"Little brother, you're here, come and sit inside." As soon as he saw Chi Fei, the golden shopkeeper was overjoyed and hurriedly invited him to the inner hall.

After the two sides had a bit of noise, Chi Fei took out a thick stack of manuscripts and put them on the table and said, "Shopkeeper, this is the manuscript of the side story of "Xianxia", and I am sorry that it was written so late." ”

"Where, where, it's not too late."

The golden shopkeeper picked up the manuscript like a treasure and flipped it carefully, then put down the manuscript and said with a smile: "Don't you know, readers have come to ask about this matter every day recently.

They're used to seeing new books at the beginning of every month, so people often come to the store these days and ask if you've got a side story.

I had to explain to them over and over again that it would not be until next month, and it would be next month, and it was really tiring old man. ”

When the golden shopkeeper said this, he revealed a sense of satisfaction that he regretted and was really happy.

To be honest, for more than a year, he has not been worried that Chi Fei will not be able to end the story well.

After all, this work is too long, there are too many story lines in it, and the plot has repeatedly hit new highs, and each volume is more exciting than the other, which makes people want to stop.

And Chi Fei is too young, he has only written "Liang Zhu", and the second book is this "Xianxia".

In addition, "Xianxia" itself is such a grand story, and the golden shopkeeper is really worried that he will not be able to control such a big stall and write the story badly, which is a pity.

Fortunately, Chi Fei did not disappoint him, while the story climaxed repeatedly, the plot development was always under his control, which made the golden shopkeeper have to marvel that this young man is indeed a rare genius.

If Chi Fei knew that Shopkeeper Jin regarded him as a genius, he would definitely want to laugh.

Where is he a bullshit genius, he just has read enough online articles and knows a lot of good bridges and routines.

And he himself has experience in creating long novels, so he naturally knows how to make readers feel refreshed and at the same time, he just wants to keep chasing them.

In his opinion, the creation of each single book is better than the online article.

Because the online article needs to be updated every day.

If you want to keep readers interested in continuing to follow the article, you need to make some climaxes from time to time to keep readers fresh.

However, there is no such restriction in the single book, if it is calculated according to the average volume of 14 to 150,000 words, then Chi Fei can calmly use these hundreds of thousands to construct a complete chapter composed of three parts: early events, mid-term development, and late climax.

This is far easier to write than modern online articles, and it is easier to control the development of the plot.

You must know that due to the relationship between modern online texts and daily updates, many new writers are not enough to save manuscripts or lack of experience, and when they don't have time to carefully conceive the plot, it is easy to write and write the story and character design, which is a common problem.

Veteran writers, on the other hand, know very well what they can and can't write, which routines are pleasing to readers, and which routines are indiscriminately written and unsuitable for rewriting, thus avoiding many "pitfalls" in writing.

So even if the old writer doesn't write something amazing enough, at least it's decent and won't make some serious low-level mistakes.

That's the biggest difference between an old writer and a new one

What's more, modern readers are fed by countless online articles, so if the writer doesn't pay attention to it, it is easy to be disliked by readers, so this line is actually very cruel.

And readers in this world, due to the limitations of the times, there are not many types of books that can be seen, and the routines they have seen are also very limited, so it is relatively easy to satisfy.

For example, in modern times, Chi Fei would never dare to write the plot part of the heroine alone with a whole volume, that is, hundreds of thousands of words.

Because online readers are most interested in the story of the protagonist, other supporting character stories can appear occasionally, but they must not be too long.

Few readers can accept that the author uses hundreds of thousands of words to describe a supporting character alone, even if it is the heroine.

However, Chi Fei dares to do this here, and the readers still watch it with relish, which is the difference between the readers of the two eras.

Because there are so many readers who are easy to satisfy, Chi Fei writes much more easily, and he can write what he wants to write to his heart's content.

…………………………

From the eighth volume onwards, Chi Fei began to write treasure hunts.

It turned out that the real treasure of that mausoleum was not in the mausoleum, but in a deeper underground layer.

In order to prevent the invasion of tomb robbers, the original designer of the mausoleum installed various traps in the labyrinth, and also designed an ultimate trap. That is, once someone moves the sarcophagus in the palace, the entire mausoleum will collapse and seal the whole place.

The night pearl called the Gathering Spirit Bead is the key to this ultimate trap.

Anyone who wants to get this orb can only get it by destroying the sarcophagus that is the basis of the circle, and once the sarcophagus is destroyed or moved, the ultimate trap will be triggered, burying all the tomb robbers alive in the palace. So the design is seamless.

However, the designer never expected that someone would be able to get the beads directly with his hands without destroying the sarcophagus, and that person was Ji Zheng.

If Ji Zheng hadn't been hit by the masked woman to the sarcophagus and accidentally touched the mechanism, it is likely that this ultimate trap would not have been activated at all.

