment, right? Why do Tomahawk Entertainment's movies come out with good reviews? ”

"9 points? It's a bit exaggerated, even if other film critics think it's good, they basically give 7 points and 8 points, and 9 points are too high, right? ”

"This score, if it is given by ordinary audiences, it is understandable, and you can give it ten points if you like. But as a professional film critic, it seems a bit unprofessional to give such an exaggerated score. ”

"Just a rice hammer!"

……

Yi Jianmei silently turned off the scarf, as he expected, after his film review was issued, there were more and more incongruous voices on the Internet.

There are his fellow competitors, and there are also some that may have been hired by Tomahawk Entertainment's rivals.

But Yi Jianmei did not regret it.

As a god-level film critic, you can't just talk about money.

He originally only had a 7 point for this movie, but as the plot gradually unfolded, he suddenly found that the ideological core of this movie began to surpass its two predecessors!

In fact, he should have noticed from the beginning of the movie that this movie has an anti-war core! The promotional slogan has been made clear from the beginning of the movie, but at that time he regarded that slogan as the background of the story and did not think about it carefully. It wasn't until later, when more and more explicit or implicit anti-war plots appeared, that he suddenly reacted.

Including the emotional line of Chen Zhen and the Oriental girl Mitsuko Yamada, it is actually a condemnation of the war, if it weren't for that damn war, they would have been a good couple.

The ideas to be expressed in the whole movie not only continue the patriotic and national feelings of the previous two works of "Huo Yuanjia", but also show a great power demeanor that today's China should have-

We do not condemn the people of JP, we condemn the war-tortuous, we condemn the war of aggression, we want to liberate the people of JP!

rushed to this, Yi Jianmei once again raised the score.

Of course, the quality of the movie itself is also hard enough, Fan Wenlong's literary and drama performance is just a small problem, and from another point of view, it is also in line with Chen Zhen's character design.

This man is still a bit of a straight man.

If you delve into the emotional line, in fact, this movie is also another upgrade of the first two movies.

The two movies "Huo Yuanjia" actually don't have any relationship between men and women, and the relationship between Huo Yuanjia and Zhao Qiannan was mentioned in the prequel, but it was not too deep.

And in "Jingwu Chen Zhen", Mitsuko Yamada's sentence "When the war is over, I will wait for you in Edo" probably touched many fans.

"There are still a lot of things that can be dug deep in this movie...... "The more Yi Jianmei thinks about it, the more he feels that there are many details that he has missed, this movie seems to be not only a kung fu film that promotes patriotism, but also has a lot of philosophical things in it.

But now he needs to watch "Urban Boxer 2", after all, this is his job. After writing the film reviews of these popular blockbusters, it is estimated that I will have to revisit "Jingwu Chen Zhen" again.

……

……

Lighthouse Country, City P.

Compared with the "melee of the gods" in China, there are many fewer blockbusters released in the same period in the Lighthouse Country.

After all, today is not an important festival here, and many of those blockbusters in China have not been released overseas.

On the one hand, the results are too poor, and when I come out once, I don't dare to come out gradually, and I basically wait for the domestic release to see if there is a platform abroad to ask for it, so I sell the overseas copyright cheaply; On the other hand, most of the foreign theaters are reluctant to release Chinese movies, prejudice is one thing, the key is that it really doesn't make money!

Therefore, the Chinese blockbuster currently being released in the lighthouse country is also a "Jingwu Chen Zhen".

The lighthouse blockbuster released at the same time as it, "Urban Boxing King 2" and "Gray Swan Princess".

A total of these three blockbusters are fighting.

And "Gray Swan Princess" is too different from them because of the genre, and there is basically no substantive competition. So it's mainly two action blockbusters competing against each other.

Tomahawk Entertainment's reputation in overseas theaters is still very good, so although "Jingwu Chen Zhen" is a Chinese movie, the film scheduling rate at the premiere is not low.

Foreign bosses also like money, as long as they can help them make money, in fact, they don't care which country's movie they make.

Since it was a weekday, the attendance of both films was not high, and by the evening, the attendance should have been raised.

However, after the premiere, the ratings of the two movies also came out, "Urban Boxing King 2" was rated 8.9 points, and "Jingwu Chen Zhen" was rated 8.8 points.

The gap is very narrow.

But the attendance rate of "Jingwu Chen Zhen" is obviously much lower than that of "Urban Boxing King 2", perhaps because there is no starring Han Lan. After all, the only Chinese kung fu star I know overseas is Han Lan, and if I reluctantly count Fan Wenqiang.

Fan Wenlong is actually not well-known overseas, mainly because he played Chen Zhen in "Huo Yuanjia (Prequel)" and left some impressions on fans.

And the attendance rate was finally reflected in the first-day box office, and the overseas first-day box office of "Jingwu Chen Zhen" was also significantly lower than that of "Urban Boxing 2".

Netizens on the Blue Pigeon social platform also had a lively discussion about these two movies, with mixed reviews.

"Urban Boxing King 2" naturally goes without saying, the old director has an old IP, the quality is no problem at all, and if you want to find a problem, you can find it from Fan Wenqiang.

The controversy is mainly about "Jingwu Chen Zhen".

Among them, the most lively is the "interest-related" JP audience, a group of JP netizens quarreled over the blue pigeon. Like the previous "Huo Yuanjia", the protagonist of this movie began to fight the JP national samurai again.

As Han Lan predicted in advance, a group of angry young JP nationals tapped on the keyboard to call for a boycott of this film that insulted the samurai of JP. But what Han Lan didn't expect was that many JP people stood up and scolded them, feeling that this movie was made objectively and did not deliberately insult JP.

Anyway, fans all over the world silently watched them tear their pens by themselves.

Serve the popcorn.

Many people didn't expect that Tomahawk Entertainment had already made a small achievement in the cultural penetration of JP country. Otherwise, where would there be so many JP people, especially Sakura Girls, who would stand up for Tomahawk Entertainment's movies?

Just when JP fans were arguing because of "Jingwu Chen Zhen", with the increase in the number of movie viewers, more and more overseas Chinese finally discovered a "little nail" hidden in "Urban Boxing 2"-

Akai's fugitive character!

Although most people don't notice this after watching it, the more people who watch it, the more people naturally feel that it is in response.

It's really like a nail on the road, someone doesn't notice or step on it and doesn't react, but since it is, someone will always find it, and someone will step on it and jump like thunder.

I always feel that I deliberately emphasize the background of Akai's character too deliberately.

Obviously, a sentence of "Chinese fugitive" can be summed up, but in the movie, he has to pull out a bunch of his grievances. Originally, some fans speculated that there was any hidden plot in this statement, but after he finished telling it, these past events had no effect on the subsequent plot development.

Even if you cut it off, it doesn't affect you.

So, why do we have to add such a paragraph?