Liu Min put on the feather coat, and his spirit was immediately revealed; The former Zhao Feiyan, Gongsun Auntie, and Yang Yuhuai were thrown out of more than a dozen streets by her.

Liu Min's feather coat is fully utilized on the basis of her predecessors, and it is also the best product that she bought materials and brought them back to the inn overnight after being inspired by the people's market in Daxiangguo Temple.

Liu Min's feather coat not only has the soft bird feathers that Yang Yuhuai performed when he performed the neon dance, but also carries the five-color embroidered Luo wide robe of the Turkic Stone Country dancer, and wears a hat on her head; There was a golden bell on the hat and a silver belt around the waist.

This kind of decoration seems to be a bit nondescript, but this kind of nondescript is probably the wonder of medical skills; The cost of winning is strange.

When Liu Min was ready, he stood on the selected site and looked forward; I saw that a puppet show was being staged in the hook fence on the other side of the Sang family's tile.

The puppet show is the puppet show of later generations, and the huge burning orchestra is like the large band of the Central Song and Dance Troupe; Blowing and blowing the provinces and cities of Hongda.

Sangjia Wazi and Goolan and the Monk Burning Orchestra are celebrating Song Taizong's 43rd birthday; Zhao Dechang, the third son of Taizong, was invited to meditate on the high platform by the burning orchestra, and behind Zhao Dechang stood Zhang Qi and more than a dozen biao-shaped men; You don't need to ask people to know that these big men are Zhao Dechang's guards and bodyguards.

The third prince, Zhao Dechang, has a blessed face, and at first glance he is a true dragon prince; After Zhao Dechang was born, he was especially loved by his uncle Zhao Kuangyin, who raised him in his palace; also said that this kid will have a great future in the future.

Zhao Kuangyin may have said this sentence unintentionally, and even he didn't seem to realize it; But Zhao Kuangyin's prophecy came true, and Zhao Dechang prospered all the way to the emperor's throne; The name alone has changed several times.

The name of the third prince was Zhao Dechang at the beginning, and then it was changed to Zhao Yuanxiu, Zhao Yuankan, and finally Zhao Heng.

Zhao Heng himself didn't seem to want to be the emperor at all, but the development of events historically put the burden of the emperor on him.

The third prince Zhao Heng can sit on the emperor's throne, which is probably the result of the right time, place, and people; It may also be intentional by God.

Isn't it? The eldest brother Zhao Yuanzuo sat firmly on the crown prince's throne, but his uncle Zhao Tingmei was persecuted by his father Zhao Guangyi and died; Zhao Yuanzuo couldn't figure it out and went crazy.

The crown prince was transferred to the second prince Zhao Yuanyou, and although Zhao Yuanyou sat on the throne of the crown prince, Zhao Guangyi was slow to justify him and made him the prince Li Wei.

Zhao Yuanyou couldn't figure it out and drank poisonous wine by mistake and died.

The two brothers lost the throne of the crown prince inexplicably, and Zhao Heng picked up a leak and became the prince and became the emperor of Zhenzong.

Zhao Guangyi used improper means to seize the heir and usurp power, and wanted to train his son to be the successor; Unexpectedly, the two sons were defeated on the road to the Son of Heaven on the prince's path.

Zhao Yuanzuo was just crazy and did not die, but Zhao Yuanyou really went to Huangquan.

The puppet show and the burning orchestra are on the left and on the right, which is very lively; The majestic field was unprecedented, which made the chubby face of the 14-year-old third prince Zhao Heng show a heartfelt smile, and Zhao Dechang sat proudly on the special seat prepared for him by the Sang family Wazi; Watch the puppet show and the burning orchestra play with great interest.

Zhang Qi walked up to him and muttered a few times in his ear: "Master, you look forward!" Zhang Qi said as he pointed his hand forward.

Zhao Heng looked in the direction of Zhang Qi's finger, and saw a beautiful woman dressed as a red butterfly and a flower butterfly appear on the street not far in front of the Sang family tile.