But it was precisely because of the ultimate trap that caused the collapse that Ji Zheng and the masked woman fell into the next layer where the treasure was stored.

After the two fell deeper underground, Ji Zheng escaped the danger of being hit by a boulder because of the protection of the tiger demon.

And although the masked woman was protected by a bronze man, she was accidentally hit on the head by a stone, and the whole person fainted.

Chi Fei didn't want to care about her, but he thought that in this situation of being trapped underground, there would be many people or many chances of escape, so he still rescued her and woke her up.

In this case, only by helping each other can they have a chance to escape, so the two agreed to put aside the fight for the time being and cooperate before going out, and it is not too late to fight after they go out.

In this way, the two embarked on an escape journey underground.

This masked woman is indeed a disciple of Lingyun Zhai, named Wan Lingyin.

The spirit bead that fell into Ji Zheng's hand was a treasure that had been lost for hundreds of years by her master Lingyunzhai.

Being able to gather the aura of heaven and earth for one's own use is a treasure that can quickly improve one's cultivation for cultivators.

When the secret treasure appeared, the head of Lingyun Zhai speculated through the various characteristics of this secret treasure that it was likely to be the spirit bead that had been lost for many years by the master, so he sent his disciple Wan Lingyin to investigate. That's what led to a series of things.

When the two escaped, they also accidentally discovered countless treasures hidden underground, and even a large number of weapons.

Ji Zheng speculated that this place might not be a mausoleum at all, but a place used by a small country that had long since disappeared for many years in history to preserve royal treasures.

Therefore, no one recognizes the various statues and inscriptions inside, because they are not Middle-earth objects at all.

For these countless gold and silver treasures, Wan Lingyin, who had a cold personality, was not interested, and did not even touch them.

Although Ji Zheng is not as tall as her, it is really not suitable to carry too many things on the way to escape, so he just took a few treasures that are easy to carry.

In order to find a way out, the two explore everywhere in the tunnels.

When they had no way out, they accidentally found an underground river, and they sneaked along it.

Fortunately, they are all cultivators, and they can hold their breath for a long time if they practice internal breath, otherwise if they were ordinary people, they would have suffocated to death halfway through.

While sneaking, they also encountered several monsters lurking in the underground river.

After a thrilling fight, the two finally killed the monster, but Wan Lingyin was seriously injured during the fight.

She thought she would definitely die, but she didn't expect that Ji Zheng did not abandon her, but carried her on her back without saying a word.

Wan Lingyin, who was lying on Ji Zheng's back because of her injury, changed her perception of this person for the first time in her heart.

After some adventures, the two finally escaped and saw the light of day.

This is the first acquaintance of the hero and heroine, and it is also the main content of the treasure hunt in the eighth volume.

As soon as this treasure hunt came out, it was really popular.

Especially Chi Fei, in order to let readers have a more intuitive experience, he not only described in detail the scene when the two of them entered the treasure room and saw countless gold, silver, jewelry and various rare treasures, but also accompanied by a sketch of the treasure room.

Through Chi Fei's detailed description, as well as the looming sketch, readers are amazed by this huge treasure and have an incomparably envious emotion in their hearts.

Any thing here, if you take it out, it's a priceless treasure!

And such treasures are everywhere here. How can this not be exciting.

Therefore, when seeing Ji Zheng give up the treasure and leave directly in order to escape, many readers felt a strong sense of pity while understanding.

Fortunately, Ji Zheng took a few treasures before leaving, otherwise it would be a pity.

But thinking that if there is a chance in the future, Ji Zheng can come back to get the treasure, the readers feel a little better.

In addition to the treasure, for the new female character of Wan Lingyin, readers were not cold or even a little disgusted at first, after all, the other party was Ji Zheng's enemy.

However, as the plot develops, readers gradually discover that this woman doesn't seem to be as annoying as they imagined.

Especially when Wan Lingyin was injured and the veil on her face accidentally fell off, revealing a dazzling and stunning appearance, the reader's perception changed suddenly.

I began to feel that although this big beauty has a colder personality, she is not an ungrateful person.

At least after being saved by Ji Zheng, she was still touched in her heart.

The reason why he was hostile to Ji Zheng before was because of his different positions, which is worthy of forgiveness.

Look, the person is still the same person, just because this veil is off, this face is revealed, and the attitude of many readers is changed in an instant.

Sure enough, whether it is ancient or modern, appearance is very important, and Yan dogs are everywhere.

Especially in ancient times, there was no plastic surgery technology, and everyone's appearance was innate, so it is indeed advantageous for a person to look good.

In this eighth volume, Chi Fei successfully portrayed Wan Lingyin as an indifferent iceberg beauty, fully revealing the proud side of the heroine.

Therefore, the name suggests, the attribute of tsundere must be proud first and then coquettish, so that there will be a strong contrast and cuteness.