From this level, men and women in ancient times were very tired and had no chance to sleep at all; It takes a lot of time just to tidy up, comb your hair bun, put on a crown, and dress up every day, at least you have to get up at four or five o'clock in the morning before dawn to make up.

Compared with the ancients, the men and women of the 21st century in the later generations are too happy, but they are used to being lazy pigs.

I went to work at eight o'clock and got up at half past seven, and my hair was messy like a chicken coop, and I put my fingers together; If you save trouble, simply leave a small flat head.

When he got into bed together, he immediately forked his pants and put on his formal suit, stuffing food into his mouth as he walked; When the office door arrived, she finished eating her things, and when she entered the door, she was still the first to punch a card.

The vigorous development of science and technology has brought about drastic changes in society, but the fast pace of life has made people more and more lazy; Is this a precursor to destruction......

Liu Min muttered in his heart, looked around again, and concluded that this was either the Tang Dynasty or the Song Dynasty.

The Tang Dynasty and the Song Dynasty were interspersed with a Five Dynasties and Ten Kingdoms for only more than fifty years, and the civilization of the Tang and Song dynasties did not seem to have been cut off.

The men and women of the Tang and Song dynasties could not help but be civilized and industrious; Men and women get up and take care of their hair and clothes without knowing it, and the hard work is a little harder; But it's fun.

The men and women sitting in the square of the Yin-Yang Taiji Diagram are as pious as Buddhists, which shows their humility and good self-cultivation.

These pious men and women were selected from all over the world for their skill training? The black stagecoach said so, but Liu Min's personal eyes showed that the black stagecoach was not lying and bragging.

Liu Min glanced at it, and finally stared at the Xuanji platform, the tower-shaped Xuanji picture erected on the Yin-Yang Taiji Square, like a high chair sitting on a volleyball referee in later generations; I sighed.

Xuanji Terrace is the place where Su Hui, a talented woman in the former Qin Dynasty, made Xuanji pictures? Do you want to replicate the scene of Su Ruolan's embroidery of Xuanji in the past, or to create the atmosphere when the Xuanji picture was formed? If not, why are there huge Xuanji pictures hanging on all sides of the platform?

Su Ruolan's Xuanji diagram Liu Min later understood that a total of 841 characters, 29 characters each vertically, horizontally, obliquely, interactively, positively, backwards or backwards, overlapping a word can be read into a poem.

The poems range from three, four, five, six, and seven words to a variety of words, which are very wonderful and widely circulated.

The Xuanji platform was built on the Bagua Yin Yang Taiji Square in the Xian Miscellaneous Courtyard of Xuanji Cave, and Su Hui's Xuanji pictures and poems were hung; In the face of thousands of honest men and women selected from all over the world, it has its symbolic significance!

On both sides of the square to the left and right of Xuanji Terrace, there are large brocade looms, looms, spinning machines, and hand-spinning wheels, which makes Liu Min amazed and silently amazed.

Liu Min walked around and watched excitedly, only to hear a gong beating and drumming; Dozens of loudspeakers raised high-pitched voices in the four corners of the square.

After the music stopped, a beautiful woman appeared on the Xuanji stage, wearing a red veil like a red cloud; The hair is in a bun, the image is handsome, and it is moving.

The "good men and women" in the audience saw the women in red shouting in unison: "The cave master is healthy!" The cave master is healthy! ”

Liu Min reacted quickly: She is the master of Xuanji Cave? And it's also a red-clothed cave master wearing a red veil!

Liu Min couldn't help but take a few steps closer to the Xuanji platform and stared at it, and saw that the red-clothed cave master was already sitting on the seat on the tower, and there were two maids standing on both sides, it was Qing'er and Wen'er; Qing'er and Wen'er stood on one side of the black stagecoach and a few wrestlers.

Liu Min's scalp was numb, and she suddenly felt that the red-clothed cave master was so kind and kind; It's like my own mother.

Liu Min left her mother when she was more than a year old, and she had no impression of her voice and smile; But she realized with her sixth sense that the cave master sitting on the Xuanji platform had a common family relationship with herself.

