Monitoring is a chore, not only boring, but also always focused. Because a moment of inattentiveness is likely to miss the most critical points, so that the entire monitoring will lose its value and meaning. But fortunately, the two of us were doing this at the same time, and the person selling the ticket was not a trained person with strong anti-detection ability, and the place was relatively fixed, so it saved us a lot of effort.

And the results of our monitoring showed that there was no problem with this guy, there were no suspicious people in and out of the opera house, and this guy never went out halfway, and he went home directly until he got off work.

I was relieved to see this guy act so regularly. After staring at Coleman in the middle of the night, Coleman and I decided to leave. Because if there is any problem, it will not be delayed until the second half of the night to solve it.

So we went back to our hiding place, and after a night of stare in a daze in our clothes, we returned to the vicinity of the opera house at eight o'clock in the morning. After rechecking the surroundings, we watched the ticket sellers enter the opera house, and instead of going back to the hideout, we picked up two people and started monitoring the day around the opera house again.

Maybe it's because we're going to do it tonight as planned, so the day feels like it's been very slow. Halfway through Coleman and Mueller got in touch, and the two of them confirmed our evacuation. Coleman agreed with him that Müller would order a taxi to wait for us at the opera gate in the evening, because this was a restricted area, and we could not drive and park as we pleased, so we had to rely on a taxi to take us out of here as soon as possible.

After taking us out of here, we will drive directly to a transfer point in the north of the city, where we will change to the car prepared by Müller, and then head all the way out of the city, we will drive southwest, in the exact opposite direction from when we were evacuated with Ivan, at a place called Wolfsberg, where we will take a short rest, it is said that Coleman will first take care of the arm injury, and then we will fly directly to Rosenheim, a city on the border between Germany and Austria. And once we got there, according to Coleman, we managed to escape.

I don't have a problem with Coleman and Muller's arrangement, and I don't have the heart to dwell on it. After all, how to succeed is the most important thing for me at this moment. After Coleman finished talking about his evacuation plan, I began to discuss with him the steps we would take when we started in the evening.

As I envisioned, after entering the venue, Coleman and I were going to be like two real audience members, not to think about anything else, not to try to find out if our target was coming, even if he walked in front of us, and not even to look at him more. This is because of some of the experience I have gained from the old guy Eunice, because Eunice is very observant of the people around him, and I am afraid that this Vastich is also a fellow like Younis, so if we are like a rookie in front of him, it is likely that we will reveal our purpose by looking at him a few more times. So since we are short in this regard, let's just think of ourselves as real viewers.

And after that? Of course, we can't just wait until we're in our respective seats, and we'll see the guy when the show officially starts. In my expectation, Vastich would be more focused on going to the show, and it shouldn't be a problem to observe him, unless he has eyes behind his back.

However, it may be a little troublesome for the people who go to the show with him, but if you really want to do it, it should not be too difficult. The auditorium is not very well lit, and there are so many people that even if they look around, they may not notice us.

And what about hands-on? My plan was for Coleman and I to pass over from both sides of the target at the same time, and I would shoot him, while Coleman would aim directly at the one next to him, and at the moment it would be the person sitting on his left, which meant that after I pulled the trigger, he would then kill one of Vastic's companions, and I would immediately turn on one of Vastic's other companions after the first shot, and at the same time, Coleman would turn the muzzle of the gun on the right side of Vastich after firing.

Of course, this will have to be done in the order in which we envisioned, and if this is not the order in which they will be seated, it will only be changed temporarily, but the whole way and method, especially the order, will not change. After all, no matter what, the first to die will be Vastić.

And what about after the shot? If all goes well, there will be chaos in the opera house, and it is estimated that the chaos will be delayed, after all, we will put the pistol on the silencer when we do it, and the gunfire will probably be completely suppressed during the performance, so there will be no widespread panic for a while

It should have been a partial part of the area where we were sitting, especially the people in the Wastich area, but it wasn't a big problem that didn't affect the evacuation of me and Coleman, and by the time everyone was panicking and running away, I think Coleman and I would have walked out of the performance hall or even out of the opera house.

And then there are the steps that Coleman and Müller had previously discussed. Of course, in addition to these, I also thought about some unexpected situations, such as Vastic did not show up, or the people he brought with him were not as few as we thought, but more like when we were going to plot against him, then my decision was to give up, give up this mission and immediately transfer to Coleman and Muller and leave here.

But the possibility of an accident seems to me to be very small, so small that it is almost non-existent. Even if there were any accidents, I think it would have been after we and the target were present at the opera house, before and after the move, or during the move. But I can't predict this at all, so I'll have to improvise when the time comes.

After clarifying this with Coleman, in order not to get too nervous before actually doing something, Coleman and I started a small talk while watching. Actually, it wasn't much small talk, I asked him how he got Mueller to help, after all, we did these things, Coleman's own gunshot wound, we have to have an explanation with someone. And looking at Muller's appearance at the moment, he is completely unscrupulous, which makes me feel strange.

Coleman smiled and told me that the simple reason was that he told Mueller that they were dealing with an anti-Nazi organization, an organization with ties to the Israelis, and that the person we were dealing with was a spy hired to look for Nazis. Also, Coleman told Mueller that his companion had died at the hands of the guy.

This statement ... It makes me feel a bit... But looking at Coleman's confident smile and the thought of Mueller's conscientious appearance, maybe that's really the reason.