Zhao Heng opened his mouth wide and said, "Little Brother Zhang Qi, I had a strange sleep last night, and I dreamed that a butterfly that has been colorful has been flying into my arms; The beauty in front must be the flower butterfly in my sleep, let's go and see! ”

Zhang Qi bowed and said, "That's that!" Master, we're going to see the beauty now! ”

Zhang Qizi Yuanbi, a native of Kaifeng; At the age of eleven, he served in the palace of the three princes, and after the three princes ascended the throne, he was appointed as the official of the west head.

Zhang Qi once accompanied Shi Zhihao to shoot arrows in the imperial garden, and successively hit the bull's-eye and promoted him to be the deputy envoy of the reserve warehouse and bring imperial equipment.

During the Xianping period of Song Zhenzong, the Khitan violated the border; Zhang Qi was promoted to the southern workshop envoy, Zhaozhou Thorn History, and Tianxiong Army soldiers and horses by virtue of his merits.

The war on the border was not lifted, and he was transferred to Zhenzhou and then to Dingzhou.

The Khitan surrounded Wangdu, and Zhang Qi and the generals went to the rescue from the small road; By the time he arrived, the city had fallen, and Zhang Qi and the enemy were injured in many places; Kill the Khitan's fierce generals.

At dawn, the battle began again, and Wang Jizhong was captured by the Khitan; After Zhang Qi returned, he took advantage of the situation to say that the law of heaven was beneficial to those who acted first, and asked for a large-scale crusade against the Khitan; and the date of the departure of the Xingshi.

The Emperor consulted the auxiliary ministers, who did not think it was feasible; Moved Zhang Qi to the Zhaozhou regiment training envoy and acted as the governor of the state.

The following year, the Khitan army invaded again; The emperor wanted to recruit in person, and Zhang Qi played more than ten side affairs; Most of them are arguments that the use of troops is more important than holding on and how to win.

The emperor summoned Zhang Qi into the court to deal with it, saying: "You once asked for the Northern Expedition, and the Khitan entered the border fortress, which was the same time as your request to send troops; Regret not using your scheme. Now there is no candidate to lead the state, what should I do? ”

Zhang Qi asked to go. The emperor was very happy, appointed him as the governor of the west of the car, and ordered him to go to Lanzhou to observe the distance of the Khitan; Zhang Qi galloped away on horseback and was reappointed as the commander of the eastern platoon.

Because Zhang Qi had been to Hedong and was familiar with border affairs, the emperor summoned him to Xuanhe Pavilion to inquire about the steep or flat conditions in the regional township.

Zhang Qi then said: "The four counties of Yun, Ying, Wei, and Shuo sometimes send people to transfer documents to the merger and generation, either to observe the virtual reality of the border, or to familiarize themselves with the road. Daizhou should be told in secret that those who came from Yun, Ying, and Wei should enter through the Dashigu, and those who came from Shuo should enter through the mounds, and the rest of the paths should be blocked to show the danger. ”

Zhang Qi followed the emperor to Dongyue to seal Chan, moved to Jiangzhou defense envoy, and waited in front of the palace.

At that time, the Yuqing Palace was built, and Zhang Qijin said that he had exhausted the country's financial resources; It is not a practice to inherit the will of God.

Zhang Xian's Empress Dowager collapsed, Zhang Qi shot with his left servant and the Protector Army was sentenced to Xuzhou, moved Xiang, Deng, Meng, Xu, Chen, and Shou to six states, and sealed Xu Guogong.

Zhang Qi beckoned more than a dozen big men behind Zhao Heng and accompanied Zhao Heng down the high platform of the hook railing; I saw that the Sang family tile was crowded in front of the fence, and the shoulders were one after another.

Zhao Heng, accompanied by Zhang Qi, squeezed out of the crowd and walked towards the flower butterfly beauty.

The flower butterfly beauty that Zhao Heng said is undoubtedly Liu Min.

At this time, Liu Min withdrew his indifferent gaze from the Sang family's tile; A "hum" came out of his nose, and he said silently: "I saw mud on my legs when I came out of the water!" Seeing that the audience is now gathered in front of your hook fence, I'm afraid half of them will be pulled over when the gong sounds! ”

Is Liu Min bragging? It doesn't seem to be, she knows what she's capable of; And this strength was cultivated in Xuanji Cave.