The red-clothed cave master's gaze swept around for a week and then fixed his eyes on Liu Min's side, and Liu Min and the cave master's gaze were intertwined; The red-clothed cave master quickly avoided it.

The red-clothed cave master avoided the gaze cast at Liu Min and looked ahead, and shouted to the good men and women in the audience: "Today, this cave teaches you all kinds of spinning and brocade skills!" ”

Liu Min was dumbfounded: It is really unheard of for the red-clothed cave master to personally teach spinning and brocade weaving skills.

In Liu Min's memory in the 21st century, Huang Daopo, known as the mother of Chinese textiles, was a native of Shanghai in the late Song Dynasty and early Yuan Dynasty; Huang Daopo was very miserable when she was a child, and she was sold as a child bride when she was a teenager; Later, he couldn't stand the torture of her husband's family and fled in a hurry, and went to Yazhou, which is Hainan Island in the future.

Huang Daopo was warmly welcomed by the simple villagers on Hainan Island, where she learned exquisite cotton weaving techniques.

Huang Daopo lived on Hainan Island for nearly 30 years and returned to her hometown of Wunijing, only to find that everything had changed; The court changed, and the people's work became more advanced; The cotton planting industry has spread rapidly, but the cotton grown by people is very inefficient and the textile technology is also poor.

Huang Daopo taught the weaving techniques she had learned to local women, and also improved a set of textile tools; Huang Daopo brought huge economic benefits to the locals and had a huge impact on the spinning efficiency of the entire country.

But after all, Huang Daopo was two or three hundred years later than the Kaibao period of the Great Song Dynasty, and the master of Xuanji Cave was able to teach brocade and cotton spinning techniques on the Xuanji platform, and the time was much earlier than Huang Daopo; She is the sage of cotton textile brocade of the Chinese nation.

The master of Xuanji Cave began to teach the craft characteristics and processes of Shu brocade.

There are many varieties of Shu brocade, and the traditional varieties are rain silk brocade, square brocade, paving brocade, scattered flower brocade, raccoon flower brocade, national brocade, color halo brocade and so on.

But everyone should pay attention to the fact that we are teaching the production of Shu brocade in Xuanjitai in the Yin and Yang Taijitu Square, and the symbolic meaning of Xuanjitai is Su Ruolan, a talented woman in the former Qin; The Xuanji diagram made by Su Ruolan is a sample of our reference for making Shu brocade.

Liu Min listened to the explanation of the Xuanji Cave Master, and a calm tide rose in his heart: the Xuanji Cave Master really set up this place as a model for Su Hui, a talented woman from the former Qin, and taught the selected male and female students the Shu brocade production process.

Liu Min thought excitedly, and the Xuanji Cave Master's preaching voice sounded loudly again:

In order to complete a Shu brocade work, it is mainly necessary to go through several important processes such as the first draft design, finalization, point craftsman, flower picking, machine installation, and weaving; Each procedure involves a lot of unique skills, but we must strictly control the following processes:

The first step is the dyeing process, which includes processes such as silk training and dyeing.

The second step is the pattern making process, including pattern design, color matching, picking and knotting, and loading and hoisting.

The third step is the weaving process, which includes two parts: pre-weaving preparation (warp and weft processing) and upper machine weaving.

Most of the brocade in Shu is based on the warp color stripe, and the color stripe is icing flowers, its pattern is prosperous, the texture is fine, the color is elegant, unique, it is a kind of colorful brocade with national characteristics and local style; The texture of Shu brocade is tough and plump, the pattern style is beautiful, and the color matching is elegant......

Liu Min was drunk when he heard it, and Grandpa Huo hurriedly walked over from there; Seeing that Liu Min was staring at the Xuanji Cave Master on the Xuanji platform, he was fascinated by it, so he slapped her on the shoulder and shouted, "Sister! ”。

Liu Min was slapped by Grandpa Huo's spirituality, stared at him in a daze, and said, "Grandpa Huo, where have you been, Minzi is listening to the master of Xuanji Cave explain the craft of brocade here!" ”

Grandpa Huo tugged at Liu Min and said, "Minzi, let's borrow a place to talk......