Liu Min's Gongsun Aunt's "Sword Dance" and Yang Guifei's "Feather Dress Dance" are better than blue.

Liu Min created "Tuoba Dance" on the basis of "Sword Dance" and "Dance of Feather Clothes".

What is "Takueda Dance"? According to historical records, Kou Zhun, the famous minister of the Northern Song Dynasty, liked "Tuoba Dance" the most, and Kou Zhun's "Tuoba Dance" may have been learned from Liu Min.

Tuoba dance was popular in the Tang Dynasty and belonged to the category of "Jian Dance"; Qu Tuozhi belongs to the "soft dance" category.

There are many poems in the Tang Dynasty that describe the "Zhezhi Dance", and these poems often write about the moving sound of drums.

For example, a flat brocade feast is opened, and three consecutive drums are drawn. The drum urges the remnants of the waist to be soft, and the sweat is through the rain of clothes. "Zhezhi" first came out with the drum move, and the big drum danced "Tuozhi": it fully proves that the "Tuozhi Dance" is performed and danced under the accompaniment of drums, and its dance must have the characteristics of distinct rhythm, warm atmosphere and healthy style.

The Tang Dynasty poet Zhang Hu has a poem "Zhou Yuan's Outer Seat on the Observation of Tuozhi":

Painting drums and dragging rings brocade arms,

Xiao'e changed her dance clothes.

The golden silk is thin and the red shirt is thin,

The silver vine is long with purple flowers.

Luan Ying looked back at the same time,

The phoenix began to rest and spread its wings.

For a while, the wrist trick is still shooting,

Leaning and bowing lightly to Yulang.

The second: "Watching Yang Ying Zhezhi"

Promote the stacking of barbarian rays to attract branches,

Roller blinds with hats hanging down.

Purple shirt like squatting,

Red brocade boots when stepping on the festival.

The micro-moving emerald moth throws away the old state,

Slowly cover the mouth and sing new words.

Look at the dancing clouds,

But he went to King Xiang's dream.

From this, it can be seen that there are singing passages between the performances of the "Takueda Dance".

After the "Tuoba Dance" was introduced to the Central Plains, it has gradually developed and changed in the extensive and long-term circulation, from the single "Zhezhi Dance" that maintains the original national style to the "Double Zhezhi" performed by two people; There is also the children's dance "Qu Tuozhi" (or "Qu Zhi"). Perhaps due to the different performance styles, "Qu Tuozhi" does not belong to the category of "healthy dance", but to the category of "soft dance".

"Zhezhi Dance" was originally a women's solo dance, dressed in a beautified national costume and wearing brocade boots; The accompaniment is dominated by drums, and the Zhezhi dancers appear to the sound of the drums.

Bai Juyi's "Zhezhi Prostitute" has "three consecutive strokes and drums". The dance posture is rich in variety, both strong and bright, but also graceful and pretty. The dancing sleeves sometimes hang low, sometimes cocked, that is, the so-called "drum in the sleeves" and "long sleeves into the Chinese jacket" in the poem.

The fast and complex stepping dance makes the golden bell of the wearing sound crisp. The audience marvels at the lightness and softness of the dance. Towards the end of the dance, there is a deep lower back movement. The description of "Zhezhi Dance" in Tang poems has many similarities with the popular "Hand Inspiration" in Xinjiang in later generations.

After the "Zhezhi Dance" was widely circulated in the Central Plains, there was a special performance of this dance "Zhezhi Ling", and developed from a solo dance to a pas de deux, and then there were two girls who hid in the lotus flower first, and then came out to dance the soft dance "Qu Zhezhi". His dance style and performance form have changed greatly.

There are two women stepping on the lotus flower on the side of the remnant monument of Xingfu Temple in the Tang Dynasty, and the stone carvings that dance opposite each other may be related to the dance of "Qu Zhezhi" in the Tang Dynasty......